Another Year Over…

A new one soon begins…

2023 is pretty much a wrap! I usually do a year-end post around this time of year. It’s hard to believe 2024 is just around the corner. It seems like only yesterday we were cowering in a corner with our canned goods and candles, worried about Y2K! And now I’m certain some would have to use Google to even look up the meaning of Y2K. Sigh. We’re getting old!

From our September trip to Paris…outside La Closerie des Lilas.

This was one of those years where I didn’t get much writing done. I’m simultaneously working on two manuscripts, but it’s slow going. I hope to make progress in the new year. You know those awkward and soon forgotten RESOLUTION thingies? Yeah, well…that. I’m going to make a concerted effort to write every single day. I’ve given myself a goal of AT LEAST 500 words a day. I know when I really get going, this would be nothing. I sometimes write several thousand words a day. I just didn’t want to reach too high after such a shitty year this year. I feel like my writing habits took a huge kick in the face ever since the pandemic began, but I also don’t feel quite right blaming the pandemic for that kick. Was it already coming prior to the world’s heartrending shift to madness? Probably. I just don’t know. I felt like I was just finding my pace when I wrote The Camino Club…but it feels like it’s been downhill ever since.

 

Look at me, I can’t even write in proper paragraphs for a year-end blog post. Sorry you didn’t get to breathe properly through that huge brick of words I just threw at you!

In Curacao, one of the port stops on our January, 2023 cruise…

On a light note, it’s been a wonderful travel year! We started with a cruise in January that took us to Aruba, Haiti, and Curacao. And it ended with an amazing two week trip to Paris! The whole two weeks are blogged here on the site, from the first day to the last. We did EVERYTHING and had so much fun! It is definitely my favourite place on earth.

Standing in the gardens at Versailles!

Though I didn’t write a lot, I still feel I had a few good accomplishments. While participating in my 15th Muskoka Novel Marathon, I wrote part of a novel that would go on to win the 2023 Best Novel Award in the Juvenile category! The mid-grade novel, tentatively titled TYLER FREEMONT WRITES A PLAY, is my 6th Best Novel win!

Also, just today I received notification of an honorary mention in the December Off-Topic Publishing Non-Fiction Writing Contest… for my piece How Jamhuri Day Changed My Life. If this gets published later in January, I’ll be sure to share a link. Here’s a link to the winner of that contest.

I also have my 2016 Muskoka Novel Marathon Best Novel Award winning novel (click here to find out what novel this is) out on submission at the moment. Fingers crossed on that one! I have high hopes for it, but I’m not sure of its marketability. We shall see.

I feel like this was a reading year. I am on book number 203 for 2023 right now. How does that oft repeated Ecclesiastes refrain go? Yada, yada, yada, a time to reap, a time to sow…to paraphrase. Well, 2023 was my year of collecting the words of others. Hopefully, 2024 will be my year for sowing the seeds for others. I know I really needed to read this year.

Daily writing goal? Check!

As for reading, I’ve set my goal for 2024 at 100. I hope NOT to surpass that goal. This will give me more time for writing.

Travel goals? We are already booked. Mexico in May and Thailand in November. Stay tuned! Should be an amazing year of wanderings!

Happy New Year to all! May your coming year be amazing and magical!

 

 

A Proust(ish) Questionnaire with Finnian Burnett, Author of the Upcoming THE PRICE OF COOKIES

 

Today, I’d like to introduce guest author, Finnian Burnett! Finnian has graciously accepted my invitation to participate in my Proust-like Questionnaire I enjoy inflicting on guests to my site. Before we get to that, though, you can check out their bio below their author shot…

Finnian Burnett (Author photo courtesy Finnian Burnett)

Finnian Burnett is a writer whose work explores the intersections of the human body, mental health, and gender identity. They are a recipient of the Canada Council for the Arts grant, a finalist in the 2023 CBC nonfiction prize, and a 2024 Pushcart nominee.

Finnian holds a doctoral degree in English Pedagogy, particularly using story-based pedagogy to create equity in multicultural classrooms. Their work appears in Blank Spaces Magazine, Reflex Press, The Daily Sci-Fi, and more. Their two novella-in-flash, The Clothes Make the Man and The Price of Cookies, are available through Ad Hoc Fiction and Off Topic Publishing respectively.

