Have I done a list lately? I should keep a list of the lists I list. Or is that list the lists I keep?
In a writing slump? Finding it hard to finish that Great Canadian (American, Armenian or otherwise) Novel? Trying to dedicate more time to writing this year because you’re one of those people who makes New Year Resolutions? Follow this list to a tee and you should find yourself back on the writing wagon. If you’re already on the writing wagon and you follow this list, you will find yourself even more connected to your writing. My point? Follow this list and you will write more.
How to Write When You’re Not Feeling Writerly (OR When You’re Feeling Stabby and Murderous Towards Words, How Do You Embrace Them and Make Them Work in Your Favour…Even Though You Hate Them)
Turn OFF the social media and Click the to OFF. I know it’s impossible to imagine, but these things are distractions…killers of the imagination, even while they are stimulating it. If you follow this first item in this list, you will significantly increase your outflow of words. The increase could quite possibly be tenfold.
See the first item in this list. Quite frankly, if you got this far in the list you aren’t following the steps properly.
ARE YOU STILL HERE. Stop reading this. Turn off the internet and write.
Don’t make me yell at you. SIT. WRITE. Open only one window…whatever program it is you use to write with.
I’m gonna keep this list short and to the point. Only 5 items. Item 5 is CLOSE THIS WINDOW. SIT. WRITE. <<This advice works if you’re a beginner writer, or if you’re someone like that up-and-comer Stephen King…who has a couple books under his belt.
If you’re still here, clearly you’re not heeding my warnings. If you’d rather read than write, click on the image below to get yourself over to GOODREADS to enter to win a paperback copy of my latest novel, BURN BABY BURN BABY. The contest ends JANUARY 11, 2015!
If you’re on INSTAGRAM, follow the steps in the picture below to win a paperback copy of BURN BABY BURN BABY in the INSTAGRAM contest! The easiest way to enter this one would be to go to Instagram and repost this image from my account. Instagram is sometimes tricky with resizing, etc.
Okay…now there is still a chance for you. Turn it all off. SIT. WRITE. That’s it. That’s all you have to do. No magical equation. No tricks or gimmicks. To write more all you need to do is write more. One word in front of the other without the everyday distractions that weigh you down and mess with your creativity and drive. SIT. WRITE.
Unless one has never heard of the invention of a television, it’s fairly safe to assume that we all know the reference ZUZU’S PETALS. In case one among you (AND YOU KNOW WHO YOU ARE!) has not yet seen a particular movie, I shall explain Zuzu’s Petals before going into the point I want to make about writing. (-:
ZUZU’S PETALS. They are perhaps the most glorious evidence of magic that we have in the universe today. Let’s just go right to it, shall we. Behold! Zuzu’s petals!
Aren’t they glorious!? The most beautifully gorgeous symbolism in all of moviedom! Yes…I’m excited. Of course I’m excited. I get excited every time I think about those petals. And tis the season.
In the above picture you will see Zuzu Bailey and her father George Bailey. They are characters in the movie IT’S A WONDERFUL LIFE. Zuzu’s story is a sad one. But it’s also one that is, at first glance, such a small insignificant role in the vast scheme of things. At first glance. I’m going to forgo the announcement that a spoiler follows here. Because all but maybe one of you have seen It’s a Wonderful Life.
Zuzu comes home from school with a beautiful flower and can’t wait to show her father. But some of the petals have fallen off. George, in his infinite desire to please everyone–and especially his lovely Zuzu–pretends to reattach the petals. But he secretly slips them into his pocket. Zuzu’s tragedy is averted, and her love and adoration for her father grows three sizes that day. Her flower is returned to its beautiful self and her tears retreat.
George Bailey then falls into the rabbit hole. He is taken into a world that would be the world how it would exist if he had never been born. It’s a much bleaker, darker world. It’s quite frankly a terrible world. It’s also a world in which Zuzu’s petals do not exist–no George means no Zuzu. Folks, don’t ever shout to the universe, “I WISH I WAS NEVER BORN!” That’s a rabbit hole you will not want to go down, right there.
As the movie wraps up, George is allowed to reverse his error and come back into the world he left behind. He has seen the vast changes his life-force has created in the world. He knows that the third rock from the sun is a better place with him in it. His faith in humanity is restored and he feels glorious.
