Unpacking the Marathon – A Weekend with Words & Wildness (#MNM2016)

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This past weekend was the annual Muskoka Novel Marathon (Search #MNM2016 in Social Media to find evidence of its existence). In short, this is a fundraising event to bring both funds and awareness to the literacy programs of the YMCA Simcoe/Muskoka County. Every year, forty writers get together in a room in Huntsville, Ontario, and we each attempt to write a novel over the course of 72hrs. And, every year, we each gather sponsorship donations from friends and family. This year, the marathon brought in over $34,000.00. This is not small potatoes. That’s a huge chunk of money that will be well used for the literacy programs. Amazing! And every cent of what we bring in goes directly to the programs. We are WRITERS SUPPORTING READERS.

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Monday Afternoon of the Marathon – A Respite on Lion’s Lookout (Thanks to Paula Boon for showing me the way to the mountain!). The building in the distance below is where the marathon takes place.

Every year I go through quite a sordid variety of emotions at the marathon. This year was no exception. For the first 24hrs I had to fight through my belief that I was no longer a writer, that I was just this guy who accidentally stumbled into the world as a way to exorcise his demons. I thought that since the demons were now gone, I was not allowed (or worthy) of the sacred act of putting words down on paper. Such is the logic of the artistic wanderer—only when wandering are we allowed to wander. But this logic is so broken, I don’t even know where to begin. As much as I have struggled in recent years to write, I am as much a writer as I am a human being. It’s one of the words that define me. I discovered at the marathon that one could be a writer not writing, but one cannot be a non-writer writing.

My first day panic gave in to my fears and anxiety. I squirreled around inside two different unfinished manuscripts with zero focus. I scraped together twenty pages between the two of them…the whole time bemoaning to whoever would listen that I was over, washed-up, a has-been.

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The Scene of the Crime! The Active Living Centre, at the foot of Lion’s Lookout in Huntsville, Ontario.

My second day a fellow marathoner put a kernel of an idea in my head. “Write your story…just give it the slight tweak it needs to make it fiction.” That’s a paraphrase…and it might be from an amalgamation of conversations I had with various marathoners. The point is, I received wisdom from the great and powerful spirit that flits about the rooms at the marathon and tells us, in song and dance, that everything’s gonna be all right. And one cannot arrive at the marathon with a closed mind. One must be raw and vital and willing to open up to any little thing that may happen over the course of the weekend. It is a time of magic and discovery.

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I was so touched when I found this pack of Popeyes at my desk, along with a lovely note, that I ran away and stupidcried. I had mentioned Popeyes in my most recent post here on this blog. Whoever left this at my workstation—THANK YOU FOREVER!

So, I shut up, I sat down, and I began a story that had just a little too much of myself inside it. I wrote my story. First I turned a crank and tossed in a few lies, to disguise the real world beneath a blanket of myth and bullshit. Then I wrote a story. As I weaved the scenes together I carefully knitted myself out of it. I had finally found my pace and was on my way…

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Photographic evidence that I actually did get writing done at the marathon…

You have to understand that there are a handful of different types that go to the Muskoka Novel Marathon. We are all passionate about the cause and would do anything to raise money to support the literacy programs. We are all passionate about writing, and about words. But some of us are there to put our heads down and write like our faces are on fire and some of us are there for the social game–to be among our people. Some of us are there for both. The first two years or so, I was there to get shit done. I wrote upwards of 50,000 words at my first few at-bats at the marathon. This year? Not so much. Apart from my wasted first day where no amount of coaxing would bring forth an idea for a new project (ONE CANNOT FORCE CREATIVITY—IT IS ON ITS OWN CLOCK), I also socialized quite a bit. A group of us went down into town both Saturday and Sunday evening. And I stayed at the Comfort Inn on the Saturday evening. So, where I used to spend most of my time in my chair at the marathon…I’ve become not so focused on my writing. But this is not a bad thing. How often does one get to gather with like-minds? Sure, we didn’t always talk writing—but it was always there as the thread that brought us together.

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It was on the last day of the marathon that I finally discovered Lion’s Lookout. MUCH THANKS TO PAULA BOON FOR SHOWING ME THE WAY. Turns out I was running in circles around this lookout for years. Sometimes the mountain does not give of itself so freely…you have to find a way to go to the mountain. My way was Paula.

