A Proust(ish) Questionnaire with Wendie Donabie, Author of VIEWS FROM THE EDGE OF THE EARTH

From the first poem (A View from the Edge of the Earth) in the new collection from artist and poet Wendie Donabie, the reader understands her deep respect and awe for the beauty of our planet. And we also get the sense that she would do anything to save it.

Wendie Donabie – Artist, Writer, Poet… (Photo courtesy Wendie Donabie)

This collection not only asks the reader to acknowledge and revel in the beauty of Mother Earth, but also to join in the fight to save her. These poems feel like an incantation to raise our hopes and to incite us to action. Infused with a bubbling anger for the place we have gotten ourselves to, the collection is also such a lovely love letter to what we still have and what we can reclaim if only we try.

I’m SO thrilled that Wendie has shared both a painting AND its accompanying poem with us here! There is something hauntingly beautiful about a home in ruin. Here’s WHAT ONCE WAS HOME

(Photo courtesy Wendie Donabie)
(Courtesy Wendie Donabie)

I first met Wendie Donabie through the Muskoka Novel Marathon and the Muskoka Authors Association, an organization which she co-founded with the indefatigable Cindy Watson. It was last year while following one of those curated trip packages from Toronto to Muskoka that I discovered Wendie’s artwork in the wild! Wow! Her art is as gorgeous and as powerful as her poetry.

One of Wendie’s pieces that I came upon in a small art gallery in the woods beyond the gorgeous historical octagonal Woodchester Villa in Gravenhurst, Ontario. If you zoom, you’ll see a beautiful Northern night skyline on the blade of the oar.

I’ve asked Wendie to partake in my Proust(ish) Questionnaire and I was thrilled when she agreed! As usual, I feel as though this is something I actually thrust upon victims! They don’t know what they’re getting themselves into until I actually send the questions over. Once again, I’m thrilled that my ‘victim’ has been a great sport about things and humoured my voluminous list of questions!

Before we go there, though, here’s one of Wendie’s latest creative offerings…

(Photo of book cover courtesy Wendie Donabie)

Click the cover above to be taken to Amazon to pick yourself up a copy of Views from the Edge of the Earth. You’ll be swept away by the beauty and fierceness of Wendie’s words. Not to mention the beautiful photos and paintings. Not only does her book of poetry celebrate the gorgeous planet we call home, but it also displays that beauty in her flawless works of art that capture it.

Now, on to my Proust(ish) Questionnaire…the WENDIE DONABIE edition!

  1. What is your idea of perfect happiness?

Being deeply engaged in a thrilling mystery or suspense novel, something with a twist, an unfamiliar perspective that whisks me away to place or time I’ve not experienced. What makes this ideal is being in a place where I can view nature outside and having my spouse somewhere nearby.

  1. What is your greatest fear?

 Losing my spouse and failing to do something meaningful with my life.

  1. What is your most preferred genre as a reader?

Definitely mystery with an element of the paranormal or magical realism.

  1. What else do you write, besides poetry?

I am currently working on a double murder mystery with a touch of the paranormal. The story involves a current murder, and a cold case both committed with the same weapon, set in a place that looks much like Muskoka.

Editorial Intrusion: This sounds AMAZING! I can’t wait to read it!

  1. Which writer do you most admire and why?

There are so many. I love everything written by Alice Hoffman for storylines filled with magic realism and characters so real they live with me long after I finish her books. Also recently, I would say A. J. Hackwith is a favourite. Her series about a library in hell is believable – great characters, unique settings, and intriguing storyline.

  1. What do you consider the most overrated virtue?

Examining the listed virtues on the internet, I discovered DETACHMENT – didn’t know it was a virtue. I am not one lacking in emotion or personal interest in people or situations.

  1. A clear takeaway from reading your book of poetry is that you’re passionate about the Earth and conservation. For those who wish to do something to help save our planet, but find things so overwhelming, where would you suggest as a great starting point? Are there baby steps we all could be taking?