Of course, he must be thinking, ‘Wow. What an awesome dream!‘ Because something otherworldly like that just can’t happen, right? But lo and behold…George Bailey reaches into his pocket and what does he find there? You guessed it! ZUZU’S PETALS. They were a huge symbol the whole time. Right in front of our noses. George IS. And how does he know he is? Because ZUZU is. Because…Zuzu’s petals!
“Zuzu’s petals…Zuzu… There they are!”
Today’s lesson for writers is simple. In truth, I just wanted an excuse to talk about Zuzu’s petals. Because they’re glorious and what not.
Firstly, did you know that It’s a Wonderful Life is based on a short story called The Greatest Gift. Written by Philip Van Doren Stern, it was privately published. I have to wonder if that means self-published.
My point? I do have one. No matter what magic you write into your story, it must be authentic. I use the term magic loosely here, because this can apply to any genre…not just magical realism or fantasy or paranormal or anywhere you would normally find MAGIC. I’m talking about anything from coincidences to ghosts to flying to world-building to Zuzu’s petals. Put clues in your work to authenticate the reality you want your reader to step into. Subtle clues. Tidbits of information that they can reflect back on when they reach the story’s conclusion. Something that will make them go, “AHA!”
I don’t know about you…but I eat that stuff up. I was just a child when I first watched It’s a Wonderful Life. And, for me…the most magical part wasn’t George suddenly running through a town that was COMPLETELY DIFFERENT than the same town we were just previously shown. The most magical part wasn’t the way people who lived as adults had suddenly died as children and lived-in houses became empty haunted spaces and even the TOWN became renamed in the blink of an eye. The most magical part were those petals. Placed lovingly into a pocket in the most subtle way…so that I would both remember their significance and forget their significance. Those petals were a glorious flower themselves…planted as a seed in a threadbare pocket. And when they blossomed, when George reached into his pocket and discovered those beautiful babies…well, my world stopped.
So the lesson for writers today is this—do that! Give your readers a whole boatload of Zuzu’s petals. Be like Hansel and Gretel. Leave glorious breadcrumbs throughout your story…breadcrumbs that will validate the story itself, make it more authentic. Every reader loves a great AHA moment. Just don’t manipulate them. Your breadcrumbs can’t have huge glowing neon signs on them that scream, “LOOK AT ME!” They need only be a few crumpled petals placed lovingly in a pocket in an effort to staunch the tears of a loved one.
I have made the move. And it feels great. I wasn’t sure if it would work out or not, but I’m LOVING it!
No more laptop, no more desktop. No more pens, no more pencils, no more books…no more teacher’s dirty looks. Oops. I didn’t mean to go there. It just happened. What I’m trying to say is I made the switch from laptop to tablet. And I’m loving it.
I thought I would give it a try because it’s ridiculous how quickly we get used to the downsizing of our electronic lives. The desktop computer seemed impossibly large when the laptop came into existence, and now…just the mere thought of carting my humungous laptop around exhausts me. (-;
When I got my new tablet, the first thing I thought of was writing. I was excited to get the closest app to MSWord and see if it would work for me. I immediately downloaded the free version of OfficeSuite, and loaded my latest manuscript to the app to see what I could see. It’s a go. The onscreen keyboard works well, the functions are similar enough in the app that I was comfortable transitioning without feeling lost in new technology. I began editing and writing. And I did so for a couple of days. Once I was sure that I could work in the new environment, I upgraded to the full version of OfficeSuite. For $21 a year, I felt it was well worth the investment. I now have writing on the go. Right there at my fingertips, wherever I am.
It feels liberating. That laptop–at least in my mind–was beginning to weigh a thousand pounds. With the tablet, and its functioning and acceptable 10″ screen, I have the freedom of mobility with the comfort of a bigger size than the smartphone I was considering using as my go-to writing implement.
To be perfectly satisfied, I created a new file and switched it back and forth between my laptop and my Samsung tablet. Just to make sure that formatting didn’t get messed up, or anything untoward would happen to the files compatibility-wise. It’s all good. It’s a go. I am now a tablet writer. (-:
I’ve been wanting to try this for quite some time, but I was leery. I thought it wouldn’t work out, for some reason or other. But I’ve gone mobile. This writer done gone wild…
Now…time to write.
I leave you now with Mr. Writer, by the Stereophonics. Because all writers are beautiful clowns…
Yesterday I talked about writers and community by sharing some information about the writing community I myself am entrenched in. Today, I wanted to talk about the solitary life of the writer. Because when it comes right down to it, we need to be solitary while in the thick of things. Putting words on the screen is done by a committee of one. In today’s social media based universe, it is becoming more and more difficult to focus long enough to put words on the screen when those words are in a manuscript. IF you’re easily distracted.