When not writing or teaching, Finnian enjoys cold weather hiking, Star Trek, and cat memes.

 

Again, before we get to the questionnaire that Finnian has so graciously agreed to participate in, I’d like to introduce you to the cover of their upcoming novella in flash!

(Book cover photo courtesy Finnian Burnett.)

The Price of Cookies releases in 2024, but you can pre-order your copy today from OFF TOPIC PUBLISHING!

PRE-ORDER LINK FOR THE PRICE OF COOKIES

And now, the questionnaire!

 

1. What is your idea of perfect happiness?

I have pretty extreme depression so I can be in the middle of what a “normal” person would consider perfect happiness and still feel sad or down. But because of that, I think I have a keen sense for those moments of pure contentment that come from simple, beautiful things in life. A great cup of tea, winter walks with my wife, a perfectly browned grilled cheese sandwich. 2. What is your most preferred genre as a writer? And how do you feel about genre-crossing?
I write mostly literary now but I started with sapphic (women-loving-women) love stories, then general fiction. My best-selling book to date was a fantasy novel.  When I first started writing, someone told me to never switch genres because the readers wouldn’t follow. But I read across genres, so why wouldn’t I write across them? 3. What is your greatest fear?
Probably dying in terror or extreme pain. 4. What is your most preferred genre as a reader?
Speculative. I love a good dystopian novel. 5. Which writer do you most admire and why?
I hate answering this question because I think, if I say, Margaret Atwood because her skill in the craft is unparalleled or N.K. Jemisin because of her stunning world-building, then someday, I’m going to meet Neil Gaiman and I’m going to tell him he’s my favourite writer and he’s going to say, Oh, Finn – I saw that interview you did with Kevin Craig. But honestly, how can I pick one writer I most admire? 6. This sounds like SUCH a fun question to me! I love cookies. If you’ll excuse the double entendre, can you tell us about the price of cookies?
It’s a novella-in-flash about humans and all of their beautiful, fucked up, glorious lives. Each piece centers on an individual character but every story is connected in some way–sometimes by the smallest thread. 7. What do you consider the most overrated virtue?
Obedience. 8. Is there anything about any of your characters in COOKIES that didn’t make it into the final book that you would like to share with us?
Yes. There’s one whole story about a nurse who steals an item from every person who dies and takes it home to sleep with it hoping to connect with their spirits and learn more about death. It’s a good story but it ended up more speculative and didn’t ultimately fit with the collection. I’m sure I’ll end up putting it somewhere else in the future. 
9. Besides THE PRICE OF COOKIES, what else have you written?
My most recent release was THE CLOTHES MAKE THE MAN through Ad Hoc Fiction about a trans man living in a fat female body trying to navigate gender presentation and academia. That collection formed the basis for one of my current works-in-progress, the novel I received the Canada Council for the Arts grant to go to London to research.
I also wrote, under a previous name, a fantasy novel called COYOTE ATE THE STARS, and before that, several sapphic fiction novels published through a small queer publishing company. I took a break after my last novel was published in 2018 to study the craft of writing and come back swinging. I think I did that with THE CLOTHES MAKE THE MAN. 10. When and where were you most afraid?
I had a lot of trauma when I was younger so it’s hard to quantify the pinnacle of my fear. Recently, the scariest thing I experienced was my younger sister having a heart attack and SCAD (which essentially means she died on the table and was brought back.) I’m too far away to jump on a plane and while she was in immediate recovery, they didn’t want her talking on the phone or even messaging because she couldn’t do anything that might raise her heart rate at all. I remember every night sitting in fear, not knowing how she was, messaging with my other sister about our fears. 11. Which talent would you most like to have?
More than anything, I’d like to have an affinity for speaking multiple languages. I keep trying but I’m not great at it. I would really just love to speak six or seven languages. 
12. If you were to die and come back as a person or a thing, what would it be?
Definitely an indoor housecat of a middle-aged lesbian couple. That’s the life.
13. This is something I myself experienced and loved. How do you feel about collaborative writing?