Our lives are so busy; we need to slow down, spend time in nature to breath in, to see, to hear, to feel. We need to become more mindful to understand how we are part of the life on the planet – not separate from it. Take a walk in a city park, hike in a forest, spend time by water, these are all activities that can reconnect us with Mother Nature. By doing this, we begin noticing things, like garbage at the side of the road. This might spark the idea of organizing a neighbourhood clean up.

Other practical ideas are being vigilant about recycling, buying less plastic, composting where possible, watching water and hydro consumption, installing heat pumps, planting pollinator friendly gardens, installing bee boxes for those mason bees, planting milkweed for Monarch butterflies. There are so many online resources – just research on GOOGLE, what can I do to help the environment.

These things may seem insignificant, but every small step has impact.

  1. How long did you work on Views from the Edge of the Earth? And did you write the poems specifically to make up this collection, or did you one day realize that you had accumulated enough of a body of work with a common theme to put it together?

 The actual process of compiling the book took only around five months but the writing has been going on for years. Part of the collection includes a selection of poems I wrote in the 1980s while spending time in Cape Cod. The rest were written over the last few years, in part during the Muskoka Novel Marathons, but mostly during Poetry Marathons held online by Caitlin and Jacob Jans of Authors Publish. Each year they host this event with hundreds of writers from around the world. Participants write one poem per hour for either twelve hours (Half Marathon) or twenty-four (Full Marathon). I chose the Half Marathon knowing I couldn’t stay awake for twenty-four hours. Prompts are offered which I sometimes responded to but for at least two of these sessions, I chose to use my paintings as inspiration. The natural world informs my artwork, so the resulting poetry reflected my experience with nature.

I’d been writing poetry on and off for years so in the fall of 2023, I decided to see if I had enough work for a book. My poems covered a variety of subjects, so I tried to figure out a way to organize them all. During that process I realized the majority were about Mother Nature. I didn’t want to do chapters or sections; instead, I arranged the book more as a journey through the natural world.

Now I needed a title. In last year’s Poetry Marathon, I drafted the opening poem of the collection, A View from the Edge of the Earth. It was from a prompt to write a poem from a view on the edge of a flat earth. I conjured this dramatic image of our Earth with humanity falling off the edge into hellfire. The poem inspired the title for the collection, Views from the Edge of the Earth, encompassing the idea of my experiences with the Earth.

For the preface I reached back to a piece of prose created in 2014 for a Mother’s Day event in Muskoka, Mother Earth – the Mother of Us All. This short essay went on to win Gold in the August 2014 issue of Art Ascent Magazine. And it provided the perfect foreword for the poetry collection that launched in June 2024.

  1. When I first started reading Views from the Edge of the Earth, I had the real sense of the trouble we are in. You pulled no punches. But as I progressed through the reading, it really opened up to joy and beauty. It gave me a sense of how lucky we are. I particularly loved the poems that focused on trees. I think it began at Tree of Life, but trees were also peppered throughout and explored in the grouping of winter poems. These poems made me want to return to the forest! Your landing poem, If I knew Magic, seems to be a mix of the two extremes…a dire warning, and a sense of magic that allows us to believe that we CAN make a difference…a change. You left us hopeful. What’s the next step? For you? And what should our next steps be as readers?

For me it’s working every day to be more aware of what I am doing to help or harm our planet. It’s a daily practice. I believe in the butterfly effect – that the small things we each do can have far reaching ramifications. Living by example is what I try to do but I’m no saint and I don’t always recycle properly or conserve in the best ways. However, I do my best and I think that’s what we all can do.

Some people are called to greater advocacy and activism roles, and I admire those folks. For my part, I also support organizations doing important work to bring about healing and change on the planet.

  1. When and where were you most afraid?

After my late husband died, I would lie in bed at night and worry about dying and no one knowing.

  1. Which talent would you most like to have?

I would love to be able to instantly recall details from my life, people’s names, experiences, places I’ve been and to draw on this information for storytelling.

  1. If you were to die and come back as a person or a thing, what would it be?

A wealthy philanthropist with compassion and insight who could influence and bring about change in the world, help solve world hunger, bring diverse factions together, help the world find common ground as sisters and brothers.

  1. Which came first…visual art or words? I know this is sometimes a difficult question to answer. I can’t remember when the two things were separate in my own life. They seem to walk hand in hand. For you, did you come to them separately…or all at once?

I started out quite young in photography and still take tons of pictures. Both writing and art came in my twenties although I had wanted to write and paint as a child but never had the confidence.

  1. What are your three deserted island books?

 A book about how to live on a desert island and two blank books to write in.

  1. Do you ever have reservations about sharing your creations with the world? What medium makes you feel the most vulnerable when it comes to sharing?

I believe in overcoming my fears by doing and so I share my work, with trepidation at times, but without reservation.

The night before my book launch I started questioning my sanity. Who did I think I was authoring a book? Who was going to like it? It probably wouldn’t sell. Those thoughts plagued me for a short while but then I started getting feedback from readers about how much they loved the book, a particular poem or a memory that was rekindled for them. I love hearing how the poems effect people and why.

For my art, my first exposure was stressful, and I still probably feel most vulnerable about my paintings. I was in a show with artists who’d been painting for much longer than me and my work was not up to their calibre. Now, I’m more comfortable with my pieces as I realize they come from me and me alone; I’m not like any other artist or writer. Not everyone is going to like what I do or identify with it and that’s okay.

  1. Can you tell us what your favourite poem from this collection is? If it’s too hard to choose, are there any that you’re particularly proud of? I sometimes finish a poem and feel that I finally connected with something. I look back at those poems with a sense of pride…like I finally allowed myself to get out of the way and let the poetry come through from that sacred place. Did any of these poems feel like that to you? Little gifts from that place?

It is really hard to choose, but I think the one I feel proudest of is What Once Was Home. I loved the painting that inspired it too. We were on the east coast two years ago on vacation and drove by this deserted house. I hollered, “Stop. Go back.” I took a series of reference photos for use in the studio. I find old, deserted building so full of character and spirit. When I wrote the poem it spoke to me of the natural cycle of life and interplay of all life on our planet.

Yes, I understand what you mean about a poem coming from a sacred place. The one that feels most like that is A View from the Edge of the Earth. It was unlike anything I had ever written before, and it felt like the right message to open the book.

  1. What sound grates on you more than any other?

 Someone chewing food loudly or with their mouth open – that wet, squishy sound and smacking of lips. Yikes!

  1. How would you like to die?

In my sleep after a wonderful day spent with the ones I love. If my body were wracked with illness and pain, and I no longer had any quality of life, I would choose MAID (Editorial Intrusion: Medical Assistance In Dying).

  1. What sound brings you deep joy?

Birdsong and a baby’s unrestrained giggles of joy.

  1. What is your motto?

               I never thought I had a motto before, but this feels right: “Love always.”

I absolutely LOVED Wendie’s answers here! Thank you so much for taking the time to humour so many questions, Wendie…even the slightly weird ones. I appreciate your time and I appreciate YOU!

Pay particular attention to Wendie’s answers to QUESTION 7…there are so many small things we can do to bring about change and hope for this beautiful planet we live on.

Now…go forth and pick up a copy of Wendie Donabie’s book of poetry VIEWS FROM THE EDGE OF THE EARTH: POETIC REFLECTIONS AND IMAGES!

 

2024 Muskoka Novel Marathon – Looking Back and Moving Forward…

A note of encouragement from fellow MNM writer, Jade…

Another novel writing marathon has come and gone. This marathon was extremely productive for me. I think I was just so thrilled to be back in person, that I kept my head down and my fingers on the keys and flew into creative action! This was the first IN-PERSON marathon since the dreaded lock-down of 2020.

The only time I ever really left the building was to go on the Creativity Walk on Saturday morning. Prior to the marathon’s beginning, however, I had staked out the closest pub/restaurant, as well as a general store down the road. There was also a beach across the road. SO MUCH to do that was NOT writing. And I scoped them all out before my arrival.

I did not do any of those things, with the exception of a quick visit to the beach with the Creativity Walk.

Creativity Walk participants with our usual iconic Strike A Pose moment…

During the last handful of in-person marathons, I probably would have dove into the things that distract from the writing. It was, after all, the reason I scoped out the area around the new venue. Things to do! But at the novel marathons, the thing to do is WRITE. Somewhere along the way, I might have begun to lose track of that notion. I was constantly distracted at the last few marathons. I’d walk downtown, go out to the pub night, go outside the venue with others and just shoot the breeze. There’s nothing wrong with that, but it doesn’t help one’s word count AT ALL.

Apparently you must actually sit with your laptop and hit the keys to grow your word count. Who knew?

This year, I guess I was on a mission. I can’t talk about my manuscript because it’s been submitted to the contest and reading judges may be lurking. (-; The manuscripts are subject to BLIND JUDGING for an unbiased review.

Anyway, I still socialized a lot. I wandered out onto the venue’s balcony to feel the sun on my skin. I did non-writing things. But I also surprised myself by how focused I was, how BUM IN CHAIR I managed to be at this marathon. I think we were all just so happy to be back in person. We wanted to take advantage of the luxury of merely WRITING for 72 straight hours. I hardly slept at all. Yes, I zoned in and out of consciousness while attempting to stay awake and keep typing…but I only went for a 1 1/2 hour sleep Friday mid-overnight and a 5 1/2 hour sleep Saturday mid-overnight. That leaves a lot of sleepless hours.

It’s always a huge personal moment for me when I get to pin my 100 PAGES ribbon on the Writers’ Wall of Fame. Such a thrill!

My final tally page count for this year’s marathon was 131! Word count was about 29,000 words, if I remember correctly. Have I written more than that at previous marathons? Absolutely! But it’s been a long time. The most I ever wrote at one marathon was somewhere between 50,000 and 60,000 words. This year didn’t come close…but it completely overshadowed any efforts I made during previous 4 years of online marathons, possibly even combined.

My prize for being in the Top 10 Fundraiser list! Gifts for the pups!

The marathon is, first and foremost, a fundraiser for the YMCA Simcoe/Muskoka literacy programs. We writers are always thrilled to contribute to such an important cause. This year we raised over $12,500.00! Thank you so much to my own personal supporters! Your donations mean the world to SO MANY PEOPLE! You’re changing lives!

The sponsors of the marathon went well beyond expectations! They donated fundraising prizes for the writers, food, money, etc, etc, etc. So generous! The photo above is my haul from the super generous people at PETSMART HUNTSVILLE. They really made this prize amazing. Our two pugs loved their windfall! There was also an army of tireless volunteers putting this event together and running it in real time…too many to mention here but all are amazing! This is truly an event that takes a village to pull off.

The view from our venue. I did not let it distract me…but I did take it in!

I’m busy continuing on with my story now! I have a nice start to this novel after my whirlwind of a weekend in Port Sydney! I can’t wait to go back up North for the Wrap Party in September!

Writing in the Sunshine!

Another year over! Thanks to all who made the 2024 MUSKOKA NOVEL MARATHON possible! You have restored my faith in my own creativity!

The Woman Downstairs – A Short Story

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Today, I’m going to share another short story. I wrote this one in 2019 for the NYC MIDNIGHT SHORT STORY CONTEST. My heat in round one had 3 stipulations. The genre had to be DRAMA, it had to involve PET-SITTING in some form and one of the characters had to be a FIANCEE.

I decided to write a sort of pastiche to Rear Window. Sort of.

It WON 1st Place in my Round One heat!

nyc

Here’s the feedback I received from one of the judges for THE WOMAN DOWNSTAIRS:

“The writing is top-notch, perfect for the setting. The POV character’s world of the dog and the window reminds me a bit of REAR WINDOW, and the dog is like the cast, keeping her from going out. The drama she watches and the drama she lives come together at the end.”

THEY GOT THE HOMAGE! Yay!!!