Guess what. I’m extremely easily distracted. I could easily write 3,000 words in an afternoon. And suddenly realize that all 3,000 words were shot off into the social media stratosphere…while my manuscript lies dormant.
That’s not a good thing.
I sometimes wonder how many of Mark Twain’s short stories (or novels, for that matter) would not have been written had he had a Twitter account and/or a Facebook account.
Wondering about things is what often gets me into trouble. If I had my TWENTY MINUTES back every time I wondered about something and ran to Google, only to be lost in a vortex of wondering and searching and reading, I would have hours of writing time accumulated. I’d be able to write a novel in one sitting with that lost time. Sadly, lost time stays lost. One of the biggest skills a writer can possess in today’s information epoch is CONCENTRATION and an unflappable ability to FOCUS. Please God, give me focus!
I sometimes go days…no, weeks…without opening a manuscript. I intend on writing every day. I used to write every day religiously. I still conceptualize myself as a person who writes every day. Man, I’m bad. I have this ONE THING. And I mess it up.
And what am I doing about it. Writing about the fact that I’m not writing. I’m participating in the social media phenomenon of blogging as a way to distract myself from writing. I feel like somewhere inside that runaround logic I should declare myself a winner. But if I stand up and shout to the universe, “WINNING!” I might be declared insane. What I need to do is give myself structure so that I’m back to an every day writing schedule. Maybe I can limit my social media time better if I schedule it. Maybe I can fly to the moon with the wings on my back, too.
You have to WANT it. Wanting is winning, IMHO. Right now, I’m not as hungry as I used to be. But I’m coming to the conclusion that social media IS killing some of the best writers out there. Proof? Oh, I gotcher proof. Let’s go back to Mark Twain, shall we…
Above, you will see exhibit A. I offer this as proof that some of the world’s greatest writers are being gobbled up by their own egotistical need to spam, blather, purge, gab, selfie themselves, and pontificate on social media. I came up with the theory and it took about six seconds on Google to prove it!
When was the last time you witnessed new work from Mark Twain? It’s been a while, hasn’t it?! Yet, he has all the time in the world to tweet about his life. He’d rather tweet past quotes and reflections than sit down and put new words to the screen. Social media has swallowed Mark Twain whole. We may never see another new work by this great author. WHY? Because he’s too busy tweeting, Facebooking, and pontificating. I won’t even search out his snapchat account. Heaven help us!
Are you a writer?
It’s time to take a pass on some of the distractions of the modern social media frenzy. Give yourself a daily scheduled block of time where you ONLY work on your Work-In-Progress. Don’t multitask inside this time-frame. Choose writing! Leave all your other windows closed…because you know if you don’t a little birdie is going to fly in at just the right moment to take you away from your work at hand. Twitter can wait. Facebook can wait. Blogging can wait. Tumblr can wait. Forums can wait. The NYT can even wait. Make YOUR writing the priority…at least once a day.
We have witnessed the decline of one of the world’s greatest literary treasures. Mark Twain may never again come out of the social media spiderweb long enough to give us new material. We all lose there. Don’t rob us of any other great works of literature. Sit. Write. Repeat…
Remember that it’s great to be social. Writers together is an awesome thing. To a point. Sooner or later you need to leave the party long enough to write. Writing–the actual act–is solitary. By design. Like I said. Sit. Write.
I will be slipping into the blog cone of silence once again. (-: Today I head to Paris and the LEFT BANK WRITERS RETREAT. It has been a lifelong dream of mine to go to Paris. It’s at the very top of my bucket list. In fact, a visit to the Shakespeare & Company bookstore in Paris IS the #1 item on that list. And guess where I will be heading while I’m in Paris! (-:
I will be taking small workshops every day while I’m there…little exercises in the exploration of all things writing. On the menu is; poetry, finding your voice, place as character and more. PLUS—we will be exploring Hemingway’s Paris AND F. Scott Fitzgerald’s Paris.
