Art, Best Novel Award, Books, Editing, I Wil Tell the Night, Inspiration, Kevin Craig, Life, Manuscript Editing, Muskoka Novel Marathon, Reads, Write, Writer, Writers, Writers Retreat, Writing, Writing Advice, Writing Life, Writing Tips
I have been madly editing my latest novel, I WILL TELL THE NIGHT. Having just completed it a week or so ago, it is material that should be fresh in my mind. But it isn’t. Not at all. It’s actually quite frightening to be reading along and have no idea what’s coming up WHEN YOU WROTE THE THING THAT’S COMING UP! Mere days ago. And when I say NO IDEA, that is exactly what I mean. Whole scenes are surprises to me. Entire chapters are foreign and unrecognizable.
From an editing standpoint, this makes part of the process easier. Because as I read, I am not doing that thing writers do when they read what they meant to say instead of what is actually on the page. When you know what’s coming, you can accidentally read a line the way you meant to write it instead of the line you actually wrote…thus perpetuating your error and keeping it in your manuscript.
That’s not happening, because I have no idea what the hell is going on. I’m just over 200 pages in with the edit, on a manuscript that is 308 pages long. I vaguely recognized a few of the scenes. I remember feelings I had while writing some of them, even though I did not actually remember the scene itself. I remember things I contemplated putting into the story, but didn’t. Those are the phantom limbs I spoke of in THIS POST. So, essentially, I am waiting for scenes to happen that will never happen because I didn’t write them. I’m a hot mess.
I will often blame this lack of connection with my writing on the way in which it is written. This floats when I write a novel in 72hrs under duress of getting it completed in a weekend with sleep deprivation, distractions, and intensity. Yeah…then I can say, “What the hell did I write?! I don’t remember a thing.” But the lion’s share of this novel I wrote over the course of an entire month. I can’t use that marathon brain alibi.
Times like this, I have to admit to myself that this not-remembering entire chunks of a novel I just wrote is one of those longtime symptoms of PTSD. It’s actually a bit painful to read your work and not feel familiar with it. Where did I go when I wrote it? Where the hell am I?
This is something I don’t only realize when I’m editing my work. The looming deadline for getting I WILL TELL THE NIGHT back to the Muskoka Novel Marathon people has me fully concentrated on editing this book to the best of my ability…so it’s the thing that is making me think of this NOW.
But if I were being completely honest with myself, I find it very difficult to have conversations about ANY of my published novels. Someone will say something about one of my characters and I have to chase a thread going nowhere inside my head to try to figure out what novel that character is even in. I often come up empty and just pray that as the person continues to speak, a clue will be offered up and I will figure out what novel they’re talking about. Then, I try to piece together a response that sounds halfway intelligent…as though I know what the hell they’re talking about. I don’t.
I guess I’m just destined to be like this. I do have an overall impression of my works, but just in the vaguest possible of ways. I carry something akin to a fractured synopsis around for each of my novels. But if I am required to go outside that gossamer description, everything gets lost in the shadows. I become the unreliable narrator. Unreliable, because I don’t recall. I believe Peter Gabriel said it best…
I don’t remember, I don’t recall
I got no memory of anything at all
I don’t remember, I don’t recall
I got no memory of anything
Anything at all” ~ Peter Gabriel, I Don’t Remember
This is not something new to me. I wish it was. I guess this post is just to vent on this truth that has always effected my writing life. It is my coming out. I have a shattered memory processor. It will never be better. As passionate as I am about the process of writing, I’m as attached to my words as I am attached to John Doe and Jane Doe. I don’t know John Doe. I don’t know Jane Doe. They are unfamiliar to me.
I am editing away…discovering my novel for the first time. When I ask what the writer’s motivations were for including this scene or that character, I ask because I want to know. When I think, ‘Whoa! That’s intense! I did NOT see that coming!’ It’s because I didn’t see it coming. I get slightly mildly depressed when I edit. Wanting to be attached to something and realized you’re not…that’s at times a really difficult reality to accept. Because it makes you remember the why of it all. It makes you remember that you are broken and your old wound is never going to go away, no matter how healed you believe yourself to be. Parts of you will always be collateral damage.
If you see me and you would like to ask me about one of my novels, go gentle on me. You will most definitely know more about the novel than I do. I can’t answer many of your questions. It makes me feel small. It makes me feel less. It makes me remember how much I’ll never remember and how much I will always forget.
For me, my memory lies squarely and surely in the FEELINGS I had while I wrote the thing that I wrote. The process. I’ve said it before, I’ll say it again. It’s all about the process for me. It can’t be about anything else. I don’t have that luxury. I’m broken in the places where my stories live. I can tell them, I just can’t retell them…