Without further ado, here is the story…

THE WOMAN DOWNSTAIRS

“Madame. Pas de cheins,” the waiter says as I sit down. He tsks and points to a sign in the window. It’s of a dog being crossed out by an angry red line. “Go, go. No dogs. S’il vous plait, laissez. Go.”

I thought I would be okay if I sat at the farthest table from the restaurant’s entrance and tied Chewy up to the outside of the fence separating the patio from the sidewalk. I quietly get up, untie Chewy’s leash and make my way along the sidewalk towards Notre-Dame.

I underestimated the strain house-sitting for Stacey would put on me. It sounded like a lovely idea at the time. How could a third-floor walk-up on Rue Saint-Louis en l’Île in Paris not be a dream come true? The apartment is mere steps from Notre-Dame Cathedral and walking distance to most other major attractions. Even with her little Yorkie included in the deal, it seemed doable. The dog-sitting was incidental, really. Paris was mine.

Robert was supposed to join me on day three so we could spend the rest of the three weeks together. We needed the little vacation prior to the chaos of our impending wedding. Two and a half weeks in Paris together sounded like perfection, a way to get back on track after our disastrous year. I wanted to show Robert the city, have some fun, and put the past behind us.

Alas, he’d have to actually show up for that to happen.

I take Chewy to the little parkette behind the cathedral and sit down at one of its many benches. It’s a perfect place to feel sorry for myself, complete with gargoyles glaring down disapprovingly from above. With no breakfast in my belly and no Robert at my side, my misery is complete.

I pick Chewy up and smother him in kisses. He rubs his face against my cheek and I’m reminded I’ve gone another day without makeup. I never go anywhere without it. I blame Robert. It’s my eighth day in Paris and I’m still alone. It’s my favorite city in the world and because of him, I’m miserable. Every day brings another excuse, another delay in his arrival.

After festering in the shadows of the cathedral for a few minutes, I place Chewy on the ground and we head back to the apartment.

Once inside, I return to Stacey’s kitchen window. The only habit I’ve picked up since my arrival has nothing to do with the city sights. I’ve become fascinated with the woman downstairs, a strange once pretty woman who wears nothing but a graying white camisole that barely conceals her morbidly obese body. Thank God she never looks up.

When I originally told Robert about Downstairs Lady, I gave her the name Fanny-Mae. I can be so cruel sometimes. Robert and I did that thing where we create fantasy worlds for the unsuspecting quirky characters we stumble upon. We give them names, spouses, children, problems and dreams. Backstory.

I played our little game over texts this time around. I couldn’t bring myself to send Robert a discreetly stolen snapshot like I usually do, though. Downstairs Lady is different. Taking her picture would somehow steal her soul, her inescapable beauty. I couldn’t insult her honor that way. When I tried to explain this to Robert, he asked if I was okay. “Are you taking your pills?” “You need to stop obsessing over this lady.”

I promised I was taking the pills I never once opened and he promised he’d soon join me in Paris. Our lies canceled each other out.

Stacey’s window looks into Downstairs Lady’s dining room window, where she’s trapped in an over-sized hospital bed in a room not designed for beds. Through her casement windows, which are left open day and night, I can make out the bottom of an ornate chandelier that hangs above her bed. Being in a circular courtyard, our windows are extremely close to each other. I can even catch whispers of conversation.

She eats relentlessly while watching black and white movies on a small TV. She leans up on one elbow and fills her face with the endless supply of food her gorgeous dark-skinned French lover brings to her bed. He’s always cooing sweet nothings in a sexy voice filled with longing. Mon petit ange, mon amour, mon tendre. I decided to call him Henri. I melt each time Henri enters the little vignette the window allows me, or opens his mouth to coo. What must it be like to have his kind of love? I adore how she owns it and how she unapologetically lounges about, erotically certain of her powers. She could lead a revolution. This is why I changed her name to Belle days ago.

I fill Robert in on Belle’s daily food consumption, while I myself forget to eat. I only break my vigil at the window long enough to drag Chewy throughout the streets of this little island. And I speak only when Chewy’s neighborhood fans stop us in the street to worship his undeniable cuteness.

Robert assesses me with each text I send, evaluates my mental state with each of our infrequent calls. I know I’m slipping, but can’t stop it. I struggle between over-exaggerating my fall and disguising its depths. Which side of the scale will bring him to me quicker and which will push him away?

The constant silence reminds me I’m shutting down. Robert calls this Phase One. “I know it’s bad when you stop talking.” I’ve been startled by the sound of my own voice lately, after going hours at a time without hearing it at all. He suggests bike rides and jogging as possible remedies, but this would be a moot point if he would simply join me in Paris. That would solve everything. I think.

***

“Hello?” I say into my cell as I struggle to gain my bearings. My screen reads five-thirty a.m.? He’s done it again. My twelfth day in Paris and he still can’t get the time zones right. “Robert? It’s not that difficult. You’re six hours behind.”

“Emma, I’m sorry,” he says. He sounds overly animated, like he’s been drinking. “I forgot.”

“Why are you awake? It’s…” I do the math. “It’s almost midnight there. You’re never up this late when you’re working.” There’s a din of muffled voices and laughter about him, accompanied by the pounding bass of dance music. “Where are you?”

“Sorry, baby,” he slurs. “I miss you.”

“Robert, hang up. That’s so rude,” says an unfamiliar woman’s voice in the background. There’s a rustle as his phone is jostled.

“Robert,” I say, now fully awake and sitting up. Chewy eyes me with suspicion from the foot of the bed. “Who’s there? Where are you?”

“Just out for drinks with a few guys from the office, Em. Crazy day. We needed a reprieve.”

“Robbie, come back to the party. I’ll smash that phone if you don’t hang—”

The ambient noise cuts off, along with my connection to Robert. I place my cell back on its charger and try not to think about what just transpired, try not to think about his cheating or how it led me to my last breakdown.

My head drops onto my pillow and I turn away from the glaring moonlight streaming in through the un-curtained windows. I need more sleep but within minutes Chewy is in my face, licking and whining. He’s been awakened too early and won’t be appeased until he does his business.

Once dressed, I carry Chewy down the spiral staircase to the ground floor. I forego the inner courtyard for an opportunity to explore the wakening city. We make our way through the alleyway that leads to the narrow street and I wrestle with the large creaky door that separates the two worlds.

Finally, something I can love the way Henri obviously loves Belle. Paris. In my gloom, I’ve forgotten how enchanting Rue Saint-Louis can be, and how it comes slowly to life in the mornings. The street cleaners make their way up the sidewalks, spraying down everything in their wake to wash away yesterday’s layers of grime. Tiny delivery trucks crawl up the roadway, dropping off goods to the local stores before the impossibly narrow street becomes too congested for them. Shop doors open and entryways are swept clean.

Chewy offers a few reticent yelps to the street’s interlopers while I attempt to push Robert’s phone call from my mind. His past cheating fills my head and my heart begins to race with the panic of a new certainty. He’s doing it again.

We walk towards the cathedral and make a left at the next footbridge in order to head down for a walk along the Seine. The sky plums above us and I decide we should see the sunrise, now that we’re out in its beginnings. My beautiful Paris.

As I descend the stairs to the path along the river, my cell goes off again. I look at the display. Round Two.

“I’m sorry,” Robert says. “I know how that probably sounded. I’m home now and ready for bed. I don’t want you to think—”

“What am I supposed to think, Robert?” I try to sound level, but it’s impossible. “That history doesn’t have a way of repeating itself?”

“It’s not what you think,” he says, panic slipping into his voice. Panic, with a side of irritation. “You have to trust me. This isn’t fair.”

Come, goddammit,” I say. “If you want to prove something to me, put me first. Put everything else aside and join me in Paris like we planned.”

“I can’t, Emma,” he says. “It’s not that easy. It’s such a bad time here. We can’t seem to get ahead of—”

“Liar. It didn’t sound like you were having a bad time when you woke me up earlier. Were you at the Black Stallion again? Getting your fill?”

“Jesus, Em. Between your paranoia with my imaginary flings and this woman you’re obsessing over in the window, you have no room for anything else. You’re slipping again. Why would I want to join you there just to hear more of this? We can trade insults over the phone.”

