CHRISTMAS CAMINO – Sale on Camino Books and a Giveaway!

It’s Christmas, not the silly season, but the reading season!

Every year around this time a few of us authors get together to offer you a choice of ebooks. 

Here they are – still time to maybe get a print book, or definitely time to get the ebook.

The Camino Club by Kevin Craig

Cancer, Kintsugi, Camino: A Memoir by Shoshana D. Kerewsky 

Strangers on The Camino by Sanjiva Wijesinha

The Camino Invierno: Walking the Winter Way by Susan Jagannath

But wait there’s more! I will mail a paperback copy to one lucky reader anywhere in the world. 

Simply email me a screenshot of the Amazon (or other vendor) order receipt for ANY of these books and I will do a draw. Email is kevintcraig @ hotmail . com Purchase must be made between NOW (Dec 18th) and Christmas Day (Dec 25th).

Every order gets one entry…

Use – CHRISTMAS CAMINO in the subject line of your email please.

And if you find my other books and order those too, you get more entries into the draw. 

Happy reading!

Books, Books, Books! The Six Fictions of Christmas!

Following the 12 Memoir post earlier this week, here are 6 Fictions that I read this year and recommend for the fiction readers on your list! I read far fewer fictions this year, so I thought I would make this list shorter. Just made sense…

THE LAST SAXON KING by Andrew Varga. If you have young readers on your list who are into HISTORY, I’m certain they would love this young adult find! It’s book one of a series, too. It’s always great to find a series for a young reader. If they love this one, it’ll lead them to further reads. I found this one through my writing community, THE WRITERS’ COMMUNITY OF DURHAM REGION. Though I don’t know Varga, I know that he is a fellow member of the WCDR. I’ve fallen out of touch with the members since covid hit. I hope the vibrancy of this group springs back into action now that the pandemic is…actually I don’t know what the pandemic is? Alive and flourishing? Almost over? Never-ending? Anyway, I digress. I LOVED this book! I ate it up and I can’t wait to time-jump into book 2. You can’t go wrong with the teen reader on your list if you get them this one!

 

ALICE B. TOKLAS IS MISSING by Robert Archambeau is a book I recently stumbled over and LOVED! I read everything Paris, so when this flew by my vision on social media I immediately picked it up. I fell in love with this fictional piece with real historical figures in the Lost Generation era of Paris. What a wonderful ride it was. I feel that Archambeau caught the real character of each of his historical characters, making the story so much more believable than I could have imagined. It was a real treat for this ALL THINGS PARIS lover. I’m sure you have one of those people on your gift list.

 

MARY AND THE BIRTH OF FRANKENSTEIN by Anne Eekhout is a translated fiction. This one is also a historical fiction. This follows the childhood of Mary Shelley, as well as her married life with that poet guy she married. This is touching, gripping, and so well interwoven with historical facts. Childhood Mary chapters are fascinating and creepy, and the adult Mary chapters following the loss of her daughter and the bohemian lifestyle she shared with her group of writers and poets is riveting. The story threads us through the ghost story challenge and how Mary came upon her story and it’s now almost real to me, it was that well written. I highly recommend this book to any Shelley lover or gothic horror lover on your list. It was a pure delight from cover to cover. I so wish I could read it again for the first time!

YOUR LONELY NIGHTS ARE OVER by Adam Sass. Sass is an auto-read for me. Their books are intelligent and complicated and endlessly entertaining! Just a treat! This one is no different. Billed as SCREAM MEETS CLUELESS, it’s a wonderful tale of friendships, queerness, and serial murder. There’s a murderer picking off members of the school’s queer club and he’s either the same murderer of the infamous YOUR LONELY NIGHTS murderer of decades earlier, or a copycat. It’s pure Sass deliciousness. Oh, this is YOUNG ADULT…so a great one for the morbid queer teen on your list. Or the playful one. It’s a fun romp through murder, if ever there was one. (search this site for Adam Sass and I’m certain you’ll find more posts where I sing their praises)

Waubgeshig Rice has done it again! His MOON OF THE TURNING LEAVES follow up to MOON OF THE CRUSTED SNOW is everything we were hoping for and more! This recommendation is a two-for, since Turning Leaves is a book two. Both of these books would make any reader on your list happy. They follow a northern Anishinaabe community through the apocalypse. Rice is a Canadian treasure. His stories are always filled with truth and heart and light. Highly recommend these treasures!

I know I said 6, but I also said 12 in the last post and followed with 13. So, here’s number 7 for this list of 6…

Do you have one of those discerning BOOK CLUB readers on your Christmas list? If so, they will love this warm hug of a book. TOM LAKE by Ann Patchett. This one doesn’t need my help for sales. It’s just a lovely story beautifully told. It’s a Reese’s Book Club choice and it deserves to be. If your reader has Spotify or Audible or one of the audiobook services, you could always give them a gift certificate so they can listen to this one read by none other than Meryl Streep. The main character, Lara, shared stories from her young adulthood with her three young daughters. She tells them about her short acting career in summer stock and how it intersected with a young heartthrob who later soared to stardom. It’s a lovely heartwarming read. Any reader who sits in a Muskoka chair at water’s edge and loses themselves in a good book would love to get lost in this one. Guaranteed!

 

Happy reading and happy gift-giving! Merry Christmas!

Books, Books, Books! The Twelve Memoirs of Christmas!

Everyone has readers on their gift list. The best way to explore the world without leaving your chair is by diving into a book. Giving a book is giving a whole new world to the gift’s receiver…

I’ve read almost 200 books this year and here’s a list of my favourites. Most of these were new to me, but not all of them were new to the market. Today, I’ll cover memoir. Hopefully, I’ll get another post up shortly covering some of my favourite fiction of the year.

MEMOIR – I might have read more memoir this year than any other genre. Saying this, it was extremely difficult to narrow my choices down to a dozen suggestions, but here they are.

 

My Effin’ Life by Geddy Lee chronicles his time as frontman in the band RUSH. But he really goes much deeper than this. He gives an important history of his family, including both of his parents who were survivors of concentration camps in World War II. This is a touching and, at times, gut-wrenching memoir. Lee tells a lot of the history of Rush, and this will keep the Rush fans entertained. But his stories of loss and friendships and life will keep everyone else entertained. Plus, he’s a hometown boy. If you’re from Ontario, you’ll recognize a lot of the place names he throws around.

