Back from the Magic Kingdom! AND a Cover Reveal for Book 4 Coming Your Way!

I can’t even describe the joy I found in Orlando when I went to the Walt Disney parks found there. I’m not even going to try. I’ll just say, “I’m home!”

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Yesterday I saw the cover for my upcoming young adult novel BURN BABY BURN BABY for the first time. I was speechless. I was goosebumps. I was teary-eyed. I was mesmerized. I LOVE IT!

I can’t wait to show you. It’s one of the best covers I’ve seen in a long time. And I get to share it with you tomorrow (WEDNESDAY, OCTOBER 1st, 2014)!

If you would like to be a part of the cover reveal, please let me know. I’d love to have others host the reveal on their blogs, tumblrs, etc. Just let me know and I can send you the cover file along with some information about the book, etc.

Or…just stay tuned for tomorrow’s post! And feel free to share the cover far and wide once the reveals roll out.

Thanks much!

BURN BABY BURN BABY AT CURIOSITY QUILLS PRESS!

BURN BABY BURN BABY - COVER REVEAL COMING TOMORROW!!
BURN BABY BURN BABY – COVER REVEAL COMING TOMORROW!!

BURN BABY BURN BABY ON GOODREADS! <<<Don’t forget to add it to your shelf!

Man, I am in LOVE with this cover. My publishers have truly outdone themselves!

Music – Nostalgia – Shared Experiences – Relatability – Pain – Joy: These ARE Writing

My mind went on a little roller coaster ride this morning when a friend and fellow writer made an off-the-cuff comment on Twitter about Elton John’s Sad Songs (Say So Much). It was just a passing remark, but that song. That song! Every time I hear it, it’s a lesson to my writer self. It’s not a ground-shatteringly glorious song, or anything. I’m not saying it should win the Best-Song-Ever award, or anything like that. But it speaks to me. Every time.

As writers, we need to tap into the truths that Elton John hits in this song. The writer’s best friend is RELATABILITY. Once you earn the reader’s trust to the point that they GET the emotions and nuances that you’re writing about, they’ll take your hand. Once they take your hand, you got them. They’re yours for the remainder of your story. As long as you don’t suddenly alienate them.

To dip into this song that continues to haunt me as a lesson in writing, let’s look at some of its lyrics, shall we?

Guess there are times when we all need to share a little pain, and ironing out the rough spots is the hardest part when memories remain… ~ Bernie Taupin

When you can write about raw pain–authentic pain–you’re bound to engage your reader. Because we all know pain. I don’t think you even need to zero in on the pain that a particular reader is familiar with through personal experience. All the better if you do, but pain is pain. If you can ignite a reader’s empathy, you’re golden. At that point, the sharing is sort of cross-pollinated. The reader forms a relationship with you, they sink deeper into trust and, ultimately, into story. These opening lines in the song remind the writer to be vulnerable, to share pain. They also speak to a sense of nostalgia.

And it’s times like these when we all need to hear the radio, `cause from the lips of some old singer, we can share the troubles we already know ~ Bernie Taupin

Man, I love those next lines! So true. I always feel better when I hear a sad song. Again, the sharing comes into play. Life is a shared experience, or at least a rich life well lived is a shared experience. And though this song focuses on SAD as the emotion of response, we can also achieve the same goal with HAPPY as the emotion of response. The key is in the sharing. In the camaraderie of emotions.

When all hope is gone, why don’t you tune in and turn them on… ~ Bernie Taupin

As I relate these lines to writing, I see them as sort of a rallying cry. They remind me to remember my readers. I like to take readers to the edge of whatever emotion it is I’m trying to touch upon. Be it fear, sadness, joy…what have you. There is no point just brushing against an emotion. In fiction, in my humble opinion, it is emotion that makes the suspension of disbelief line blurry. You need that line to be blurry, whatever genre you write in. To make a reader bleed, or squeal in excitement, or scream in fear…you need to write authentic emotional scenes. Otherwise, they will turn the dial and find somebody else to turn them on.