It’s like dating… It can be a lot of fun but you really have to find the right person. I’ve been blessed to have two collaborative writing experiences. I wrote a how-to plot your novel book with my friend Kimberly Cooper Griffin. That was a lot of fun. I tend to write sparsely and she tends to be wordy, so we complemented each other well. I’m currently writing a speculative comedy novel with Andrew Buckley. I had an idea for a book and I really wanted to write it with him. So I asked him and he said, “I’ve been thinking about this idea…” Our ideas meshed really well so we decided to try. It has been racing along. I adore Andrew. Our weekly planning meetings are always fun and productive and we’ve been averaging about four chapters a week because of the joy and pleasure we’re both taking in the work. It also helps to keep us accountable. I know someone is relying on me to get my part of the work done and I don’t want to let him down. 
Because my experience with Andrew is so fun, I’ve just reached out to my friend, author Sage Tyrtle to ask about writing a novella-in-flash together and we’ve agreed to start working on that in the new year. 
14. What are your three deserted island books?
Never Let Me Go by Kazuo Ishiguro 
The Parable series by Octavia Butler
The Lord of the Rings by J.R.R Tolkien 
(See how crafty I am putting multi-volume works in there?) 
15. This is a multi-ask… What are your thoughts on representation in 2SLGBTQ+ literature? Is this something you think about when you take on a new writing project? What is a writer’s responsibility in regards to representation?
I can’t foresee a time I wouldn’t have queer characters in my works. Familiarity brings empathy and understanding . When I was a teen in the 80s, first reading queer books, those characters saved my life by showing me I wasn’t alone. I thought we’d be past the need for intentional representation by the time I was in my 50s. But in this age of certain groups trying to ban 2SLGBTQ+ books from schools, it’s imperative we continue to have queer characters in all media. I wouldn’t say it’s any writer’s responsibility. I think people should write what’s in their hearts. But I would implore all writers who care about equity and countering hate to consider including regular queer characters in their books, showing us living normal lives, adopting cats, arguing about who is going to load the dishwasher, or saving the world. 
16. Can you tell us something you’ve read in 2SLGBTQ+ literature that’s really made an impact on you…either good or bad?
Yes. Most recently, Bianca Torre is Afraid of Everything by Justine Pucella Winans. It’s about “an anxious, introverted nonbinary teen birder somehow finds themself investigating a murder with their neighbor/fellow anime-lover, all while falling for a cute girl from their birding group.” But more importantly, it’s fun, adorable, absolutely campy, and well-written. I love queer books written by young authors. They’re the ones bringing real change. 
I also loved Wonder World by K.R. Byggdin. Another excellent queer book about found family and how society and religion can be so damaging. It’s a compelling read and ultimately, hopeful. I got to interview K.R. for my blog and they are delightfully charming. 17. What sound grates on you more than any other?
High-pitched whining noises that don’t stop. My wonderful wife has often gone searching for noises that grate on my nerves – sometimes a far-off noise of someone vacuuming their car outside my office window or the squeal of a car belt. I have noise-cancelling headphones and a fan and music playing softly while I write because on-going noises, especially ones I can’t identify, make my joints physically ache. 
18. How would you like to die?
I would prefer for Q from Star Trek to offer me immortality. I understand I’d be living in a moral gray area if I said yes and I’m okay with that.
Barring that, maybe quietly, in my sleep, after a really long, wonderful day. 
Or naked on a Harley. 19. What sound brings you deep joy?
When my cat Gordo was still alive, he used to do this little purr-snore noise through his nose when he was sleeping deeply. He often slept on my desk so I’d start hearing the little rumble combined with a soft whistling snore. I called it “snurring” and it was my absolutely favourite noise in the world. 
20. What is your motto?
I’m the only person who can tell this story in exactly the way I’m telling it, so I’d better get it down. 
(Book cover photo courtesy of the author, Finnian Burnett.)
I know an author has hit it out of the park on these questionnaires when almost every question they answered makes me want to nod in agreement, ask follow up questions, respond, and even laugh. Such great answers! I’m sure you’ll agree.
Much thanks to Finnian for humouring me today. If you would like to read something by them prior to the release of THE PRICE OF COOKIES, click this link to pick up a copy of THE CLOTHES MAKE THE MAN!
Once again, here’s the PRE-ORDER LINK FOR THE PRICE OF COOKIES.