 

If You Would Have Told Me by John Stamos was a surprise. I thoroughly enjoyed this one. Stamos has led an amazing life. His family relationships are uplifting and sweet, especially his special relationships with his parents. His love for and promotion of The Beach Boys is also fascinating. He seems to have led a charmed life, even though it had its ups and downs.

 

 

 

Rick Mercer‘s The Road Years. Really, what can I say. He’s a Canadian icon and treasure. And he’s always funny and likeable. Even though he often shows his conservative bent in this memoir, I was able to see past it. This ultra liberal found themselves forgiving him his trespasses. If you or the person on your gift list loves Rick Mercer, they’ll cherish this memoir.

 

 

 

Walking With Sam: A Father, a Son, and Five Hundred Miles Across Spain. Andrew McCarthy‘s memoir chronicling the time he spent on the Camino de Santiago pilgrimage route across Spain with his son Sam is a MUST READ for the Camino fan on your list. This was McCarthy’s second venture on the Camino Frances. It changed his life in the 1990s when he walked it alone and he wanted to share the Camino magic with his son as he began his transition into adulthood.

 

 

The Storyteller by Dave Grohl is definitely up there as one of my favourite reads of 2023. Grohl is a consummate storyteller. He tells stories from his life in such an entertaining and enthusiastic way…just loved this one! Grohl could tell any story with flare. He’s a gifted writer. 90s music kids on your list will devour this one, if they haven’t already.

 

 

 

Do you have an animal loving reader on your Christmas list? If so, Love, Life and Elephants: An African Love Story by the lovely Dame Daphne Sheldrick is a wonder! I was fortunate enough to visit Dame Daphne’s elephant orphanage just outside of Nairobi in 2009 and I’ve been enchanted with her ever since. If you don’t know about her life spent saving and fostering wildlife in Africa, you’ll be amazed. She and her husband David were the Dr. Doolittles of Kenya. In her memoir, she details the animals that came to live on their little compound and how she nursed them back to health and set them free back into their wild lives. It’s one of my most enchanting reads of 2023.

 

Grandma Gatewood’s Walk by Ben Montgomery is something I stumbled upon while seeking out more Camino books. Not a Camino, but maybe just as consequential. Gatewood is often credited with saving the Appalachian Trail. She simply walked out her front door and tackled the trail, come what may. She stirred up a mile of interest as she made her way along the route and found herself becoming famous for having done so. I highly recommend this one for those on your list who are looking for an inspirational story and a story of determination.

 

 

Just Kids by Patti Smith…I don’t feel the need to say much about this one. If you have a Smith fan on your list, this is an obvious stocking stuffer. Punk fans on your list will have Smith listed as the grandmother or grand dame of punk. I’ve read a few of Smith’s books and they’re always entertaining and gorgeously lyrical. They’ll love this book. This one follows her unique relationship with the incredible Robert Mapplethorpe. She effortlessly weaves a story of two kids coming into their own in the creative world of NYC. It’s a love story to the city, to creativity itself, and to the memory of Mapplethorpe.

 

 

Rememberings by Sinéad O’Connor was a hard pill to swallow. If you have an 80s music junkie kid on your list, this is the book. Make no mistake about it, this is a rollercoaster of a book. It’s angry, emotional, funny, and filled with vulnerability. It hits even harder when you consider how this life has ended. Take it slow.

 

 

 

 

Apparently There Were Complaints by Sharon Gless. Like it or not, this formidable lady is a gay icon for thousands if not millions. Her stint on Queer as Folk has made her a loving icon to Friends of Dorothy the world over. Gless shows the good, the bad, and the ugly in this no holds barred memoir. She shares everything. Her iconic in-your-face characters are played so well because she herself is in your face. That’s what you will get with this excellent read.

 

 

Scenes From My Life by Michael K. Williams. Williams talks about his addictions, his sexuality, his bullies, his work with at risk kids. He bares it all in this memoir that was almost completed when he sadly passed away far too early. Williams was a charismatic scene stealer as an actor and a tireless champion of children in under-privileged communities. This is a touching memoir made more touching by his loss before it was completed.

 

 

 

 

Martin Duberman is an important chronicler of queer history. Reaching Ninety is perhaps his most important work. This one is for the queers on your Christmas list. This will give them an idea of where they came from and where they’ll be going in the future. His activism is once again chronicled here, as well as his lifelong work as a queer historian.

 

 

 

 

Memoirs for anyone on your list. Here’s another one to make the list a baker’s dozen. Because Carole Pope!

 

I just wanted to give this one a space of its own. I thoroughly LOVED ANTI DIVA by Canadian Icon Carole Pope. This was raw and real, a full on documentary of a life lived in the Canadian rock scene. Nothing is sacred and unspeakable in this memoir. Pope held back nothing. This was one of the best page turners of the year. I should have read this years ago! This will appeal to a wide audience, but if there’s a queer or a Canadian music lover on your list…this’ll be a hit. Seeing Rough Trade in concert this past September reignited my love for Carole’s iconic voice and personality. She’s a national treasure and this book is epic.

Iconic Canadian singer Carole Pope at Phoenix Concert Theatre. Friday September 29th, 2023…the Walk of Fame Party concert.

 

 

This Site Hit a Milestone Today! 100,000 visits!

It looks like this little site hit a fairly big milestone today! 100,000 hits! Whether you arrived here to find information on one of the Caminos, Paris, India, my books, or on writing in general…thanks for coming! I appreciate your time and I hope you found what you were looking for when you came!

One of the topics I’ve covered extensively over the years is my love of everything Paris. Just search the site, and you’ll find my Paris posts.
3 Caminos under my belt, you can also search this site for Camino info. This shot from our arrival in Santiago de Compostela after the Caminho Portuguese in September, 2022.
I also covered our trip to India and Nepal in 2018. (-:

If you arrived to check out all the Camino information, don’t forget that I also wrote a novel set on the Camino de Santiago—the Camino Frances, to be exact!

 

Released 2020, The Camino Club is available wherever books are sold!

After getting in trouble with the law, a group of wayward teens are given an ultimatum: serve time in juvenile detention for their crimes or walk the Camino de Santiago pilgrimage across Spain over the summer holidays with a pair of court-appointed counselors. Although they come from diverse backgrounds, the unlikely friends try to make the best of their situation. The pilgrims grow closer on their journey, but they may not make it to their destination—the Cathedral in Santiago. If they do, will they each find what they’re looking for, and will their newfound friendships endure?

AVAILABLE AT AMAZON OR WHEREVER BOOKS ARE SOLD.