They reach into your room
Just feel their gentle touch
When all hope is gone
Sad songs say so much ~ Bernie Taupin

Right?!

If someone else is suffering enough to write it down
When every single word makes sense
Then it’s easier to have those songs around
The kick inside is in the line that finally gets to you
and it feels so good to hurt so bad ~ Bernie Taupin

Therein lies the rub. It feels so good. It does! It does feel so good to hurt so bad. If you do it right, it feels great. Because you are connecting to the sense of nostalgia your reader may have, you’re connecting to their humanness. Make them feel, and they are yours.

I want my readers to put my book down and sigh. I want to bring them to the edge of every emotion, and then I want a crescendo of a climax. And then I want to punch them in the gut with the softest most lilting denouement I can muster. THE KICK INSIDE IS IN THE LINE THAT FINALLY GETS TO YOU. I require my reader to stop and pause at the end of the denouement. And sigh. I need that line that finally gets to them.

So, when I hear this song on the radio…it speaks to me. It tells me to be good to my readers. It tells me to let them in to my inner emotional circle. It tells me to be a vulnerable writer if I want to win over readers. I listen well to this song. I take heed.

Yeah, Elton John & Bernie Taupin…SAD SONGS DO SAY SO MUCH. Thank you for making me a better writer. And thank you, Tobin Elliott, for reminding me again to heed the lessons for writers that can be found within this song…

I’ve Gone Mobile (Or, Writer Gone Wild!)

I have made the move. And it feels great. I wasn’t sure if it would work out or not, but I’m LOVING it!

No more laptop, no more desktop. No more pens, no more pencils, no more books…no more teacher’s dirty looks. Oops. I didn’t mean to go there. It just happened. What I’m trying to say is I made the switch from laptop to tablet. And I’m loving it.

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I thought I would give it a try because it’s ridiculous how quickly we get used to the downsizing of our electronic lives. The desktop computer seemed impossibly large when the laptop came into existence, and now…just the mere thought of carting my humungous laptop around exhausts me. (-;

When I got my new tablet, the first thing I thought of was writing. I was excited to get the closest app to MSWord and see if it would work for me. I immediately downloaded the free version of OfficeSuite, and loaded my latest manuscript to the app to see what I could see. It’s a go. The onscreen keyboard works well, the functions are similar enough in the app that I was comfortable transitioning without feeling lost in new technology. I began editing and writing. And I did so for a couple of days. Once I was sure that I could work in the new environment, I upgraded to the full version of OfficeSuite. For $21 a year, I felt it was well worth the investment. I now have writing on the go. Right there at my fingertips, wherever I am.

It feels liberating. That laptop–at least in my mind–was beginning to weigh a thousand pounds. With the tablet, and its functioning and acceptable 10″ screen, I have the freedom of mobility with the comfort of a bigger size than the smartphone I was considering using as my go-to writing implement.

To be perfectly satisfied, I created a new file and switched it back and forth between my laptop and my Samsung tablet. Just to make sure that formatting didn’t get messed up, or anything untoward would happen to the files compatibility-wise. It’s all good. It’s a go. I am now a tablet writer. (-:

I’ve been wanting to try this for quite some time, but I was leery. I thought it wouldn’t work out, for some reason or other. But I’ve gone mobile. This writer done gone wild…

Now…time to write.

I leave you now with Mr. Writer, by the Stereophonics. Because all writers are beautiful clowns…

Five Hundred, Twenty-Five Thousand, Six Hundred Minutes – A Summation

I always consider September to be the start of the new year. I don’t know why. I see the bursting of flame in the trees to be the start. As the leaves turn orange and red and gold, on their way to slowly dying, the new year begins.

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay. ~ ROBERT FROST

Well, leaf is subsiding to leaf in Ontario right now. It’s only just begun, but the experts among us can recognize the signs. Autumn is entering our world. We try to harness its beauty, even as we try to ignore the fact it will be followed by the extreme bleakness of winter. We try to hold on to the dying, because we intrinsically know that nothing gold can stay. Autumn is an extreme beauty that teaches us the fleeting nature of time itself. Maybe this is why I feel that September is the beginning. Maybe the death of nature is simply more important than the birth of nature. Autumn is an event that causes me to pause and take stock.

HOW DO YOU MEASURE A YEAR IN THE LIFE?

The year in the life of this writer did NOT see a lot of writing. But, man, I’ve been percolating like crazy. But BUM IN CHAIR writing? Not so much. I’ve been laying the groundwork. I’ve been erecting the scaffolding, as it were.

I actually had a great year. I had another play produced for Driftwood Theatre’s Trafalgar24 event, my agent sold TWO of my novels to a new publisher, I mentored at the Ontario Writers’ Conference, I almost completed another novel and I began another one at this year’s Muskoka Novel Marathon. As a writer, once you get momentum, your accomplishments tend to bleed into future years. Things you did three or four years ago begin to pay off in THIS year. I’m grateful for the two upcoming releases, and they make me feel like I’ve accomplished something, but both of them are things of the past for me. It’s an odd dichotomy. Writers can stand still and continue to have things going on around them that make them appear to be doing something. That’s me this year.

So, as the leaves start their quick descent into darkness, we reflect on the previous year and we try to imagine where the next year will take us.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light. ~ Dylan Thomas

We cannot fathom death waiting for us in the new year, for we rage rage against the dying of the light. We begin a year with only hope. Hope for greater things than those the previous year have given us. In truth, it’s going to be hard to imagine a better year than the one I just had. I did some bucket list culling this past year. And it was all in the guise of collecting grist for the writing mill. I walked the Camino de Santiago in Spain with pilgrim leader Sue Kenney, in hopes of writing about it. I took THE LEFTBANK WRITERS RETREAT IN PARIS, in hopes of knowing the city I have loved from afar for an entire lifetime. Why? So that I may write about it. I have lived vicariously through Ernest Hemingway’s A MOVEABLE FEAST for decades. I have MAD love for that book! I walked in Hemingway’s footsteps this past June. For the cause, I told myself. For writing. The Leftbank Writers Retreat is actually Hemingwaycentric. Darla Worden, along with her amazing faculty Sarah Suzor and Travis Cebula, builds the retreat around Hemingway’s life in Paris. It’s a beautiful week of sightseeing and writing in one of the most gorgeous cities in the world. If you want to do one special thing for your writing journey next year, take Darla’s journey of Paris. It will change you forever.

This coming year is going to see a continuation in my arc of change. Hopefully, it also sees a rebirth in my dedication to prose. I have harvested such a bountiful crop of experience. I’m ready to parlay these experiences into stories. I have no idea what I will do with these experiences, but I do know that words and thoughts and ideas are percolating. I look forward to continuing on this writer’s journey. I hope to have some of you join me along the way.

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Canadian writer Pierre Berton once said, “MY BEST ADVICE TO WRITERS IS GET YOURSELF BORN IN AN INTERESTING PLACE.”

My advice would be to make the place you were born in interesting. And if you can’t do that, there’s a whole world out there just waiting for you to discover. Explore it. Carry the words of this world with you wherever you may go. Write to share the love you see around you. And rage, rage against the dying of the light…

I leave you with this year's most precious new arrival...
I leave you with this year’s most precious new arrival…

Burn Baby is Now on Goodreads!

My upcoming young adult novel is now on Goodreads! This means you can add it to your bookshelf now. 🙂

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This will be my fourth published novel and my third published Muskoka Novel Marathon novel. BURN BABY hits bookstores December 11th. Soon, there will be a cover reveal for it. Until then, feel free to add it to your shelves!

Check out this book on Goodreads: Burn Baby http://www.goodreads.com/book/show/23208375-burn-baby

The Book of Your Dreams – Chapter 1 of my Muskoka Novel Marathon Novel…

Unable to fall back to sleep, I thought I would finally open my Muskoka Novel Marathon novel. I just read the first chapter…thought I would share it here. I’ve been so disappointed by this year’s efforts . I’m going to try to work with what I got, though. Out of nowhere I decided my YA novel would be a horror this year. From that bad decision, it went downhill from there.