Do I wish to retrace the footsteps of Hemingway? Absolutely. His A MOVEABLE FEAST is one of my all-time favourite books. I’m going to attempt to re-read it on my flight over tonight. Although I tend to do nothing but sleep while on airplanes. I can’t seem to keep my eyes open. I’m not too worried about it, though. I have practically memorized the book. (-;
Some of my favourite Moveable Feast quotes:
“You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintery light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person died for no reason.”~ ERNEST HEMINGWAY, A Moveable Feast
“By then I knew that everything good and bad left an emptiness when it stopped. But if it was bad, the emptiness filled up by itself. If it was good you could only fill it by finding something better.”~ ERNEST HEMINGWAY, A Moveable Feast
“For a poet he threw a very accurate milk bottle.”~ ERNEST HEMINGWAY, A Moveable Feast
I’m going to Paris for Hemingway. And for Paris itself. I believe it to be a beautiful city. I’m about to find out if reality matches my belief…
All writers have time before and after (and in-between) writing time. How should we use that time? Better yet, how could we use that time in a way that may be useful to the B.I.C. (Bum In Chair) time we are afforded for our writing?
How about we make a short list?
READ MORE – This is the easiest thing a writer can do to assist their own writing skills. What you put in to reading, you get back tenfold as a writer. As your neurons are connecting in new and interesting ways with the stories you read on the page, so too is your imagination working in the background on your own creative avenues of adventure. Never underestimate the power that reading gives you as a writer.
RECOGNIZE THAT YOU ARE A PART OF A BIGGER FAMILY – It doesn’t matter what we write, writers have great opportunities to commune with one another in many interesting ways. Join writing circles, both in-person and online. Help other writers and accept help from other writers. There is SO much you can do. Host them on your blog, either in the form of a guest post or an interview. Offer to beta read their work. Be creative…if you can think of something that would benefit you, chances are it would benefit your fellow writer.
NOTE TO SELF – This sounds corny, but it helps. Really, it does. Leave yourself little post-it notes on your mirror. Today, I will write an amazing sentence!I will edit Chapter 16 today!Today I will finish my first draft!I am a great writer!I will be published!I am going to submit something today!An agent is going to ask me for a full! You get the picture. Write yourself positive affirmations about your writing, about your writing life…
VISIT THE HARD STUFF – We all skirt that place in our minds where we fear to tread. You know those demons you carry but dare not write about. Go there. Go to the deepest darkest place you can find inside of yourself…and when you come back from the journey, write from there! Be fearless. Your heart has a story to tell. Listen to it. Be authentic.
GO FOR A WALK – Yes. A walk. It’s simple. ♪♫Put one foot in front of the other, and soon you’ll be walking across the flo-o-or. Put one foot in front of the other and soon you’ll be walking out the door.♪♫ Do silent meditation walks through the forest. Walk downtown and listen to the traffic. Walk downtown and listen to music screaming in your headphones as you drown out the traffic. It doesn’t matter how you do it…a walk is a fantastic thing for a writer to take. Your mind forgets the niggling day to day things when you’re out for a brisk walk…it’s free to wander. You can get it working for you in writerly ways.
TAKE YOUR SHIT SERIOUSLY – Write out goals for yourself. This is a bit like the post-it notes, but the mind is a terrible enemy of the heart. We have to repeatedly poke it to get it to do what we want it to do sometimes. Once your goals are on paper, see to it that you achieve them. You’re the only one standing in your way. Nobody else is going to give a shit if you succeed or fail. Do it for you. 200 words a day times 365 days is 73,000 words. Break your goals down into manageable bites if need be. I just showed you an example of this with a goal to write a novel in 1 year. Seems like a hell of a hard thing to do—write a novel in a year. Then you break it down into 200 words a day and you can’t imagine not being able to write a measly 200 words in one day. 200 words is nothing, right? This bullet point alone is almost 200 words. Do this many words every day for a year and you have yourself a novel. Treat your writing like it’s important—like your shit matters. Because it does. It’s yours. It’s the result of your creativity. That’s golden.
SERIOUSLY, CHILLAX – Writing is fun. Writing is allowing your creative side to do cartwheels across the floor. Writing is liberating your inner-child to sing at the top of his/her voice in the library where quietude is mandatory. Writing is using every colour in the crayon box to colour in your horse, just because you want to. Don’t, for the love of god and all things holy, make it a chore. When you feel that writing is becoming a chore, step away from it. You’re doing it wrong. Go read some poetry—maybe Shel Silverstein or Dr. Seuss. Don’t be serious. But be serious.