 

The Light Here Makes it Real

A short story set in, surprise, Paris.

The Light Here Makes it Real

“They talk about the light here as though it were some great shakes,” Reeny says. “The light in Paris. The light in Paris.”

She takes a sip of her latte and lets the cup drop noisily back onto its saucer. “But they never mention the rats, do they? Not when Ted and I lived here. Not in the brochures, not in the movies I’ve seen, and not in the books I’ve read. Not a goddamned rat among the lot of them. Not one. Cripes.”

“You can find all the bad bits if you look hard enough, Reen,” I say. “But are the rats really bothering you? They’re just wandering about the shrubbery, going about their business. Don’t look. Ignore them.”

I know my reply doesn’t help, but Reeny is exhausting at the best of times. She gave up on Paris before we even reached our taxi at the airport two days ago. She’ll never see its beauty. Not again, anyway. Not after Ted. “Every city in the world has its bad bits, Reeny. But if you squint, they disappear. That’s when the light gets in.”

“Christ, Annie,” she spits. “You sound like a brochure. Are they paying you to say this crap?” She swipes at a tear and sighs. As usual, she’s unwavering in her ability to hold onto negativity and sadness. In Reeny’s eyes, it would be wasteful to abandon these anchors that keep pulling her back down into the abyss. They’re character building, and she’s under reconstruction.

I can see Notre-Dame Cathedral from where I sit here on the corner of Rue Saint-Louis en L’ile and Rue Jean du Bellay. It sits just beyond the little bridge. We’re at the same cafe table where we began our day yesterday. Croissants, latte, orange juice and biscuits. Reeny will probably have the same breakfast every morning. She does not stray far from what she immediately becomes comfortable and familiar with.

I’ll give her today, but come tomorrow I will order on my own. I will choose whatever strikes my fancy on the menu and I’ll ignore the raised eyebrow of consternation she delivers. We’re on vacation. I will not conform to her demands here. Not in Paris, of all places. Paris is a feast and I shall partake, come what may.

“Who flies a goddamned kite in the city, anyway?” Reeny says, seemingly out of the blue. It takes me a moment to locate her point of reference. A crimson red dragon with an impossibly long tail floats above the buildings in the narrow streets across from the cathedral.

“It’s lovely,” I say, smiling at the whimsy of the dragon as it dances in the clear blue morning sky.

“They’re asking for trouble,” she says, looking at it scornfully. “It’ll get stuck in the trees, or wrapped around a pole. The string’s bound to be cut. They’ll lose it forever. The end.”

“My heavens, Reeny,” I say. I take the last swill of my orange juice and wipe my mouth with my white linen napkin. “You’re being so negative. We’re in Paris. We should try to enjoy our time here.”

“I’ve never been accused of being negative before,” she says. I guffaw, but immediately regret it.

“What?” she asks, astounded that I would be amused by her statement. “What did I say?”

“Reeny Persaud, come on now. I’ve known you since grade school and I have called you out on your negativity for a good forty years now. Negativity is at your very foundation. It’s the very core of you.”

She begins to pout but can’t keep a straight face for long. A smile begins to form on the outskirts of her mouth and she gives in and allows it to blossom. I return the smile and add a wink.

“Ooh. You make me so angry, Annie. Why are you the only one who can manipulate my emotions like this? I want to bask in my misery. God, I hate you sometimes.” She laughs.

“Come on,” I say, tossing my napkin at her. “We’re done here. We’ve wasted enough time on breakfast, if that’s what you want to call it. Let’s get out into this beautiful day before it’s gone. A day in Paris is worth a week anywhere else in the world.”

“I question your math, but okay. Please remember, though. I’m in mourning. I’m allowed to be moody. I’m allowed to wallow. Please don’t take that away from me.”

“Understood,” I say as I rise from the table and leave a couple Euro under my saucer for a tip. “But I’ll not have you disparaging innocent kites and wishing them dead. I’ll call you out every time you try to kill a kite, my friend. Their only crimes are dancing in the wind and looking pretty.”