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Anyway…here’s chapter 1…which I need to edit. Just trying to motivate myself to write. To edit…

CHAPTER 1

My first clue should have been the honking big bells hanging off the front door. Only geezers use those things. They have them on the door in case they drop dead of old age and boredom or something. Someone accidentally comes into their store, the bells crash all over the place and they’re brought back to life.
Anyway, I wish I could take it all back. I wish I could go back to that first day and look at that piece-of-crap-falling-apart bookstore and not want to go inside. Curiosity don’t only kill cats, dude. That bookstore was the worst thing that ever happened to me.

When I opened the door, I got a hot rush of mold and old wood and old pages and ancient leather. Man, it was just too good.

I’m a book addict. There. I said it. That was my downfall. And, the older the better. Give me an old book and I’m in nirvana. Mr. Clancy says I’m a dying breed. I may be seventeen and stupid, but even I know books will be around long after the apocalypse hits. Yep, books and cockroaches.

I walked inside and the first thing I saw was the old white cat sprawled on the hardwood floor. He stretched inside a thin shaft of sunlight coming in the front window. Spreading away from—or drifting towards—the dirty old thing was a line of dust motes. It looked like both the cat and the motes were fighting for the light.

The cat lifted an eye in my direction long enough to telepathically say, ‘don’t fuck with me, I’m busy here’.

There were eight rows of thick wooden shelves, all filled with books that looked older than Great-Gram Imogene. If that’s even possible. Old bat’s like seventy-six, or something. She loses teeth every day. They just drop out of her skull like her gums are melting. Seriously.

I went right to the first shelf and started looking at all the books. I guess I should say I kind of caress books when I’m in bookstores. I like to touch their spines and just get all up in that. It kind of connects me to the writers, right.

Anyway, I was kind of spooked out right away. What bookstore isn’t like jammed packed with colour? Everywhere I looked, there were only about two colours…brown and black. And with all the dust motes floating around wherever the sunlight hit, it kind of looked like there was a low-lying fog throughout the store. When I’m fishin’ with Dad, low-lying fog is a good thing. Shopping in a bookstore? Not so much.

I had my hand on an old smacked-down mud-dragged copy of a Russian classic—The Brothers Karamazov—when I heard a rumbling throat clearing that sounded like stones in a washing machine or a cat stuck up in a car engine when the ignition gets turned over. It was something you don’t like hearing and would do anything to un-hear.

I’ve never heard a death-rattle, but Dad jokes around enough about them that I’m pretty sure something behind me had just made one.

“That’d be a good pick, right there, son.” The hairs up my arms reached away and I clenched my head into my neck like a turtle, only I couldn’t make my head disappear down inside my shell. His voice was way worse than his throat-clearing. The cat agreed. It snarled at the old man like he wasn’t its friggin’ owner, or something.

Just as I was about to tell him I already read The Bros Kara, my eye caught something shiny. You have to understand, in a store as dull as that one it was almost a eureka moment to discover something that stood out. The old man, who was not quite in my line of vision yet, was already objecting to the book I hadn’t yet picked up.

As my hand reached out to grab the spine—anything shiny in the dull dark ocean of books, dust and derelicts—he stepped between me and it.

“You don’t want that one, son.”

Who tells a kid that? Of course it automatically became the only thing within a twelve block radius I wanted. And I still hadn’t seen the title. Like the ninja that I am, I deeked around him and made a grab for the shiny-shiny.

“Ooh!” I said. “The Book of Dreams! Sounds awesome. Is this like the Tibetan one?”

“Young man,” he said. “I’m going to have to ask you not to touch that particular book.”

My hand was already on the gold spine. As I moved to haul it out of its slot on the shelf, though, the old man’s hand engulfed mine. My first sighting. A hand as white as bone and, well, bony. And cold. The hair standing up on my arms was now electrically standing up. I felt the ice course through me, like his touch was actually lowering my body temperature.