Visit my BOOKS page to discover my other novels.

If you have already read any of my books, don’t forget to leave a review! Wherever you choose to do this, it always helps. GOODREADS is a great place to start! As well as AMAZON.

Thank you so much for your visits! I can’t believe how busy the site has been lately. Enjoy your reading. And don’t be afraid to comment on posts…I try to always respond to comments if I see them.

 

Thank you!

 

Published
Categorized as Kevin Craig

A Proust(ish) Questionnaire with Finnian Burnett, Author of the Upcoming THE PRICE OF COOKIES

 

Today, I’d like to introduce guest author, Finnian Burnett! Finnian has graciously accepted my invitation to participate in my Proust-like Questionnaire I enjoy inflicting on guests to my site. Before we get to that, though, you can check out their bio below their author shot…

Finnian Burnett

Finnian Burnett is a writer whose work explores the intersections of the human body, mental health, and gender identity. They are a recipient of the Canada Council for the Arts grant, a finalist in the 2023 CBC nonfiction prize, and a 2024 Pushcart nominee.

Finnian holds a doctoral degree in English Pedagogy, particularly using story-based pedagogy to create equity in multicultural classrooms. Their work appears in Blank Spaces Magazine, Reflex Press, The Daily Sci-Fi, and more. Their two novella-in-flash, The Clothes Make the Man and The Price of Cookies, are available through Ad Hoc Fiction and Off Topic Publishing respectively.

When not writing or teaching, Finnian enjoys cold weather hiking, Star Trek, and cat memes.

 

Again, before we get to the questionnaire that Finnian has so graciously agreed to participate in, I’d like to introduce you to the cover of their upcoming novella in flash!

The Price of Cookies releases in 2024, but you can pre-order your copy today from OFF TOPIC PUBLISHING!

PRE-ORDER LINK FOR THE PRICE OF COOKIES

And now, the questionnaire!

 

1. What is your idea of perfect happiness?

I have pretty extreme depression so I can be in the middle of what a “normal” person would consider perfect happiness and still feel sad or down. But because of that, I think I have a keen sense for those moments of pure contentment that come from simple, beautiful things in life. A great cup of tea, winter walks with my wife, a perfectly browned grilled cheese sandwich. 2. What is your most preferred genre as a writer? And how do you feel about genre-crossing?
I write mostly literary now but I started with sapphic (women-loving-women) love stories, then general fiction. My best-selling book to date was a fantasy novel.  When I first started writing, someone told me to never switch genres because the readers wouldn’t follow. But I read across genres, so why wouldn’t I write across them? 3. What is your greatest fear?
Probably dying in terror or extreme pain. 4. What is your most preferred genre as a reader?
Speculative. I love a good dystopian novel. 5. Which writer do you most admire and why?
I hate answering this question because I think, if I say, Margaret Atwood because her skill in the craft is unparalleled or N.K. Jemisin because of her stunning world-building, then someday, I’m going to meet Neil Gaiman and I’m going to tell him he’s my favourite writer and he’s going to say, Oh, Finn – I saw that interview you did with Kevin Craig. But honestly, how can I pick one writer I most admire? 6. This sounds like SUCH a fun question to me! I love cookies. If you’ll excuse the double entendre, can you tell us about the price of cookies?
It’s a novella-in-flash about humans and all of their beautiful, fucked up, glorious lives. Each piece centers on an individual character but every story is connected in some way–sometimes by the smallest thread. 7. What do you consider the most overrated virtue?
Obedience. 8. Is there anything about any of your characters in COOKIES that didn’t make it into the final book that you would like to share with us?
Yes. There’s one whole story about a nurse who steals an item from every person who dies and takes it home to sleep with it hoping to connect with their spirits and learn more about death. It’s a good story but it ended up more speculative and didn’t ultimately fit with the collection. I’m sure I’ll end up putting it somewhere else in the future. 
9. Besides THE PRICE OF COOKIES, what else have you written?
My most recent release was THE CLOTHES MAKE THE MAN through Ad Hoc Fiction about a trans man living in a fat female body trying to navigate gender presentation and academia. That collection formed the basis for one of my current works-in-progress, the novel I received the Canada Council for the Arts grant to go to London to research.
I also wrote, under a previous name, a fantasy novel called COYOTE ATE THE STARS, and before that, several sapphic fiction novels published through a small queer publishing company. I took a break after my last novel was published in 2018 to study the craft of writing and come back swinging. I think I did that with THE CLOTHES MAKE THE MAN10. When and where were you most afraid?
I had a lot of trauma when I was younger so it’s hard to quantify the pinnacle of my fear. Recently, the scariest thing I experienced was my younger sister having a heart attack and SCAD (which essentially means she died on the table and was brought back.) I’m too far away to jump on a plane and while she was in immediate recovery, they didn’t want her talking on the phone or even messaging because she couldn’t do anything that might raise her heart rate at all. I remember every night sitting in fear, not knowing how she was, messaging with my other sister about our fears. 11. Which talent would you most like to have?
More than anything, I’d like to have an affinity for speaking multiple languages. I keep trying but I’m not great at it. I would really just love to speak six or seven languages. 
12. If you were to die and come back as a person or a thing, what would it be?
Definitely an indoor housecat of a middle-aged lesbian couple. That’s the life.
13. This is something I myself experienced and loved. How do you feel about collaborative writing?
It’s like dating… It can be a lot of fun but you really have to find the right person. I’ve been blessed to have two collaborative writing experiences. I wrote a how-to plot your novel book with my friend Kimberly Cooper Griffin. That was a lot of fun. I tend to write sparsely and she tends to be wordy, so we complemented each other well. I’m currently writing a speculative comedy novel with Andrew Buckley. I had an idea for a book and I really wanted to write it with him. So I asked him and he said, “I’ve been thinking about this idea…” Our ideas meshed really well so we decided to try. It has been racing along. I adore Andrew. Our weekly planning meetings are always fun and productive and we’ve been averaging about four chapters a week because of the joy and pleasure we’re both taking in the work. It also helps to keep us accountable. I know someone is relying on me to get my part of the work done and I don’t want to let him down. 
Because my experience with Andrew is so fun, I’ve just reached out to my friend, author Sage Tyrtle to ask about writing a novella-in-flash together and we’ve agreed to start working on that in the new year. 
14. What are your three deserted island books?
Never Let Me Go by Kazuo Ishiguro 
The Parable series by Octavia Butler
The Lord of the Rings by J.R.R Tolkien 
(See how crafty I am putting multi-volume works in there?) 
15. This is a multi-ask… What are your thoughts on representation in 2SLGBTQ+ literature? Is this something you think about when you take on a new writing project? What is a writer’s responsibility in regards to representation?
I can’t foresee a time I wouldn’t have queer characters in my works. Familiarity brings empathy and understanding . When I was a teen in the 80s, first reading queer books, those characters saved my life by showing me I wasn’t alone. I thought we’d be past the need for intentional representation by the time I was in my 50s. But in this age of certain groups trying to ban 2SLGBTQ+ books from schools, it’s imperative we continue to have queer characters in all media. I wouldn’t say it’s any writer’s responsibility. I think people should write what’s in their hearts. But I would implore all writers who care about equity and countering hate to consider including regular queer characters in their books, showing us living normal lives, adopting cats, arguing about who is going to load the dishwasher, or saving the world. 
16. Can you tell us something you’ve read in 2SLGBTQ+ literature that’s really made an impact on you…either good or bad?
Yes. Most recently, Bianca Torre is Afraid of Everything by Justine Pucella Winans. It’s about “an anxious, introverted nonbinary teen birder somehow finds themself investigating a murder with their neighbor/fellow anime-lover, all while falling for a cute girl from their birding group.” But more importantly, it’s fun, adorable, absolutely campy, and well-written. I love queer books written by young authors. They’re the ones bringing real change. 
I also loved Wonder World by K.R. Byggdin. Another excellent queer book about found family and how society and religion can be so damaging. It’s a compelling read and ultimately, hopeful. I got to interview K.R. for my blog and they are delightfully charming. 17. What sound grates on you more than any other?
High-pitched whining noises that don’t stop. My wonderful wife has often gone searching for noises that grate on my nerves – sometimes a far-off noise of someone vacuuming their car outside my office window or the squeal of a car belt. I have noise-cancelling headphones and a fan and music playing softly while I write because on-going noises, especially ones I can’t identify, make my joints physically ache. 
18. How would you like to die?
I would prefer for Q from Star Trek to offer me immortality. I understand I’d be living in a moral gray area if I said yes and I’m okay with that.
Barring that, maybe quietly, in my sleep, after a really long, wonderful day. 
Or naked on a Harley. 19. What sound brings you deep joy?
When my cat Gordo was still alive, he used to do this little purr-snore noise through his nose when he was sleeping deeply. He often slept on my desk so I’d start hearing the little rumble combined with a soft whistling snore. I called it “snurring” and it was my absolutely favourite noise in the world. 
20. What is your motto?
I’m the only person who can tell this story in exactly the way I’m telling it, so I’d better get it down. 
I know an author has hit it out of the park on these questionnaires when almost every question they answered makes me want to nod in agreement, ask follow up questions, respond, and even laugh. Such great answers! I’m sure you’ll agree.
Much thanks to Finnian for humouring me today. If you would like to read something by them prior to the release of THE PRICE OF COOKIES, click this link to pick up a copy of THE CLOTHES MAKE THE MAN!
Once again, here’s the PRE-ORDER LINK FOR THE PRICE OF COOKIES.

 

What to Leave In, What to Leave Out…

Since my earliest days, music and writing have gone hand in hand in my mind. One doesn’t exist without the other. In 1980, when Against the Wind, the seminal album from Bob Seger and the Silver Bullet Band came out, I was one foot in the world of punk and one foot on the lookout for good music in any genre. This album spoke to me.

One line from the title song haunts me, as a writer, to this day. If you know the song, you have probably already deduced the line. Spoiler alert: it’s in the title of this blog post.

What to leave in, what to leave out. My writer-self hums this line FAR TOO FREQUENTLY. It’s an embedded reminder to myself. Don’t stray, don’t wander, don’t meander, don’t get lost in the reeds. GET TO THE POINT.

This is hard to do when I’m eager to share stuff I know and/or am fascinated with.

I just wrote a scene that made me hear Bob Seger singing in the background again.

My two characters are simply walking past the obelisk in Place de la Concorde, going for a stroll. Suddenly I’m squeezing in information about the revolution and the guillotining of heads and Marie Antoinette and her little fake village and Egypt and how the obelisk was one of two obelisks that flanked the portal of the Luxor Temple in Egypt. And how they were not matching obelisks but that the one in Paris is shorter than the one left behind at the temple. That Napoleon’s army tried to steal BOTH obelisks when they raided Egypt but COINCIDENTALLY the obelisks were gifted to France only thirty years later by the ruler of Ottoman Egypt (this was done AFTER he had already gifted them to England!) and how King Louis-Phillipe had one obelisk moved to Paris in 1831 and placed in Place de la Concorde and how the other one stayed where it was outside Luxor Temple. And wouldn’t you know it, fast forward to 1981 and President François Mitterrand decided to renounce possession of the second obelisk, reverting its ownership back to Egypt.

Do you see the trouble with this divergent history dump? If you’re a writer, I certainly hope you do. I pray you do! My two characters were out for a walk. Any more than two of the above mentioned points would be a grievous error. They have about ten seconds to talk about what they’re walking past without losing the reader. Including ALL THAT INFORMATION neither moves the story forward, nor my characters. They’re stuck in limbo.

Details are important.

Too many details are deadly.

Enter the ear-worm…

What to leave in, what to leave out…

♫♫♫ “I’m still runnin’ against the windI’m older now but still runnin’ against the wind…” ♫♫♫

Don’t lose your reader with too many unnecessary details. This reminder brought to you by my own little meander away from story today. It was hard to harness in all that info and hit the delete key so many times, but it had to be done.

If you wander too far away from story, ask yourself what you can leave in and what you should take out. You might find yourself constantly reigning yourself in, or you might discover that this becomes habit, second nature to you. If it doesn’t, just play that line over and over again in your head. That’s what I do…

The Plural of Myriad is Myriads – Maxwell Perkins Rides Again!

Maxwell Perkins is the rock star of editors. For this groupie, anyway. This is a man who has edited such greats as F Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, Erskine Caldwell, Ring Lardner, Marjorie Kinnan Rawlings, and many more. Not only was he known for his expertise and his uncanny ability to discover talent, but he was well loved for the nurture that went into finessing that talent to shine. He was both iconic and invisible. The invisible was a must, as he wanted the book to belong to the author and the editor to be unseen. His work was in bringing out the potential and he was a master at doing so.