FIND WAYS TO LEAVE YOUR COMFORT ZONE – Yes. Do it. Book yourself at an open mic event. Or get your own audience of friends and peers and read aloud from your work in front of them. Get yourself into a writing commitment with a seriously scarey deadline. Offer to teach a workshop at your local library. Do something that will put you out on a limb without a paddle, or up a river without a parachute. Make yourself breathless with fear.
TAKE INTERESTING COURSES THAT HAVE NOTHING TO DO WITH WRITING BUT LOADS TO DO WITH CREATIVITY – You must have other interests? Macrame? Underwater Basket-Weaving? Photography? Stained-Glass Window Design? Theatre Arts & Drama? Oil Painting? Finger Painting? Bamboo Carving? Glass Blowing? Totem Pole Carving? All these things feed the creative monster inside. Learning new skills also gives you more to write about.
Everybody needs it. When you’re a writer, it can be the difference between writing and not writing. I’m talking about momentum, that thing that keeps you going.
“If I only could, I’d be running up that hill.” ~ Kate Bush
Momentum can be achieved any number of ways. For me, a book sale goes a long way. It’s a form of validation that really helps to keep me putting words on the page. But there are a lot of other things that can happen in my writing life that motivate me to keep runnin’ up that hill. A good review, a newsletter from a writing organization of some kind, booking a writing retreat or conference, communicating with other writers in forums or in person. All these things serve to get me pumped and ready to keep writing.
Once you sit down to add words to your manuscript-or poem-or journal-or article-or grocery list, you’re well and truly in a vacuum. It’s just you…and maybe your characters. This can be daunting. I find it helpful to get out into the larger writing community prior to sitting down. It fortifies me. When I talk about my writing, it feels more alive. It makes me want to jump back into it.
Don’t forget to interact, set goals, treat yourself to writing related outings, etc. And one of the great motivators is the simple act of SUBMITTING YOUR WORK. Do this often. You’re not risking anything if you’re not submitting. To submit is to motivate yourself. And remember, a rejection isn’t totally negative. It’s proof that you are doing something about your writing. You should wear rejections as badges of courage. You put yourself out there. That’s reason enough to celebrate.
There are great opportunities in the writing life to BE THE WALLFLOWER. I would even go so far as to say it’s often NECESSARY for a writer to be a wallflower. Especially during the cultivating stage of your work…when you’re collecting grist for your writing mill. BUT…you can’t always stand back against that wall and be the bystander in your life. It doesn’t get you anywhere. Sometimes you need to take life by the throat. Before you sit down into that vacuum of DOING WRITING, collect yourself some reasons to write. Get excited about writing.
Let review. Ways in which to jump-start your writing and gain the momentum needed to carry on carrying on:
ATTEND CONFERENCES & WORKSHOPS
REGISTER TO ONLINE WRITING FORUMS & BE AN ACTIVE MEMBER OF SAID FORUM
ATTEND SOCIAL GATHERINGS FOR WRITERS IN MEAT-SPACE
SIGN UP FOR WRITING ORGANIZATION/WRITING SITE NEWSLETTERS. READ THEM WHEN THEY ARRIVE IN YOUR INBOX
CREATE A SAME-TIME-EVERY-DAY SCHEDULED WRITING TIME AND STICK TO IT. WRITE OUTSIDE THIS TIME ALL YOU WANT, BUT CREATE THIS DEDICATED WRITING TIME
CELEBRATE YOUR VICTORIES, ATTAINED GOALS, ACHIEVEMENTS, ETC
ENTER WRITING CONTESTS
JOIN A LOCAL WRITING CIRCLE/ORGANIZATION
FIND A BETA READER PARTNER AND SHARE YOUR WORK WITH EACH OTHER (THINK OF THIS AS SIMILAR TO AN AA SPONSOR—CARRY EACH OTHER WHEN NEEDED)
There are all sorts of things you can do once you’re outside that vacuum. Things that will enrich your writing life and cause you believe in yourself more fully. Do them. Anyone can write. The trick is to keep the momentum going. Be excited every day. You don’t have to be sitting and writing to be cultivating your writing life. Think outside the box. Fuel the passion…
You know when you hear a phrase or music lyric the wrong way and it sometimes takes you years to figure out that you got it wrong? For me, one particularly idiotic example of this was the phrase WINDCHILL FACTOR. As a kid, I always thought it was WINDSHIELD FACTOR. I used to think the colder temperature was somehow measured by how cold it is on a car’s windshield…because clearly it would be a colder temp on the windshield of a moving car than a standstill temp. Right? It’s not that farfetched. So I thought somewhere someone had this thermometer pasted to their moving car and they called in the windshield temp to the local weather stations…just so we would, you know, know how cold it was were we to decide to travel on the hood of our car that day. Makes sense.
