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The long journey to my second novel, Sebastian’s Poet, began in the 1970s. And it ended in a 48-hour maelstrom of a writing marathon. Sebastian has always been there. It wasn’t until I sat in front of my laptop at the 2007 Muskoka Novel Marathon that his story bled from me. And boy did it bleed. In those 48 hours I was transported back to the 70s childhood I endured. And having always imagined Sebastian, the child of a down and out no-good and his hit-the-road wife, it was all I could do to keep up with the story as it came out during that marathon weekend.

I love a good story of loss and despair and, in the tiniest of ways, hope. Every good downtrodden story should offer the reader a glimmer of hope, even if it’s an infinitesimal glimmer.

And, having come to age inside a record store in the early 70s, I had to include the perennial bad-boy musician who kind of floats through the world in a cloud of smoke and philosophical optimism. Teal Landon is my favourite character…out of all the characters I have ever written. He is the kind of father figure all lost boys dream of having.

Sebastian’s Poet was originally published in 2012 by Musa Publishing in the United States. Sadly, Musa closed its doors a few months back. This made SP revert to a non-published novel. My favourite novel written by me and it disappeared. It’s very special to me…in that it came to life in a frenzy of emotion and drive and creativity. It’s not easy to write a novel in 48hrs. Until I tackled SP, I would have said it was impossible. But then I did it.

And at the time I desperately wanted to write CANADIANA. I wanted to capture Toronto, and the Canadian music scene, and what it was like to grow up Canadian in the 70s. I think I did that, though I can’t really be objective about it. What I do know is that Sebastian’s Poet won BEST ADULT NOVEL in the 2007 Muskoka Novel Marathon. And I also know that it transformed me. I went away from that weekend with a feeling of euphoria. I knew I had found MY WRITING METHOD. Writing a novel in one sitting was the way for me, a flighty easily distracted person, to write a novel.

The pictures above are reflections from the 70s setting of the novel. GORDON LIGHTFOOT is actually a character in Sebastian’s Poet. He appears in the last chapter, as part of the denouement. And, if I’m being completely honest, the main character TEAL LANDON is based upon the incomparable LEONARD COHEN. I didn’t see a way to write a story based in the 70s without somehow including Carol Burnett. I loved making references to the things of my childhood…but make no mistake about it, this novel has nothing of me in it. It is not my Mary-Sue.

I don’t like SP not being out there in the world. It is, after all, my favourite. When I say my favourite, I’m talking feelings. I carry the memories of the experience of writing my novels as a way of judging which are my favourites. And the time I shared with these characters? That time is my Belle Époque as a writer. It was a moment of awakening for me. Or, should I say a 48hr period of awakening. My soul is in this book.

So I am releasing it on KOBO, for those interested in exploring the novel I wrote at my highest point as a writer. I don’t usually worry about how my works will be received. I put them out into the world and I shudder and cringe, knowing they will never be what I intended them to be…that they could have been so much more…that I fell short. I can’t expect the reader to love something I myself feel didn’t quite make the grade. Although this may sound like a bad thing, I do tend to think that it keeps me honest as a writer. If everything COULD be better, then I challenge myself always to attain BETTER.

But Sebastian’s Poet was the one novel I was SURE of…even in its rough finished draft at the end of that 48hr weekend, I knew. And here’s where it sounds like I am bragging, but I assure you I am not. It’s more the essence of the story and the feelings I had while writing it that make me feel like this about it…not the finished product itself.

SP will be available on KOBO in the next day or so. I hope you give it a go. In the meantime, here is the cover blurb:

Sebastian Nelson is a boy in search of a family. Abandoned by his mother, Sebastian is left with a broken father who doesn’t even seem present when he does show up. Forced to be the main caregiver of his younger brother, Renee, and lost in a sea of indifference, Sebastian only wants to experience the love a real, stable family could afford him.

One morning he discovers the famous folksinger, Teal Landen, asleep on the sofa. Teal’s nurturing nature brings an immediate sense of security into Sebastian’s tumultuous life. But a dark secret looms between Teal and Sebastian’s father of a hidden past. Sebastian is driven to discover their secret, but also he’s aware of how tenuous their hold on Teal really is. He doesn’t want to lose the feeling of home Teal’s presence has brought him.

If Sebastian pushes too hard, he could lose Teal forever. He could be destined to raise his younger brother alone, while witnessing the total decline of his emotionally devastated father. If Sebastian is abandoned by the only healthy influence in his otherwise shaky existence, he will also be forever in the dark about the secret that will reveal so much about his fractured family.

And you can also read the reviews at GOODREADS, from its original release life: GOODREADS SEBASTIAN’S POET

 

Here’s the cover of the re-release coming to KOBO soon…

Sebastian's Poet

The epigraph of this novel is “THERE IS A CRACK IN EVERYTHING…THAT’S HOW THE LIGHT GETS IN.” This is a line from Leonard Cohen’s ANTHEM. That song was the soundtrack of my 48hr weekend novel writing marathon. On repeat…it gave me what I needed to write Sebastian’s story…and the story of the folksinger known as The Poet. It was an amazing weekend…one I will never forget. If you want to take the trip, you’ll have to get the novel. (-: