Walk it, Write it, Walk it, Write it

I’m famous for insisting I’m a pantser, but is that really true? How honest are any of us being when we say we fly by the seat of our pants rather than plot our stories?

I guess it depends on your definition of plotting. Does pen need to touch paper for it to be considered plotting? Do your fingers have to tap away at a keyboard for it to be considered plotting? If you need to see physical results of plotting before you call it plotting, then I am indeed a pantser.

But the things that go through my head when I’m hiking, or walking down the street, or walking the treadmill like an automaton! This is where I build my story. Like Kris Kringle in Santa Claus is Coming to Town, I put one foot in front of the other. Unlike Kris Kringle, I’m not only getting myself across the floor and out the door…I’m also moving forward in story, plotting where I’m going to take my characters, what big and little things are going to come to them.

“Put one foot in front of the other, and soon you’ll be walking ‘cross the flo-or-or. Put one foot in front of the other, and soon you’ll be walking out the door…” ~ Mickey Rooney as Kris Kringle – Santa Claus is Coming to Town, 1970 Rankin/Bass Productions.

I may not call it plotting, and I may insist I don’t plot…but I do. I work it out in my head. I come up with plans and conjure scenes. It’s true that I don’t always stick to what I come up with. Since I don’t write them down, I don’t remain rigid to my ideas. They’re more watercolor possibilities of what the final draft may eventually look like. Sometimes the ideas I have in this non-plotting plotting stage are nothing like what comes to pass, but bandying around the ideas and seeing my characters in all these different scenarios in my head help me to figure out who they are and what they want. Yeah, what finally makes it to the page is not plotted out…but it’s definitely lived in. I endlessly go through the neighborhoods of my stories and move the furniture and the houses and the cars and the people around. Eventually, the story comes out the way it wants to come out. It certainly resembles the musings I had while walking…but it’s still a distant cousin. That’s why I still insist to being a pantser. I didn’t write it down.

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Dale & Sue Long’s Happy Place, where some of the Muskoka Novel Marathoners stayed in September 2016 for the MNM Wrap Party.

I’ve been walking a lot lately, and chewing on the story ideas I have for my 2018 Muskoka Novel Marathon novel. It’s fast approaching. I’m preparing to once again spend 72 hours at the laptop pounding out an entire novel in one sitting. It never gets less scary. It never feels like something I’m capable of. It never stops being completely and unspeakably exciting and terrifying. And even though I’m living inside multiple story possibilities in my head in these weeks leading up to the marathon, because I haven’t committed anything to paper or screen…I can go in there and say, “I have NOTHING prepared!” But as I walk, I write. And as I write, I walk. Every step is another possibility. Every footfall is a plot hole or a character flaw. I have never felt the connection between walking and writing more than I feel it in the days leading up to this yearly marathon. Ironically, it’s a marathon where feet are not needed. But it’s a long grueling ‘run’ to the finish line, all the same!

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With Lori Manson at the 2016 Muskoka Novel Marathon wrap-up party. Lori won Best Young Adult Novel and I won for Best Adult Novel.

Check out what the marathon is all about HERE

If you feel inspired, I’m always happy to accept donations. Each of the 40 writers collect sponsorships for the marathon. Here’s my writer bio page on the MNM site–it contains a link to my donation page.

While you’re here, HAPPY PRIDE…however you celebrate!

You can pick up my 2015 Muskoka Novel Marathon novel PRIDE MUST BE A PLACE where books are sold. Here’s the link to PRIDE on AMAZON.

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By Kevin Craig

Author, Poet, Playwright. Author of The Camino Club, Billions of Beautiful Hearts, and Book of Dreams, all from Duet Books, the LGBTQ Young Adult imprint of Chicago Review Press. Other books: Pride Must Be A Place, Half Dead & Fully Broken, Burn Baby Burn Baby, The Reasons, Sebastian's Poet, and Summer on Fire.

3 comments

  1. You are not alone in this process. I suspect it is a need for the story to be organic. It allows for a more natural cadence, flow, rhythm or whatever.
    I love the quote and the picture. Is it suddenly dusty in here?
    Good luck again this year, Kevin. You knit with ink like Van Gough sang with paint and Smetana painted with music.

  2. Thanks so much, Dale! You’re far too kind. (-: And organic was the word I was trying to come up with but couldn’t think of! (-; Thank you.

  3. Great post, Kevin. I must say that in my current novel, I’ve done more mapping out than in the first. But I leave lots of room for that organic evolution. I’ve always equated plotting to robotic stiffness but now I’m seeing it as more of a guiding hand. There’s still room for my characters to surprise me or make demands. And the story map I’ve plotted remains open to tweaking. I’m with you on the creative inspiration that comes from walking. Mysterious! But true!!

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