I only recently discovered that there was a book written about Perkins. Did I devour it? Yes! Was it fantastic? Yes! I don’t even understand how I didn’t hear about the book before now, since it’s been around for 45 years! I’ve read everything I could find on Perkins and the book has not once come into my knowledge space until I stumbled upon it recently.

Max Perkins Editor of Genius by A Scott Berg

I am inclined to think that the GENIUS in the title refers to both PERKINS and the authors he edited.

As I was reading the book, I discovered that there was also a movie made from it! GENIUS. I devoured it as well, and it was amazing. The movie focuses mostly on Perkins’s nurturing of the genius of Thomas Wolfe. Perkins was played by Colin Firth and Wolfe was played by Jude Law. The star-studded cast is rounded out with Laura Linney playing Perkins’s wife Louise and Nicole Kidman playing Aline Bernstein, Wolfe’s volatile mistress at the time in question.

If you, like me, have an interest bordering on obsession with Maxwell Perkins and the Lost Generation, this book and movie are for you! You should check them out!

BOOK OVERVIEW:

The National Book Award winner from Pulitzer Prize-winning author A. Scott Berg is now celebrating its 40th anniversary. The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend. This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare–in both the professional and personal domains. It tells not only of Perkins’s stormy marriage, endearing eccentricities, and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century. It is, in the words of Newsweek, “an admirable biography of a wholly admirable man.” The basis for the Major Motion Picture Genius, Starring Colin Firth, Nicole Kidman, and Jude Law.

 

The Light Here Makes it Real

A short story set in, surprise, Paris.

The Light Here Makes it Real

They talk about the light here as though it were some great shakes,” Reeny says. “The light in Paris. The light in Paris.”

She takes a sip of her latte and lets the cup drop noisily back onto its saucer. “But they never mention the rats, do they? Not when Ted and I lived here. Not in the brochures, not in the movies I’ve seen, and not in the books I’ve read. Not a goddamned rat among the lot of them. Not one. Cripes.”

You can find all the bad bits if you look hard enough, Reen,” I say. “But are the rats really bothering you? They’re just wandering about the shrubbery, going about their business. Don’t look. Ignore them.”

I know my reply doesn’t help, but Reeny is exhausting at the best of times. She gave up on Paris before we even reached our taxi at the airport two days ago. She’ll never see its beauty. Not again, anyway. Not after Ted. “Every city in the world has its bad bits, Reeny. But if you squint, they disappear. That’s when the light gets in.”

Christ, Annie,” she spits. “You sound like a brochure. Are they paying you to say this crap?” She swipes at a tear and sighs. As usual, she’s unwavering in her ability to hold onto negativity and sadness. In Reeny’s eyes, it would be wasteful to abandon these anchors that keep pulling her back down into the abyss. They’re character building, and she’s under reconstruction.

I can see Notre-Dame Cathedral from where I sit here on the corner of Rue Saint-Louis en L’ile and Rue Jean du Bellay. It sits just beyond the little bridge. We’re at the same cafe table where we began our day yesterday. Croissants, latte, orange juice and biscuits. Reeny will probably have the same breakfast every morning. She does not stray far from what she immediately becomes comfortable and familiar with.

I’ll give her today, but come tomorrow I will order on my own. I will choose whatever strikes my fancy on the menu and I’ll ignore the raised eyebrow of consternation she delivers. We’re on vacation. I will not conform to her demands here. Not in Paris, of all places. Paris is a feast and I shall partake, come what may.

Who flies a goddamned kite in the city, anyway?” Reeny says, seemingly out of the blue. It takes me a moment to locate her point of reference. A crimson red dragon with an impossibly long tail floats above the buildings in the narrow streets across from the cathedral.

It’s lovely,” I say, smiling at the whimsy of the dragon as it dances in the clear blue morning sky.

They’re asking for trouble,” she says, looking at it scornfully. “It’ll get stuck in the trees, or wrapped around a pole. The string’s bound to be cut. They’ll lose it forever. The end.”

My heavens, Reeny,” I say. I take the last swill of my orange juice and wipe my mouth with my white linen napkin. “You’re being so negative. We’re in Paris. We should try to enjoy our time here.”

I’ve never been accused of being negative before,” she says. I guffaw, but immediately regret it.

What?” she asks, astounded that I would be amused by her statement. “What did I say?”

Reeny Persaud, come on now. I’ve known you since grade school and I have called you out on your negativity for a good forty years now. Negativity is at your very foundation. It’s the very core of you.”

She begins to pout but can’t keep a straight face for long. A smile begins to form on the outskirts of her mouth and she gives in and allows it to blossom. I return the smile and add a wink.

Ooh. You make me so angry, Annie. Why are you the only one who can manipulate my emotions like this? I want to bask in my misery. God, I hate you sometimes.” She laughs.

Come on,” I say, tossing my napkin at her. “We’re done here. We’ve wasted enough time on breakfast, if that’s what you want to call it. Let’s get out into this beautiful day before it’s gone. A day in Paris is worth a week anywhere else in the world.”

I question your math, but okay. Please remember, though. I’m in mourning. I’m allowed to be moody. I’m allowed to wallow. Please don’t take that away from me.”

Understood,” I say as I rise from the table and leave a couple Euro under my saucer for a tip. “But I’ll not have you disparaging innocent kites and wishing them dead. I’ll call you out every time you try to kill a kite, my friend. Their only crimes are dancing in the wind and looking pretty.”

Stop being so bubbly,” Reeny says. She looks down at the table and then back at me. “You do know you’re not supposed to tip in Europe, don’t you?”

I’m sure the money will assuage their contempt at my breach in etiquette. Let’s go, Reen. It’s looking very much like a Montmartre kind of day.”

***

We take the Metro to Abbesses Station. I hope I’m right in assuming Reeny and Ted didn’t spend a lot of time in Montmartre while they lived here. I’m trying not to pour more salt on the wounds I opened up for Reeny yesterday by taking her to Luxembourg Gardens and the Tuileries. These places meant far too much to her and Ted. They carry too many memories. My hope is that Montmartre is safer ground to cover.

As we climb up out of the underground, Reeny confirms my suspicions. She looks around as we climb the steps to street level. Her smile is a good sign.

Believe it or not, I haven’t been back here since our senior year class trip,” she says. She points to the sign above the steps that reads Metropolitain. “Remember when Rob Kenner tossed Cheryl Demsey’s sweater up over that sign?”