This is going to be related to writing. I promise you.
I figured out the Windshield thing pretty quickly. It only took me a few years. Sooner or later one opens their mouths in the wrong company and someone is going to call one out on their awesomely fantastic stupidity. I was slightly humiliated when corrected about the windchill thing, but I learned. I grew.
Fast-forward to November 1984. The release of HATEFUL OF HOLLOW by THE SMITHS! Every single song on that album blew my mind so completely. It was perfection. But do you see what I did there? I called it HATEFUL OF HOLLOW. Actually, I called that album HATEFUL OF HOLLOW for the better part of 30 years. I had a poster of the album cover in my room all through the mid 80s. I listened to the album obsessively, so the sleeve and album cover were always laying around. And yet, after processing the title incorrectly that first time, I did it every single time I looked at it. Now, I like to think I’m not an idiot. But the evidence weighs solidly against me here.
For those who don’t yet know what I’m talking about, THE SMITH’s album was actually called:
HATFUL OF HOLLOW
Do you see my error? Exhibit A from the evidence of stupidity file:
There it is. Plain as day. HATFUL. It was only in recent years that I noticed my error for the first time. And I can’t tell you how jarring it was to realize I had it wrong for SO MANY YEARS. Hateful of Hollow just made pure and unadulterated absolute sense to me. It meant something. When I first realized my error, I spent the better part of a day contemplating the meaning of the ‘new’ title. Hatful of Hollow? What the hell? That doesn’t even mean anything. It has to be wrong. Somebody must be playing this crazy trick on me. Of course I can understand the meaning behind HATEFUL OF HOLLOW. Anyone would be hateful of hollow. Hollow is our enemy. It is sadness. Ergo, we hate sadness. But this hatful crap? What the hell?
Now let’s zero in on what this means to writers, shall we?
We don’t always see our own glaring errors. If you meant to write something a certain way, chances are you will read it the way you meant it to be. But often, we can slip in a wrong word or phrase without realizing we did so. You can go through your manuscript a hundred times, thinking you’re editing out every little error along the way. In actual fact, your ‘meant-to-write’ phrase or word keeps appearing in place of the actual error on the page. Here’s an example:
Your intended sentence: I took the potatoes out from under the cupboard.
What you actually wrote: I took the potatoes out for under the cupboard.
Unless you’re extremely diligent, you could read that sentence ten times and not see the error…because your mind is correcting it. I guess essentially this means you’re glossing over it. But this is a real issue.
It’s smart to edit your own work. Don’t get me wrong. You should ALWAYS edit your own work. But getting a second set of eyes on the manuscript is ALWAYS a smart idea. Someone else will catch the little things that make you appear sloppy if they’re not caught.
I’m not saying everyone should PAY for editing services. In fact, unless you are going with SELF PUBLISHING, I would suggest you NEVER PAY FOR EDITING SERVICES. You edit your manuscript to the best of your ability and then you have a friend/fellow-writer read it through for those glaring errors you’re always going to gloss over. If you’re submitting to an agent or a publisher, they are going to work with you on the manuscript. There is no need to spend precious money on an editing service. On the other side of the coin, I think one should always get their manuscript professionally edited if they are going the self-publishing route. You want to present the reading public with the most polished work possible.
Anyway, the moral of this story is, I suppose, to pay attention. I didn’t write the title of that Smith’s album, so it doesn’t really apply here. I just read it incorrectly for decades. But it is a good example of how our minds sometimes work against us by repeatedly replacing what we thought we read/wrote with what’s actually on the page. PAY ATTENTION! And have a reader in place! We should all have our work checked by at least one other person before we send it out into the world. It’s a cliche because it’s true…YOU ONLY GET ONE CHANGE TO MAKE A FIRST IMPRESSION! (see what I did there?!)
When I first discovered Matthew Quick, I was at an interesting crossroads in my own writing journey. I had written a couple novels for adults and I was pondering writing for the young adult market. For some reason, I got it in my head that I couldn’t do both. One could either be an adult author OR a young adult author. I don’t know why I thought this, but I did. I’ve made it a point throughout my writing journey to always remind myself that THERE ARE NO RULES. There are guidelines, there is good advice and there is bad advice…but there are no steadfast rules. Writing is what you want it to be.