“Stop being so bubbly,” Reeny says. She looks down at the table and then back at me. “You do know you’re not supposed to tip in Europe, don’t you?”

“I’m sure the money will assuage their contempt at my breach in etiquette. Let’s go, Reen. It’s looking very much like a Montmartre kind of day.”

***

We take the Metro to Abbesses Station. I hope I’m right in assuming Reeny and Ted didn’t spend a lot of time in Montmartre while they lived here. I’m trying not to pour more salt on the wounds I opened up for Reeny yesterday by taking her to Luxembourg Gardens and the Tuileries. These places meant far too much to her and Ted. They carry too many memories. My hope is that Montmartre is safer ground to cover.

As we climb up out of the underground, Reeny confirms my suspicions. She looks around as we climb the steps to street level. Her smile is a good sign.

“Believe it or not, I haven’t been back here since our senior year class trip,” she says. She points to the sign above the steps that reads Metropolitain. “Remember when Rob Kenner tossed Cheryl Demsey’s sweater up over that sign?”

“I do. It was hilarious until we all realized nobody could reach it. My God, Ms. Dubois was furious. ‘Merde, merde!’”

“I learned a couple French curses that day,” Reeny says. “Thank God for the horrendous clown on stilts who took pity on us and saved Cheryl’s sweater. With her theatrics, it was almost an international incident.”

“Ha,” I say. “Absolutely.”

“So what exactly are we doing in Montmartre, anyway?”

“Well,” I say as I lead her off in the right direction. “I thought we’d begin with Sacré-Cœur and end up somewhere near that pretty pink restaurant and stop there for something to eat. It’s such a lovely place.”

“La Maison Rose. Ooh. It’s been a while since I was a tourist in Paris. I always wanted to dine at La Maison Rose. We only got to walk past it with the class.”

“That’s the spirit, baby girl,” I say. I can feel my shoulders relax a little and I realize just how tense with worry my whole body had been. I’m relieved she’s gradually stepping into this day willingly. Perhaps things are looking up. “It’s a ten minute walk. We’ll be there in no time.”

We walk in silence for several minutes, quickly finding a pace that works for both of us. She slows down a bit and I speed up as much as my bad knee will allow.

“I just realized we’ll be looking down at the city once we get to the cathedral. We’ll see everything spread out before us.”

“That’s kind of the point, sweetie,” I say. I turn to look at her and catch her swiping tears from her eyes. I rest a supportive hand on her shoulder, but say nothing more.

“It’s just…It’s our city. It’ll always be our city. I’m not sure it was a good idea to come back so soon after…”

She trails off, but she doesn’t need to finish for me to know what she was going to say. So soon after cancer, after death, after loss. Perhaps this entire trip was ill-planned. I just thought that being in the place she loved the most in all the world would somehow bring her closer to Ted, while at the same time miraculously helping her to let go. I’m a bad friend.

We continue to walk in the direction of the cathedral. She manages this mini breakdown while walking, at least.

“Sweetie,” I say, “I know it’s hard. Remember, I’ve been through this kind of loss with Steven. I know what you’re going through. And I know it takes a long time to find a new normal. Believe me when I say I understand. You still wake up wanting him in your life so badly, you think about staying in bed and giving up. I get it, I really do. It’s been eleven months. I just thought seeing these places would make you feel closer to him. I’m sorry. I thought Paris would be difficult, of course. But I also thought it would give you some sort of peace. I thought you would feel his presence here, in a good way.”

“I do, Annie, I do,” she says. She’s trying. “Ted’s definitely everywhere here. We spent three whole years living in Paris together. It changed us. Of course I see him in every shop, on every corner. But I’m grateful we’re doing this. I, just…I can’t believe it’s been almost a year. I remember when he first got sick, how I couldn’t imagine living my life without him. I do get that you know how it feels. Being here is just so overwhelming. It’s bringing back a past reality that no longer exists.”

“We’re almost there,” I say. I guide Reeny across a narrow street and point off into the distance. “We can turn up this street, I believe, and come up on the church from the back end.”

She allows herself to be led, allows me to take her hand and lead the way.

“It’s overwhelming,” she repeats.

“I know. Maybe it’s good that we’re here. Maybe the places in which you find him will help you in some small way.”

“Maybe,” Reeny says. We look at each other. Her eyes are damp and I feel helpless. Hopeless. “How do you feel about Montreal, Annie?”

“That’s not fair, Reeny.”

“I don’t mean it in a bad way, sweetie. This is not a competition on mourning. But it’s hard for you to go to Montreal, is it not?”

“Absolutely. But I also love seeing the patio where Steven spilled the plate of spaghetti and meatballs down the front of his white button-up. Or the place where my heel snapped off between two cobbles and Steven helped me hobble to the closest shop to buy flats. I love smelling that particular sweet pungency of the Quartier Latin, and how nowhere else in the world smells the same. I love the way—”

“Okay, okay,” Reeny says. She laughs and it sounds as lovely as Paris rain. “I get it. And, yes, I feel the same way. Why, the only reason I attacked that kite earlier was because I had a momentary tinge of happiness remembering a kiss Ted and I shared on that bridge by Notre-Dame. You know the one, where they have all those ridiculously infuriating love locks now.”

“Reeny Persaud, you take that back. They’re not ridiculous. Love is not ridiculous, especially in Paris. L’amour n’est pas ridicule. Did I get that right? Just, how dare you! Those locks are precious.”

“Okay, okay. You’re really keeping me on a short leash today. Precious, indeed. But that kiss, that day. It was perfection, Annie. We spent hours upstairs at Shakespeare and Company. You’re only allowed to read the books up there, you know. Ted found one that enthralled him. We sat on one of those horrid little benches that, if you patted it, the dust motes would rise and fill the air. It was wondrous.”

I guide her past the final turn and the back of the cathedral looms before us. I slow our pace, because it’s good that she’s talking, remembering, reliving.

“I leaned into his shoulder and daydreamed about nothing while he sat reading, turning pages like it was a marathon he wanted to win. And after, we were crossing the Seine and stopped in the middle of that bridge to take it all in. Like we were tourists in love with the light. Like we hadn’t lived in the neighbourhood for two years already.

“Paris is like that. You go about your daily life, forgetting its beauty. You just live. Then one day you see it, you sigh and think to yourself, Mon Dieu. C’est trop belle. My God. It’s too beautiful.”

We stop walking and face each other. We both smile, but Reeny’s expression holds a pain so deep it wounds me.

“Yes,” I finally say. It comes out as a whisper. I move to wipe a tear from Reeny’s eye and she allows me to do so.

“Look at me,” she says, laughing. “I’m a mess.”

“This is a good mess, Reen.”

“The thing is, it’s never too beautiful. Beauty hurts because it’s supposed to hurt. But it’s a good hurt. A hurt that brings deeper love.”

She’s lost her train of thought. She attempts to find the thread while I think of the kite and hope it made it through the morning intact. Reeny will find her way back, if I give her enough time. We begin to walk alongside the cathedral. As we approach the vista at the front that opens up onto the entire city of Paris, she lets out a deep breath.

“The thing about that day, Annie,” she begins as we continue onward. “On that particular day, we sighed at the same time. We both fell in love with the beauty of the city at the same precise moment. Ted turned to me and he said exactly what I was thinking. He said, ‘The light here makes it real.’”

I put my arm around her as we stop at the top of the stairs and prepare to turn our gaze onto the city below.

“He was talking about the city, yes,” Reeny says. “But he was also talking about us, about our love, our life, our world. We kissed. By then I already knew I’d love him forever. But that day, the way we fell into sync so perfectly. The way the city re-bloomed for us. The way the light hit the Seine, and the cathedral, and the trees. That was my one perfect moment. You only get one.”

“And I’m sure it was his too,” I say, because I don’t know what else to say. I know she’s avoided looking at the panoramic view so far. “Ready to see this?”

I take her hand in mine and squeeze. We smile at each other and she shrugs. We turn to take in the city. Reeny looks at it for several minutes in silence before turning back to face me. Tears course down her cheeks.

“That’s the thing about Paris, Annie,” she says. Her sides hitch as she attempts to keep her composure long enough to complete her thought. “The light here. It makes everything real.”

THE END