Sunday evening, those who were brave enough to participate took part in the annual midnight reading. I’ve been doing this since 2007, when three of us took part in a reading in a corner. We go around the table and share 3-5 minutes of our raw WIPs (works in progress) that we have just penned at the marathon. It’s important that we all feel safe to share during this reading, as we are reading words that are not yet edited…so there is no critiquing allowed—just listening and appreciating. It was a fabulous turnout this year, with over half of the 40 writers participating in the marathon in attendance. Beautiful words were shared…tears were shed, laughter was laughed, sighs were heard. It’s one of my favourite parts of the marathon.

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Captain My Captain! I first met Sue Kenney at the Pickering Winter Novel Marathon (2006?). I was immediately drawn to her kinetic energy. She was my guide in 2014 when I walked a portion of the Camino de Santiago. She takes peregrinos (pilgrims) on the journey of the Camino twice a year (In May and in September). LOOK HER UP. She is life-changing. Being around her is to know what it is like to live the dance of life. (-: She has been leading a creative walk at the MNM for a number of years. This year, she also participated as a writer at the marathon. She was BIC throughout the marathon, pounding away at the keys. BEAR —that is all!

 

In the end, I wrote over a hundred pages. I have the kernel of a novel I may or may not pursue. I like the story thus far, I’m excited to be writing creatively again. So there is that. You go to the marathon not only to expend a great deal of fuel and run yourself ragged and exhaust yourself to the point of tears—but also to fuel up, to store-up a powerhouse of energy against the coming year. It sounds incongruous, I know, but the marathon is like that. It is an onion, a constantly shifting reality that loses its layers faster than its attendees can write ten pages and award themselves with a 10-page strip (see below)! One realizes, after a few marathons, that it is kind of like Bits & Bites—“…never know whatcher gonna get.”

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The 10-Page Strip. Whenever a writer reaches a ten-page milestone, they mark it with a strip. 🙂

The Muskoka Novel Marathon. I can tell you about it, but it won’t accurately describe what happens there. It’s a 72 hour weekend of magic and words and laughter and tears and food and words and food and words and coffee and friends and food and words and sunshine and rain and laughter and tears and tomfoolery and words and snapshots and food and wonder.

Preliminary Tally of Funds Raised for Literacy in 2016

– $34,081

THANK YOU FOR CARING, YOU LOVELY PEOPLE!

Dear Diary – Exploring Character Through Diary Entries…

This is an article on writing originally published in the June/July 2004 issue of WCDR Wordweaver.

Dear Diary, Today I Discovered…

Is writer’s block getting you down? Are you working on a story but find that your characters are withholding information about themselves? What’s stopping you from getting into their heads, taking hold of the dark and sunny contemplations lurking there and pulling out the ever-illusive back-story?

Knowing your characters is, at times, the hardest part of writing fiction. You can leave them in limbo for days on end as you agonize over their next moves. If they’re not willing to open up to you, you’re stuck.

But as their creator, you should be omnipotent. It’s your right to intrude on their privacy and find out what’s under the surface. There’s no better way to do this than to take possession of their minds and write their personal diary entries!

One day I was faced with a character I loved, but could find no means to carry him forward into my story. Struggling with his motivations, I couldn’t imagine what he’d do next. It was obvious that I didn’t really know who he was. That’s when I had an idea. Why don’t I just step inside his head and find out? He could tell me where he wanted to go.

You might think this sounds crazy. But one of my personal theories about writers is that we’re all just a few drops short of a river to begin with (i.e., we’re right-brained geniuses who are able to see the world around us as a constantly shifting wonderland filled with endless fictional possibilities).

Maybe this diary entry concept is a writing tool you already employ. But if not, I have a feeling you might be thinking, ‘Hmmm, sounds like a good idea’, especially those of you who have a minor character haunting your backstage, waiting to be thrust into the limelight of your story.

Diaries don’t form who we are, but they’re definitely a living record of that forming. You can’t read a person’s diary without knowing them a whole lot better afterwards. I’ve been keeping separate diary notebooks for years, exploring my characters in ways I never before could.

I simply write a character’s name and a date at the top of the page, throw myself into that character’s headspace and begin writing the entry.

I find that the date I choose is always helpful in this character study. If I choose a date years prior to my story, I can learn things about my character that have helped to form the way he reacts to certain situations.

