I can’t believe we haven’t gone to the theatre yet in 2018! Time to rectify this. Next Wednesday (May 16th, 2018) is opening night for La Bête at Soulpepper Theatre! In case you’re wondering, it runs through to June 22nd…lots of time to arrange tickets and get there. Us? We’ll be there on opening night!
I absolutely LOVE a good comedy. And as a playwright, I know they are one of the hardest things to write. The thing about La Bête, which is an award-winning Broadway play, is that it’s written in RHYMED COUPLETS OF IAMBIC PENTAMETER!
Why the ALL-CAPS, you may ask. Because my FAVOURITE PLAYWRIGHT OF ALL-TIME also wrote in rhymed couplets of iambic pentameter. Co-incidence?, you may be asking. No. Well, not exactly. It’s actually because La Bête is an homage to–or at least inspired by–Molière. He wrote my favourite play, Tartuffe (I wrote a post last year on this blog about seeing Tartuffe for the first time on stage—after loving it for decades on paper). The thing is Tartuffe was first performed in 1664. For the La Bête playwright, David Hirson, to have tackled rhyming couplets of iambic pentameter in 1991?! It blows me away. For the play to hit Broadway and be so well received? Magical!
And NOW we get it here in TORONTO! Courtesy of and thanks to SOULPEPPER.
The SOULPEPPER synopsis of the play:
La Bête is a modern comedy of classical insanity. When the Royal Patron grows weary of their theatre troupe, actors Elomire and Valere fight for survival, as art squares off with ego in a riotous theatrical showdown for the ages.
My own thoughts on the play:
This play was originally set in the France of 1654, which takes us back to 10 years prior to the opening of Molière‘s Tartuffe (see above–because I’m a theatre nerd and I notice these things). I really hope SOULPEPPER goes large with how revolted Elomire is with Valere. Elomire sees himself above Valere, who is a mere street performer. He also sees Valere as an idiot, unworthy of their theatre company. Valere is also large and in love with himself, but a total dolt. He misses the insults. The royal patron foists the two together and they are thrown into a sort of love it or list it situation–save the theatre or lose it. They just have to figure out how to get along long enough to pull off saving the theatre troupe.
I can’t wait!
Young Centre for the Performing Arts
50 Tank House Lane
Distillery Historic District
Toronto, ON M5A 3C4
RUNS: Wednesday May 16th – Friday June 22nd 2018
See you there!