And yet, here I was…trying to make this decision. And while on the fence, I really sweated about it. I loved the darker issues I could explore writing contemporary adult novels, but I also loved the idea of exploring dark issues in a teenager setting…the coming of age in the high school environment novel. I was weighing the pros and cons of the two markets, because, as I said, I thought it had to be EITHER OR.
Enter Matthew Quick. No…I’m not going to be so bold as to call him my savior, or anything as nutty as that. I’m just gonna say that he reminded me of my own first rule of the Writer Club. The first rule of Writer Club is that there are no rules in Writer Club. He didn’t do this right away, mind you. At the time, I was mass-consuming YA novels…as part of my research in the market. Well, that’s what I was telling myself. Truth be told, I LOVE reading YA. But I was reading solely YA to get a feel for the landscape of the market. I was dissecting books for themes, formula, what-have-you.
I picked up BOY21 for several reasons. Because it seemed to have strong male and female ‘leads’. Because it was sportscentric. Because the blurb really caught my fancy. Sometimes, I’ll admit right here and now, I am sold by a cover. Or, at least, I am gripped by the cover and moved to learn more about a book. BOY21 had an awesome cover. Anyway, I picked it up and I read it. And I fell in love with it.
You know when you discover a novelist and then check out there other books and get excited because you get to spend more time with them? Well, immediately after I finished BOY21 I searched to find out what other Matthew Quick offerings there were on tap at the Kindle store.
HOLD THE PHONE!
The Silver Linings Playbook. Can it be? A contemporary ADULT novel?! Oh my God! He writes for adults AND young adults! YES!
Okay, so Matthew Quick may not be the first author in the history of authorship to do this. But he was the author I discovered doing it when I needed the permission to do it myself. When I needed to realize that it could actually be done. And not only was he writing for both markets, but it would seem he wrote quirky characters. I wrote quirky characters, too. I immediately purchased The Silver Linings Playbook. And I devoured it. And I thought it was a masterpiece!
Click on the book covers to read my reviews of these two Matthew Quick novels:
I later went through Quick’s full catalogue and loved all his books. I eagerly await his forthcoming THE GOOD LUCK OF RIGHT NOW! I have it pre-ordered. And on February 11th, when I wake up, it will have been magically delivered to my Kindle! I know what I’ll be reading that day!
Click on the book cover below to read the synopsis of Quick’s latest offering:
Okay, so on the surface this post may seem like a commercial for Matthew Quick’s books. But I swear to you, the whole purpose of the post is to tell writers to keep reminding themselves of the fluidity of the rules they should live by. When you find yourself questioning whether or not you can do something, DO IT. Try it, anyway. Don’t listen to people who say do this, don’t do that. I was very close to saying goodbye to one of the markets in question, even though I loved both! It was through my discovery of Matthew Quick’s novels that I found the permission to carry on carrying on. Because I saw that he accomplished writing for both adults and young adults, I knew that I could take the same path. And I did. And I for one am extremely grateful for Matthew Quick.
But seriously, check out his books. You’ll love them! (-:
So, I’ve been writing the ten minute play for a number of years now. I’d like to think I’ve been doing it with a bit of success, too. Though one could never be sure. I can attest to the fact that the audiences seemed to like my work. Being in an audience when they’re laughing during the unraveling of a comedic play you wrote is extremely rewarding. I consider myself blessed to have experienced that. But I’m rather hard on myself, as a writer…so I tend to allow the actors and the directors to take the blame for the laughter. (-: After all, the script is merely the scaffolding. Right?
So, now that I have had seven 10-minute plays produced…I feel I may be able to offer some advice for others considering the 10-minute play market. It is a favourite of mine. A good 10-minute play can contain the world within its rigidly timed existence. You just have to work like hell to contain it.