I do. It was hilarious until we all realized nobody could reach it. My God, Ms. Dubois was furious. ‘Merde, merde!’

I learned a couple French curses that day,” Reeny says. “Thank God for the horrendous clown on stilts who took pity on us and saved Cheryl’s sweater. With her theatrics, it was almost an international incident.”

Ha,” I say. “Absolutely.”

So what exactly are we doing in Montmartre, anyway?”

Well,” I say as I lead her off in the right direction. “I thought we’d begin with Sacré-Cœur and end up somewhere near that pretty pink restaurant and stop there for something to eat. It’s such a lovely place.”

La Maison Rose. Ooh. It’s been a while since I was a tourist in Paris. I always wanted to dine at La Maison Rose. We only got to walk past it with the class.”

That’s the spirit, baby girl,” I say. I can feel my shoulders relax a little and I realize just how tense with worry my whole body had been. I’m relieved she’s gradually stepping into this day willingly. Perhaps things are looking up. “It’s a ten minute walk. We’ll be there in no time.”

We walk in silence for several minutes, quickly finding a pace that works for both of us. She slows down a bit and I speed up as much as my bad knee will allow.

I just realized we’ll be looking down at the city once we get to the cathedral. We’ll see everything spread out before us.”

That’s kind of the point, sweetie,” I say. I turn to look at her and catch her swiping tears from her eyes. I rest a supportive hand on her shoulder, but say nothing more.

It’s just…It’s our city. It’ll always be our city. I’m not sure it was a good idea to come back so soon after…”

She trails off, but she doesn’t need to finish for me to know what she was going to say. So soon after cancer, after death, after loss. Perhaps this entire trip was ill-planned. I just thought that being in the place she loved the most in all the world would somehow bring her closer to Ted, while at the same time miraculously helping her to let go. I’m a bad friend.

We continue to walk in the direction of the cathedral. She manages this mini breakdown while walking, at least.

Sweetie,” I say, “I know it’s hard. Remember, I’ve been through this kind of loss with Steven. I know what you’re going through. And I know it takes a long time to find a new normal. Believe me when I say I understand. You still wake up wanting him in your life so badly, you think about staying in bed and giving up. I get it, I really do. It’s been eleven months. I just thought seeing these places would make you feel closer to him. I’m sorry. I thought Paris would be difficult, of course. But I also thought it would give you some sort of peace. I thought you would feel his presence here, in a good way.”

I do, Annie, I do,” she says. She’s trying. “Ted’s definitely everywhere here. We spent three whole years living in Paris together. It changed us. Of course I see him in every shop, on every corner. But I’m grateful we’re doing this. I, just…I can’t believe it’s been almost a year. I remember when he first got sick, how I couldn’t imagine living my life without him. I do get that you know how it feels. Being here is just so overwhelming. It’s bringing back a past reality that no longer exists.”

We’re almost there,” I say. I guide Reeny across a narrow street and point off into the distance. “We can turn up this street, I believe, and come up on the church from the back end.”

She allows herself to be led, allows me to take her hand and lead the way.

It’s overwhelming,” she repeats.

I know. Maybe it’s good that we’re here. Maybe the places in which you find him will help you in some small way.”

Maybe,” Reeny says. We look at each other. Her eyes are damp and I feel helpless. Hopeless. “How do you feel about Montreal, Annie?”

That’s not fair, Reeny.”

I don’t mean it in a bad way, sweetie. This is not a competition on mourning. But it’s hard for you to go to Montreal, is it not?”

Absolutely. But I also love seeing the patio where Steven spilled the plate of spaghetti and meatballs down the front of his white button-up. Or the place where my heel snapped off between two cobbles and Steven helped me hobble to the closest shop to buy flats. I love smelling that particular sweet pungency of the Quartier Latin, and how nowhere else in the world smells the same. I love the way—”

Okay, okay,” Reeny says. She laughs and it sounds as lovely as Paris rain. “I get it. And, yes, I feel the same way. Why, the only reason I attacked that kite earlier was because I had a momentary tinge of happiness remembering a kiss Ted and I shared on that bridge by Notre-Dame. You know the one, where they have all those ridiculously infuriating love locks now.”

Reeny Persaud, you take that back. They’re not ridiculous. Love is not ridiculous, especially in Paris. L’amour n’est pas ridicule. Did I get that right? Just, how dare you! Those locks are precious.”

Okay, okay. You’re really keeping me on a short leash today. Precious, indeed. But that kiss, that day. It was perfection, Annie. We spent hours upstairs at Shakespeare and Company. You’re only allowed to read the books up there, you know. Ted found one that enthralled him. We sat on one of those horrid little benches that, if you patted it, the dust motes would rise and fill the air. It was wondrous.”

I guide her past the final turn and the back of the cathedral looms before us. I slow our pace, because it’s good that she’s talking, remembering, reliving.

I leaned into his shoulder and daydreamed about nothing while he sat reading, turning pages like it was a marathon he wanted to win. And after, we were crossing the Seine and stopped in the middle of that bridge to take it all in. Like we were tourists in love with the light. Like we hadn’t lived in the neighbourhood for two years already.

Paris is like that. You go about your daily life, forgetting its beauty. You just live. Then one day you see it, you sigh and think to yourself, Mon Dieu. C’est trop belle. My God. It’s too beautiful.

We stop walking and face each other. We both smile, but Reeny’s expression holds a pain so deep it wounds me.

Yes,” I finally say. It comes out as a whisper. I move to wipe a tear from Reeny’s eye and she allows me to do so.

Look at me,” she says, laughing. “I’m a mess.”

This is a good mess, Reen.”

The thing is, it’s never too beautiful. Beauty hurts because it’s supposed to hurt. But it’s a good hurt. A hurt that brings deeper love.”

She’s lost her train of thought. She attempts to find the thread while I think of the kite and hope it made it through the morning intact. Reeny will find her way back, if I give her enough time. We begin to walk alongside the cathedral. As we approach the vista at the front that opens up onto the entire city of Paris, she lets out a deep breath.

The thing about that day, Annie,” she begins as we continue onward. “On that particular day, we sighed at the same time. We both fell in love with the beauty of the city at the same precise moment. Ted turned to me and he said exactly what I was thinking. He said, ‘The light here makes it real.’”

I put my arm around her as we stop at the top of the stairs and prepare to turn our gaze onto the city below.