But I’m a kid who likes his books, right. And I was in a bookstore where the shelves were filled with books. And who the hell was this old coot to tell me what books I can or cannot touch? It was for sale, dude. If it was on the shelf in plain view—in a bookstore—it was for sale. End of story.

I wrenched myself away from that grip and stepped away from the shelf with the book in hand.

“Don’t say I didn’t warn you, Ethan,” the old man said as he turned and walked back to the counter at the front of the store. “Don’t say I didn’t warn you. Just know that some books opened can’t be unopened.”

“What the hell does that mean?” I said. Now I was feeling brave. I won the standoff. I had the book in my hand. Dude was too weird. As I watched his back move up the thin aisle, I saw that he was impossibly tall and skinny. Like a basketball player who had just returned from a vacation at that Auschwitz concentration camp, or something. Like, he should be dead skinny.

His black suit was three sizes too big and filled with dust. He had an aura of dust about him that struggled and mingled with the dust motes that filled up all the empty spaces in the store. Dude was totally creeping me out.

I turned my back on Lurch and made to crack open the gold cover. My heart raced, like I needed to see what was inside.

“You read the title wrong too, son. Take another look. It’s The Book of YOUR Dreams.”

I stopped what I was doing and returned my gaze to the cover. The Book of Your Dreams. Huh? I couldn’t figure out how I had read that wrong. I was certain it had said The Book of Dreams.

I should have piqued then. Something wasn’t right. Between Lurch and his pissy cat and the dust motes and the book, I should have just got my shit out of Dodge. But I was intrigued. Like I said, I’m a bibliophile. And that book was calling my name.

I spotted a chair at the end of the aisle and took the book over to it. I sat down and opened the book.

He just called you Ethan.

“Hey,” I said. “How did you know my name?”

“If you haven’t looked inside that book yet, you can still leave it be and pick another. You still have prerogative on your side, Ethan.”

Talk about creeping the hell out of a kid.

“How the hell do you know my name?”

But I didn’t wait for an answer. None of the alarm bells were ringing in my head. Or at least not properly. He had suggested a forbiddenness about that book and I was never one to take to that kind of shit very gently. I dove into the book.

After turning the first few pages, though, I began to lose interest. They were empty and a rotten smell emanated from them. Like that book hadn’t been opened for decades and all the badness that had ever lived in the ancient bookstore had come to rest within this one book’s yellowed pages.

“It stinks,” I said more to myself than to the man, who now seemed too far away to carry an actual conversation with him. Like I would have wanted to. He gave creeps a bad name. “Why does it smell so bad?”

But he was listening. From the front of the store, he said, “That’s a question you really have to ask yourself, young man. You have things to hide in that little head of yours? You have things to be ashamed of? You sure that smell ain’t coming from the inside? Skunk smells his own stink first, Ethan.”

I stood up and walked towards him, book in hand.

“Stop saying my name. How do you know who I am anyway?”

“I’m just saying that book knows you better than I do. I’m just a silly old man who tried to warn you not to dance with the devil. Now you’re dancing, young man. Now you’re dancing.”

Talk about weirdness.

“What the hell are you talking about?” I put the book on the counter and kept thumbing through its empty yellow pages. “You trying to scare me? Who put you up to this anyway?”

The bells on the door rang. And not just a little bit. It was like somebody had taken them off the door and slammed them into it. And then stomped on them for good measure. I swung around to see who had come in, but the doorway was empty. Nobody there.

I jumped as something brushed against my ankle. Then I felt like an idiot, because when I looked down it was only the stupid pissed off cat wrapping itself around me. Someone needed to be pet. Guaranteed petting was not something that old man would ever do.

When I reached down to pet the cat, though, it hissed and snapped at my finger. Bitch drew blood with its dirty stinking fangs.

“Ouch! Jesus.”

“You wanna watch out for Lilith. She’d sooner eat ya than look atcha. Clean that out before it gets infected. Cats are filthy creatures.”

I sucked at the cut and rolled my eyes at Lurch.