For instance, if I explore a childhood entry I might find him writing about a traumatic experience and I suddenly understand why he is timid and skittish. Or I may choose a date a week prior to my story and discover why my character is in her present mood. If she writes about losing her job, her true love and her house all in one day, I’m going to understand why, on page two of my story, it makes perfect sense that she’s on the subway with unkempt hair, waving a loaded .45.

You can also write an entry that takes place two months after your story ends. Think of the possibilities this opens up! You might learn how to end your story by knowing what your character is going through in the future.

You’re the creator. This makes you the god of the quirky little worlds you create. When writing your story, don’t feel the need to trap yourself within its timelines. You have the right to move freely through time – something your characters can’t always do themselves.

Sure, you’ll feel like you’re being intrusive, like you’re somehow invading a sacred place. You might even sense people breathing over your shoulder as you write. But don’t worry. You’ll learn that your characters enjoy writing in their diaries. It gives them the opportunity to stretch their limbs and tell you a little about themselves; maybe they’ll even feel more real and validated.

The entries you create will definitely have an impact on your stories, even if what you write never finds its way into your narrative. Consider these entries as getting-to-know-you sessions. Never actually using the material does not make this a futile exercise.

On the contrary, you may find yourself on the fast track with loads of new material to work with. These people will have lives leading up to and away from your stories. You will have to write faster just to keep up with them! Now, where was I?

Oh yeah, ‘Dear Diary…

Writers – Fill Your Toolbox with Love Not Hammers

I wrote this a few years ago. It was originally published in the WCDR Wordweaver Newsletter. I think it’s a good reminder for writers everywhere…
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Filling Your Writerly Toolbox
Wouldn’t it be wonderful if the writer’s toolbox could include such a thing as a hammer! We could smash those uncooperative words to bits and smithereens whenever they decide not to mold to the articulations of our wandering thoughts. Sadly, this is not a very helpful tool to the creative force behind writing. We would tend to think of the hammer as Home Depot’s answer to that nagging internal editor… not very practical when creating. Perhaps we should leave it where it belongs… in the editor’s toolbox. They are more apt to use it with the care, precision and respect the weapon, er, tool demands.
What the writer should be able to find in their toolbox are flowers. And trees. And memories. And people. And voices. And birds. We should be able to open that box every day and walk into another world. Picture Narnia without the bulky wardrobe, Neverland without the hassle of learning the leap of faith needed to fly or even Wonderland without the bumps and scrapes accumulated from the fall that takes you there. We should be able to open our toolboxes and look in, reach in and grab out imagination itself. Whether we crack it open for a creative session of poetry or to write the latest freelance article on sleep apnea, we should be able to find helpful gadgets inside that will help us reach our eventual goal.
Writers should realize that the world around them is their toolbox. They should remember to take long walks in conservation areas, memorizing the texture of bark and the names of plants, trees and flowers. (Or even the taste and grit of dirt on their tongues, if they are so inclined.) They should sit on benches in malls and stare into the faces of strangers. They should collect scars, hairstyles and peculiarities from these people… write them down in notepads for future use. They should be in the business of accumulation, swallowing whole the world around them and spewing it back into their neat little toolbox for future excavations into the world of words.
Alongside daisies, alders and people–pictures that can be freely amassed–writers should also find at least one dictionary and an accompanying thesaurus. (We are never too old to learn new words and strengthen our vocabularies.) Leaning against their collected sounds of the ocean, and insects and wind, they should find a good reliable style guide. These things help to curb our tendencies to ramble, suggest to us the best possible way to present our thoughts. These are all good things, just as necessary to the process of writing as jumping off the edges of our imaginations to discover other more tantalizing worlds than our own.
Whatever you choose to arm your own toolbox with, you should make sure it contains a healthy balance. It should be two parts imagination, one-part reference books and maybe even one-part bravado… borrowed or genuine. If this is not enough, if capturing the world and squeezing it into the small confines of an imaginary toolbox is not quite enough to get you to where you need to go…take courses. Attend workshops in the areas that interest you. Never forget to squeeze mentors and teachers into that bustling box. Never underestimate the amount you still need to learn to improve upon what you already know about this thing called writing… this beautiful gift that is yours for the taking. Cultivating your gift with a well-stocked toolbox is the only way to show it the respect it deserves.