He was talking about the city, yes,” Reeny says. “But he was also talking about us, about our love, our life, our world. We kissed. By then I already knew I’d love him forever. But that day, the way we fell into sync so perfectly. The way the city re-bloomed for us. The way the light hit the Seine, and the cathedral, and the trees. That was my one perfect moment. You only get one.”

And I’m sure it was his too,” I say, because I don’t know what else to say. I know she’s avoided looking at the panoramic view so far. “Ready to see this?”

I take her hand in mine and squeeze. We smile at each other and she shrugs. We turn to take in the city. Reeny looks at it for several minutes in silence before turning back to face me. Tears course down her cheeks.

That’s the thing about Paris, Annie,” she says. Her sides hitch as she attempts to keep her composure long enough to complete her thought. “The light here. It makes everything real.”

THE END

How Long is Too Long? AKA Writers are Saints and Should be Celebrated!

If you’re a writer, what is the oldest outstanding submission in your submission pile? Be honest.

Why are we not exalted more? Do we not put ourselves through SO much pain and anguish when we ‘put ourselves out there’? Are we not golden for this reason alone?

I received an email last week that went something like “thank you for submitting to _________, and thank you for your patience. We are now considering your work __ _____ _____ ____ _____ and we will be back to you shortly with our decision.”

Dear Reader, this is a submission I submitted in July of 2022.

It’s a fun ride, this ‘putting yourself out there’ stuff. Because you never know what silence means. Does it mean NOPE? Does it mean, EVENTUALLY YOU’LL GET A REPLY? You never know because they frequently don’t tell you up front. We just submit and then we sit and wait for either something to happen or for nothing to happen.

That’s the excitement and the peril of ‘putting yourself out there’. It’s…a ride. It’s that roller-coaster ride from hell that you didn’t want to go on.

But in all honesty, I now know that the submission I made a year and a half ago and have since forgotten about is now being considered.

What other profession is this harrowing? Skydiving? Nope…at least in skydiving, you know the ground is coming. In submitting your writing…you could be held in limbo forever until one day this random email comes in and you ask yourself, “What are they even talking about?”

But, really…it’s fun. It’s exhilarating.

We tell ourselves that putting ourselves out there is the win. It means we’re trying. Submitting is half the battle, right? We try and we try and we try. We have wide shoulders. We can take rejection. We need to…because this is the calling we took up. Rejection is a large part of the writing world. Insert all the “it’s not you, it’s us” comments here. “It’ll be right for somewhere, just not for us.” “Keep submitting! You’ll find a home for this piece!” If you’re a writer, you’ve probably read the ten thousand and one ways there are to word a form rejection.

If you’re lucky, you get the odd success…

Submittable Status Column

If you’re on Submittable, you know the IN-PROGRESS BLUE is the most agonizing of statuses a submission can be in…this is a limbo that knows no bounds. Did I mention the publication that recently got back to me on my July, 2022 submission not to tell me it’s accepted or rejected, but to tell me it’s now being considered? Oh, I did. Okay. I’ll let that go, then.

This is not a bitter post. It may seem like one, but honestly…it’s not. It’s just a reminder. PERSEVERANCE. You can overcome the submission monster. You can. Just keep writing and keep submitting.

BUT…HOW LONG IS TOO LONG?

If the place you’re submitting to does not allow simultaneous submissions, that means you have to wait before you can submit the piece elsewhere. Consider ignoring that rule if a certain amount of time passes and you haven’t heard back from them. For me, that window is ONE YEAR. If a year has gone by since you sent out this exclusive submission (which I think is a reasonable amount of time to wait for a response) then you should feel free to submit your piece elsewhere. If the original place then gets back to you after that…oh well. You gave them a fair amount of time to respond. Writers are people too. Those who think we have two years to sit around waiting may actually deserve our eventual flaunting of their rules.

Enjoy the writing. Accept the limbo. Carry on smiling…

It’s not all a nightmare. Sometimes you open an email and it’s all sunshine and lollipops…

Dear Kevin,

We would be delighted to publish “___ _______ __ ___” if it is still available for publication.

That’s where the magic is! If it hasn’t happened yet for you, fear not. Keep writing! Keep trying!

If you’re a writer and you’re out on submission, I applaud you! You are a saint and I celebrate you!

 

Isobel Swallows a Warrior – A Short Story (Previously Published in Nothing But Red)

I thought I would share a short story today for I READ CANADIAN DAY! This was originally published in the anthology NOTHING BUT RED. The anthology came about after the brutal ‘mercy’ killing of Du’a Khalil Aswad. Joss Whedon wrote an essay on the incident on May 20th, 2007. Later, Nothing But Red was created. It contained the essay from Joss Whedon which can be read HERE.

From the NOTHING BUT RED website:

In April 2007, seventeen-year-old Dua Khalil was pulled into a crowd of young men—some of them family members. They proceeded to stone and beat her to death, a supposed “honour” killing for being in the company of a man of a different faith.

The police stood by and did nothing, and several members of the crowd filmed the incident with camera phones. You can find the video on both CNN’s website and YouTube (We have not linked to the video. A simple search will find it for you.).

One month later, popular writer and filmmaker, Joss Whedon, posted his complete despair and outrage on a fan-run news blog, Whedonesque.com. Among his words was a call to action. This is how some of us responded.

4072585

Here is the story I wrote for the anthology. It was published in 2008.

Isobel Swallows a Warrior

By: Kevin Craig

Isobel has reached her breaking point. She watches the wipers’ valiant attempts at clearing the rain from the windshield as she wills herself somewhere outside the Denali in which she is trapped. It is futile. There is nowhere she can go to escape the voice of oppression sitting beside her.

“You never listen, Isobel,” Cal repeats. “This has been planned for months. Just because you don’t want to participate in the social events of my life, doesn’t mean you’re excused from them. You’re my wife. You will accompany me. It’s the way it will always be.”

Isobel attempts to hear Cal’s voice as only noise. She has become adept at tuning out the gist of his words; at hearing only his baritone drone. This ability saves her from the sting of many insults.

As the wipers continue to fight the deluge, she listens to the near-whisper of Dusty Springfield singing Son of a Preacher Man (“A radio is supposed to be background noise. The volume doesn’t need to be above three. Anything higher is excess.” One of the first Cal tenants; handed down some twenty years earlier. She has been straining to hear ever since.). Her finger itches to crank the volume; an action that would be met with dire consequences.

“Are you even listening, or are you proving my point?” In her head, Dusty is drowning him out.