“Imaginary flings? Really?” I ask. I stop walking. Chewy glances up at me with what looks like concern. I take a seat at a nearby bench and Chewy settles in at my feet. “Cheryl was not a figment of my imagination, Robert. Why are you doing this? I’m your fiancée. We’re getting married in two months. Please put your ‘work’ aside for one hot minute and come? It’s Paris, for God’s sake. No one should need to be convinced to come to Paris.”

The inflection I place on the word work has the desired effect. He runs with it.

“Stop accusing me of cheating. It was one time. I’ve apologized. I can’t do anything else to prove my dedication to—”

I disconnect, put my phone on silent and slip it into my purse. The sun has somehow risen without me noticing. I get up and make my way back to the apartment with Chewy. It’s almost time for Belle to begin her day. I love the way Henri interacts with her. It reminds me that love and tenderness still exist in the world. Perhaps their intimacy had something to do with me renaming her Belle. She is loved and beautiful to him.

This woman won’t leave my head. I can’t believe Stacey never mentioned her. There’s heartache and happiness happening right outside her window and she’s never once mentioned it to me. Perhaps she hoards it as her own little secret proof that beauty exists.

***

Chewy stirs me from my sleep with a low grade constant growl, a sound I haven’t heard in all of our two weeks together. There’s a ruckus in the courtyard below my open window and it’s lit like a fairground down there, enough to fill my room with a soft glow.

I scoop Chewy up and move to the window. The courtyard is filled with firemen, police, and EMTs. They make frantic gestures and speak in super-fast French I wouldn’t even be able to comprehend if I had polished up on my high school French prior to coming to France. The scene is chaotic and their conversation is in a state of escalation. I think of Belle and bring my gaze back up to her window.

More EMTs and firemen. My heart sinks. This can’t be. She’s hidden behind the swarm squeezed about her inside the tiny room. Some work on her as others look around the room and out the window to the crowd of first responders gathered below. They all appear helpless, lost.

Henri storms into the room, desperate, hands flailing. I can hear snips and bits of his words. Enough to feel his love on fire. Through tears, he tells them she is beautiful, asks them to be gentle and tells them she is loved. This much French I can piece together from the little I know.

Chewy’s urgent barks cause all heads to turn in my direction and I’m finally discovered. I scurry away from the window, humiliated, and prepare to take Chewy outside. Making my way through the commotion of the courtyard, I have to walk past the first responders who only moments ago caught me ogling. The sting of my humiliation heats my cheeks. I’m relieved to escape to the street, even though I’m terrified for Belle and desperately want to know what’s happened.

I walk for hours, barely able to keep myself together. Chewy steals glances my way, silently pleading with me to end our walk and take him home. But I can’t go back. I don’t want to know.

My cell rings. Despite seeing Robert’s name on my screen, I answer it.

“Emma?”

“I can’t do this, Robert.”

“I’m at the airport, Em. I came. I’m in Paris. I just landed.”

Now he comes?

“I think she might be dead,” I say, ignoring his statement.

He sighs and I know Henri would never be this exasperated with Belle. He’d have endless patience. “I’m on my way. Okay?”

“I can’t go back there. I can’t see that bed empty.” My words stop me in my tracks and niggle at my mind. They ignite something inside me, but I can’t quite grasp what it is. I bend to pick up Chewy and realize how spent he is. His panting fuels my guilt.

Frozen amid the busy sidewalk, I cuddle Chewy for dear life as the true meaning of my words sharpen into focus. Robert is the there I can’t go back to. Our empty bed is the one I can’t bear to see again. Our time apart has clarified what I knew all along.

“Tell me where you are. I’ll find you.”

“No,” I say. “I’m in Paris. You can’t have it. Paris is mine.” He groans in palpable frustration. But I finally realize it’s too late for us. “Goodbye, Robert.”

I shut down my phone to remove his ability to argue. With Chewy in my arms, I run all the way back to Rue Saint-Louis. I need to know.

THE END

 

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