“Gee, thanks, dude. First you try to stop me from buying a book, then your cat bites me and then you try to freak me out about rabies or some shit. Customer service in this store is tripping.”

“You have bigger problems than an old cat bite, Ethan. You let some stuff in and you let some stuff out when you done opened that book. I warned you. I’ll say it again.”

“What do you mean? It’s just an empty book filled with empty pages. That stink like shitty bad breath or something.”

“No. It’s out now. Your book is never empty. It’s the Book of Your Dreams. They there. You just have to see—”

“Fuck off,” I said as I pushed the book away from me. Cutting him off mid-sentence didn’t mean anything. I still got the gist of it. The pages in front of me were filled with words. He was right. I just had to see. And there they were, line after line after line of words.

“Can’t leave it now.”

“What the hell? I’m out of here. You’re a freaky old man. I don’t know how you did it. I actually don’t give a shit how you did it. I’m out.”

I made for the door. But the old man came out from behind the counter with a book bag in hand. He was sliding the gold book into the bag as he made his way between me and the door.

I looked into his face for the first time. Ever see one of those skeletal people in horror movies? You know the ones. They’re not dead, but they’re so skinny and frail and grey and white that you just know they’re gonna keel over in the next ten minutes and start eating brains or something. Dude was like that. Hollow cheeks. Empty eyes that looked just as dusty as his black suit. His lips were slits of white, just gashes in his face. I thought about screaming but knew the sound of it in that dank store would terrify the hell out of me. So I muffled it. I ate the scream like I never ate a scream before in my life.

There I was. Right in front of the door. With Lurch standing between me and it. I wasn’t getting through him. Just as I knew he was scrawny and near death, I also knew he’d be like frigging Gibraltar. A man of steel. Something in my head and my heart told me not to mess with him.

He reached toward me and I thought for a second that he might kill me. But I noticed that it was the hand with the bagged book in it that came out to meet me.
“Here you go,” he said. “You can’t leave without your new purchase.”

“I ain’t buying that piece of shit. Get it away from me.”

“Son, it’s already paid for. It’s yours. Bought and paid for. Told you not to open it. They usually don’t listen, Ethan. Not usually. In recent memory, I only remember one boy taking heed of my words and putting that book back on the shelf. Since you ain’t him, you bought this book. Now take it.”

He nudged the book into my belly, pushing it against me like he was attempting to break the skin and lodge it in my abdomen.

I backed off and pushed back. “I don’t want it.”

“Take it and go, young man. You stopped playing with choice when you opened it. Take it. And go.”

His eyes burned so hard into me that I did the only thing I could think of to do. I reached a hand toward his and grabbed hold of the book.

“There you go. Now get.”

“You’re a crazy old man,” I said. I know. Lame-assed, right.

“Maybe so. But I don’t dance with devils, Ethan. I leave that to my customers. Now take the book you wanted so badly and be gone from here. It’s time I close up shop for the day.”

He stepped aside and allowed me to leave. I felt like I was in a dream state. Fuzz filled up around me and swallowed up anything sane that was left of the moment. I was on the other side of the door. I could hear the muffled ringing of the bells on the inside, but as I looked in I couldn’t see the old man or his cat. I stepped away from the door, looked at the bag in my hands with the old book in it and felt my shoulders slump in defeat.

“Shit. I don’t want this stupid book.”

Solitary by Design – The Writing Life

Yesterday I talked about writers and community by sharing some information about the writing community I myself am entrenched in. Today, I wanted to talk about the solitary life of the writer. Because when it comes right down to it, we need to be solitary while in the thick of things. Putting words on the screen is done by a committee of one. In today’s social media based universe, it is becoming more and more difficult to focus long enough to put words on the screen when those words are in a manuscript. IF you’re easily distracted.

Guess what. I’m extremely easily distracted. I could easily write 3,000 words in an afternoon. And suddenly realize that all 3,000 words were shot off into the social media stratosphere…while my manuscript lies dormant.

That’s not a good thing.