“Isobel? Earth to Isobel.” The jab to the shoulder brings her back. “You’re going to act like a normal human being tonight. I work with these people. The least you can do is show them a little respect, for Christ’s sake.”

She rubs her shoulder and ponders Dusty’s words. Cal is the only boy who could ever teach her. There was a time–way back when–when she thought he was a sweet-talker, too. It seems she shares something with Dusty. She wonders if Dusty would allow herself to become a doormat to her preacher man’s son.

“Promise me that.”

“Yes,” she mumbles. “I always do. Your fetes are so incredibly stimulating—”

“Don’t get lippy, Issy. You’re going to ruin this for me before it even—”

“I’ll be your puppet, Sir Cal. Don’t worry.” Something in the hopeless way the windshield wipers struggle against the rain empowers her. She smiles, proud of her flippancy.

“Phhh. Some puppet you make. You’re as useless as feathers on a trout. I’d be able to control a puppet better.” Cal reaches for a cigarette and works at getting it lit. Isobel cracks her window against the smoke. “What the Christ are you doing? Can’t you see it’s pissing out?”

“You know I can’t handle the smoke,” she says.

You know I can’t handle the smoke,” Cal mimics in his mousy Isobel voice. “You’ll soak the seats.” Isobel reluctantly shuts the window.

Isobel shuts down and allows Cal to concentrate on his cigarette. She knows he is thinking about tonight’s Big Cal on Campus event; how wonderful he will be. She thinks idly about her children.

At first, she did the Cal experience for Cal’s sake. He was a sweet-talker. He seemed like someone she could love forever. As the tides began to turn—as the ugliness began to show through his rigid façade—she had found herself with child. First came Hennessey, and then Ben. With each rise in her belly, she felt a swell in her sense of hopelessness. With each child, Cal’s particular brand of Calness grew uglier.

But the kids are grown, a new voice in her head announces. What am I staying for now? She seems to search the rain for an answer. “We’re almost there.”

“Give the woman a medal,” Cal says. “Does MENSA know about you?”

“I was just thinking aloud.”

“Try not to make any mental breakthroughs like that tonight. They already think you’re weird. Don’t start talking to yourself.”

“I was making an observation.”

“And a fine observation it was,” he laughs. “Fine as rain.”

Isobel watches the wipers cut their rhythmic path across the windshield. She knows there is an answer to her problems right in front of her—she just can’t touch it.

If he lets me out at the door, I’ll stay. If he makes me walk in the rain, I’ll leave.

Isobel almost jumps from her seat as this thought occurs. She sneaks a peek across the void between herself and Cal, afraid that he has heard the ultimatum. He is finishing his cigarette, staring blindly into the road and savouring his superiority.

She wants to jump out of her skin. She feels as though a warrior has taken possession of her body and she tries desperately not to blink away this belief. She is afraid the spell will be broken, and with it her resolve.

Cal moves into a turning lane. They are at the Sienna Suites, the pretentious banquet hall where the pretentious soiree is being held. Isobel feels her heart in her throat. She is afraid he might not be able to resist the bright lights and showiness of the valet parking.

As they enter the parking lot she crosses her fingers, hopes for a miracle. As soon as the thought had entered her head, she knew she had wanted it more than life itself. Now she allows her future to rest on Cal’s next move.

“Like I’d let one of those punk-ass kids drive this truck!” Cal says to himself. Isobel waits for him to suggest she jump out.

If he drops me off, I stay with him. Her heart races and monarchs scratch the insides of her belly. They inch past the doors, past the smartly dressed, pimply teen-aged valets—past the security of knowing where Isobel will sleep at night.

In typical Cal fashion, he heads for the back of the lot. Isobel hears the tired parking-refrain mixing with her swirling thoughts of escape—Nobody’s denting these doors. This is a Denali, for Christ’s sake!

Cal pulls sideways into two spots, grabs a Toronto Star from behind his seat, unfolds it over his head and opens his door. He is running toward the banquet hall before Isobel’s door is opened.

She leaves the truck slowly, allowing the rain to soak her new Alfred Sung dress. Cal stops halfway, waves one arm impatiently while holding the paper above his head with the other. Isobel’s own arms begin to rise at her sides. She feels them lengthening—becoming wings. She looks into the night sky, allows the water to further soak her upturned face. She is unconcerned with running mascara and wilted hair.

She makes her way to the entrance and sees Cal waiting inside. His face is red with anger as he glimpses the damage that the rain has caused her. She smiles and waves. She splashes through a final puddle before allowing a tall dark doorman to open the door for her.

“What the hell took you so long? Christ, Issy. Now is not the time to get lost in that Dreamland head of yours. You’re soaked!”

She comes back down to earth just long enough to placate him with a few light words. “I’m in heels, Cal. It’s okay. I’ll just run to the washroom and freshen up. Wait here. I’ll be right out.”

“I’ll see you at the table. I’m not your Goddamn servant,” he snarls. “Wait here,” he says in his finest mousy Isobel voice. “That’s rich, Isobel.” He storms off, handing the doorman his dripping Toronto Star.

Isobel makes a show of walking towards the washrooms, in case he glances back. Her full-circle back to the door is almost a dance. She thinks of Hennessey and Ben—of how they will react to her spontaneous decision to flee. For a split second she thinks she will step back into her life. The resolve takes hold. The warrior in her belly propels her to the doorman.

“Can I help you, Miss?”

“Can you please call me a cab?” It is not Isobel’s voice that comes out of her tiny body. It is the voice of her swallowed warrior. She is leaving.

“They’re just outside. Follow me.” He cracks an umbrella and ushers her into the new and unknown. She puts one foot in front of the other, attempting to look like the sane, rational woman she is leaving behind.

An orange door is opened. She hears the thank you escape her lips. Her wet frame drops into the seat of the cab and she thinks she is smiling as the door closes.

Isobel stares forward, not knowing her next move. I’m leaving Cal. She turns to look at the back of the driver’s head. I’m on my way out of my life. I’m leaving Cal.

“Looks like you got a drenching,” the cabby says, pulling her back into the world. There is music playing softly, almost inaudibly.

“Just a little rain,” says the new voice that Isobel is trying on for size. “Could you please turn the music up? Music should be heard.”

“Certainly. And where are we going tonight?”

She looks to the ceiling and then closes her eyes. “Anywhere but here, driver. Just drive.”

THE END

This story can now be found in my short story collection 7 – Paris at Sunset and into the Night and Other Stories.

Pick it up at AMAZON today!