1. I learned the hard way that there is a world of difference between a sketch and a play. If your characters are not transforming and going through some kind of self-revelation, you could very well have written a sketch. A play is a complete story, whether that play is 10-minutes long or two hours long. You need an arc. A conversation where nothing really happens and no wisdom is gained and no change takes place is simply a conversation. A lot of first time 10-minute playwrights make the mistake of creating a sketch when they attempt a play, myself included. Last year, during the InspiraTO Festival in Toronto…there was a last-minute call for a play in one of the festival’s satellite locations. As I already had a play in the festival, to take place on the Alumnae Theatre stage, I received the call automatically. I jumped on the opportunity. By the end of the day of the call, I sent in what I mistakenly thought of as a play. Fortunately, it seemed to have some good bones. The Artistic Director, Dominik Loncar, worked with me to flesh out my idea and bring the sketch into the realm of play. I think working with Dominik to create this play was one of the most educational experiences I had in the playwriting process. So, always make sure your play is a full story which culminates in a character change.
2. This one is so easy, it seems self-explanatory. But I have often struggled with it myself. So, I know it needs to be said. For those of you who follow guidelines to a tee, this rule should not be a surprise to you at all. For those of you who think it’s perfectly natural to send a 7,000 word story into a magazine whose submission guidelines clearly state ‘stories should be no more than 3,000 words’, please take heed. There are guidelines for a reason. Ignoring them is the first opportunity the publisher/producer/what-have-you has of culling the pack and rejecting you. Don’t make it easy for people to reject you. ALWAYS read and follow the guidelines. I know from personal experience that well over 50% of submissions are sent in by people who prefer to think of themselves as above submission guideline parameters. As a past acquisitions editor, my job was made quite easy by those who ignored guidelines. I’ve gone on long enough. I tend to get ranty when I discuss writers’ inabilities to follow guidelines. #2 of my advice is that you ensure your play is 10-minutes in running time. NOT ELEVEN. NOT TEN AND A HALF. TEN. End of story. I ‘perform’ my plays over and over again to ensure they meet this criteria.
3. Stage Direction. Use it wisely. Actors are brilliant. While developing their character, they soon learn everything about who that character is. From that place, they can see how that character moves. You don’t want to fill your play with minor business (BUSINESS is the term for what is happening within the play that is not dialogue). If there are necessary directions you feel would move your play forward, by all means include them. But please trust implicitly in the actors and director. They’ll know how to include the right business. I’m sure it infuriates these people no end to be told through stage direction each and every step and movement they are to perform.
4. Give your character a WANT/DESIRE. And then put obstacles in her way. This will create tension. Tension is good. Tension is necessary. Your character needs to propel–be propelled–into the heart of the play. Nothing moves a character more than a shiny carrot dangling just outside of their reach.
5. I think there’s a fine line between KEEP IT SIMPLE and GIVE IT PIZZAZZ. Keeping it simple is required. You only have ten minutes to tell a full story, to bring a character from one place in their life to another. This is not a movie. You can’t have extraordinary props. Your goal is to get to the audience’s raw nerve–be it through comedy, drama, fear, what-have-you. Leave the glitz of the movie world on the silver screen. But this is not to say you can’t give your play pizzazz. You want to make it theatrical, larger than life. You can do this without explosions and special effects. You need to find a perfect balance between simple and exciting. Think of simple as budget-related. Often, you’re working with bare-minimum stage props. Think of exciting as character-related. Give your characters great dialogue and a great compelling story the audience won’t be able to tear themselves away from. Make the walk to the climax a dazzling crescendo.
The best advice I could give someone who aspires to get into the 10-minute play business? Surround yourself with people in the know. Approach theatre groups. Take in 10-minute festivals in your area. Nothing teaches one more about writing than reading. Nothing teaches one more about 10-minute playwriting, than watching 10-minute plays. Don’t be afraid to write a play and submit it. There are 10-minute festivals all over the world, now. You don’t have to have the title of playwright to write a play. That comes after. Just dive in!
(I’ve had some great opportunities from people willing to take a chance on an unknown quantity. 10-Minute festivals are a great way to get your foot in the door of live theatre. Without people like Jeremy Smith of Driftwood Theatre and Dominik Loncar of InspiraTO Festival, I’d still be dreaming about being a playwright…instead of being a playwright. Go forth and find your way in.)
Photos are from PERFECT TIMING, one of my 2 InspiraTO Festival plays. Those involved in bringing it to life include:
Dramaturge / MC Thompson Director / Kim Sprenger Cast / Liam Doherty (Carl) Cast / Jennifer Gillespie (Melissa)
You can check out my novels at my AMAZON AUTHOR PAGE They are: Summer on Fire, Sebastian’s Poet, The Reasons, Burn Baby Burn Baby, and, Half Dead & Fully Broken. The horror anthology Purgatorium, which includes a short story by me, is also listed there.