I sometimes wonder how many of Mark Twain’s short stories (or novels, for that matter) would not have been written had he had a Twitter account and/or a Facebook account.

Wondering about things is what often gets me into trouble. If I had my TWENTY MINUTES back every time I wondered about something and ran to Google, only to be lost in a vortex of wondering and searching and reading, I would have hours of writing time accumulated. I’d be able to write a novel in one sitting with that lost time. Sadly, lost time stays lost. One of the biggest skills a writer can possess in today’s information epoch is CONCENTRATION and an unflappable ability to FOCUS. Please God, give me focus!

I sometimes go days…no, weeks…without opening a manuscript. I intend on writing every day. I used to write every day religiously. I still conceptualize myself as a person who writes every day. Man, I’m bad. I have this ONE THING. And I mess it up.

And what am I doing about it. Writing about the fact that I’m not writing. I’m participating in the social media phenomenon of blogging as a way to distract myself from writing. I feel like somewhere inside that runaround logic I should declare myself a winner. But if I stand up and shout to the universe, “WINNING!” I might be declared insane. What I need to do is give myself structure so that I’m back to an every day writing schedule. Maybe I can limit my social media time better if I schedule it. Maybe I can fly to the moon with the wings on my back, too.

You have to WANT it. Wanting is winning, IMHO. Right now, I’m not as hungry as I used to be. But I’m coming to the conclusion that social media IS killing some of the best writers out there. Proof? Oh, I gotcher proof. Let’s go back to Mark Twain, shall we…

EXHIBIT A
EXHIBIT A

Above, you will see exhibit A. I offer this as proof that some of the world’s greatest writers are being gobbled up by their own egotistical need to spam, blather, purge, gab, selfie themselves, and pontificate on social media. I came up with the theory and it took about six seconds on Google to prove it!

When was the last time you witnessed new work from Mark Twain? It’s been a while, hasn’t it?! Yet, he has all the time in the world to tweet about his life. He’d rather tweet past quotes and reflections than sit down and put new words to the screen. Social media has swallowed Mark Twain whole. We may never see another new work by this great author. WHY? Because he’s too busy tweeting, Facebooking, and pontificating. I won’t even search out his snapchat account. Heaven help us!

Are you a writer?

It’s time to take a pass on some of the distractions of the modern social media frenzy. Give yourself a daily scheduled block of time where you ONLY work on your Work-In-Progress. Don’t multitask inside this time-frame. Choose writing! Leave all your other windows closed…because you know if you don’t a little birdie is going to fly in at just the right moment to take you away from your work at hand. Twitter can wait. Facebook can wait. Blogging can wait. Tumblr can wait. Forums can wait. The NYT can even wait. Make YOUR writing the priority…at least once a day.

We have witnessed the decline of one of the world’s greatest literary treasures. Mark Twain may never again come out of the social media spiderweb long enough to give us new material. We all lose there. Don’t rob us of any other great works of literature. Sit. Write. Repeat…

 

Remember that it’s great to be social. Writers together is an awesome thing. To a point. Sooner or later you need to leave the party long enough to write. Writing–the actual act–is solitary. By design. Like I said. Sit. Write.

The party will wait for you…

Writers Need Community…

There. I said it.

I would love to dispel the myth that writers are solitary creatures who wince at the light of day and run from the possibility of community with other writers. The problem may well be that not all writers know this. Not all writers have a community like the writing community that I am a part of. This makes me terribly sad.

My community is the Writers’ Community of Durham Region. We are over 300 strong. And we support and nurture one another in our writing goals. Competition and jealousy do not survive within this community. We do not knock each other down to get to the finish line, to achieve our writing and publishing goals. On the contrary. We carry each other over the hurdles and finish lines. We celebrate our individual achievements as a whole. We celebrate each other as we celebrate the written word. And…believe it or not…we are NOT a cult.

We are a club, yes…but we are not inclusive. ANYBODY can join. ANYBODY can participate. ANYBODY can benefit.

I’m talking about the Writers’ Community of Durham Region because our monthly Roundtable Meeting is fast approaching. About 100 or so of us get together once a month (except for August) on an early Saturday morning to break bread and network. It’s an amazing opportunity to put on the WRITER hat and BE a writer. AND, there’s a special guest speaker at every meeting! And the opportunity to take both a workshop and a Blue Pencil manuscript session.

The best part, for those in the city (TORONTO), is that this takes place JUST east of the city. The meetings are held at the AJAX CONVENTION CENTRE just off highway 401 in Ajax, Ontario. And EVERYONE is welcome to attend. You don’t even have to be a WCDR member.

As writers, one of the best things we can do for ourselves is to treat ourselves to writerly things. Like these breakfast meetings. Like workshops. Like conferences. When we are living the writing life, we become better writers. We immerse ourselves in the lifestyle.

Check out the WCDR. You owe it to yourself. And if you’re from Toronto, please don’t do yourself the disservice of thinking you live too far away to become involved in this stupendous organization.

CLICK ON THIS LOGO TO BEGIN YOUR JOURNEY!
CLICK ON THIS LOGO TO BEGIN YOUR JOURNEY!

Watch the Youtube video about the Roundtable Meetings:

The WCDR Roundtable Meetings take place on the second Saturday of every month but August. Visit the WCDR site by clicking on the logo above to discover more about the organization. There are always events going on. Don’t miss out on your opportunity to live the writing life in one of the world’s most vibrant and active writing communities…

Young Adult Fiction Cover Reveal – UNTAKEN by J. E. ANCKORN

What a gorgeous cover I have to share with you today! Fellow Curiosity Quills Press author J.E. ANCKORN’s UNTAKEN releases on October 16th! A young adult novel, UNTAKEN is a story of invasion…and being left behind. Here’s the (don’t forget to add Untaken to your shelf!>>>) GOODREADS synopsis:

 

 

It turns out that a real alien invasion is nothing like the Sci-fi shows 14-year-old Gracie loves. Not when it’s your own family who are swallowed whole by those big silver ships. Not if it could be you next.


In her search for her family, Gracie meets Brandon, a high school dropout who would never have been caught dead hanging out with a dork like Gracie before the world ended. Gracie isn’t too crazy about Brandon either, but he has one thing she doesn’t: A plan.

 

Brandon’s uncle has a cabin up in Maine, and If Gracie and Brandon can survive long enough to get there they can hide out until the Space Men pack up their ships and leave. Until the army guys come to rescue them, says Brandon. Brandon is big into army guys.

 

Gracie has to admit that Brandon’s Awesome Plan probably would have worked out great if wasn’t for Jake. They found 5-year-old Jake, laying half-dead under the remains of someone’s ranch house.

 

He’s a good kid, even if he won’t-or can’t- talk. But Jake has a secret, and when Gracie finds out what it is, the fragile new life they’ve started to forge looks set to break apart. When the people you’ve been counting on to put the world back together start hunting you down, alien invaders are the least of your worries.

 

Check out this amazing cover:

22698391While you’re waiting for J.E.’s YA release, why not connect with her on social media.

J.E. ANCKORN on Twitter

J.E. ANCKORN on Facebook

J.E. Anckorn, author of UNTAKEN
J.E. Anckorn, author of UNTAKEN

J.E. Anckorn has been an artist and writer ever since she began to surreptitiously doodle on school supplies instead of learning about practical things, like osmosis and mathematics.

After barely surviving a freak mathematical osmosis disaster, she set out to travel the world, living in New Zealand, Australia and Hong Kong before returning to her native Britain- just in time to marry an American and leave for the U.S.A. She still failed to learn anything about osmosis, but did manage to cultivate an accent that is unintelligible to almost everyone. (It happened through a mysterious net movement of information from the outside environment into her brain. If only there was a word for that!)

This led to her development of a new language, based almost entirely on polite yet uncomprehending nods. In between these adventures, she has worked as a toy designer, copywriter, and freelance illustrator. She lives in Boston, with a small grumpy dog, and a large, slightly less grumpy husband.