The 24 Hour Project – Peterborough Play Festival – Sat July 6th

MAUGHAM

One of my biggest writing idols is W. Somerset Maugham. Originally, I loved his novel Of Human Bondage. I can’t tell you how many times I’ve read that book. It seems I come across the classics and the lives of the people who wrote them on my own. A kind of self-education if you will. It’s been, at times, a lonely journey, but also an exciting one. Often one title will lead to another to another and to another until I’ve discovered a whole new handful of great writers from the past. With Maugham, I was fortunate enough to stumble upon his ‘how-to’ autobiographical book THE SUMMING UP. I’ve characterized this book as being comparable with Stephen King’s ON WRITING. It has the same feel to it…it talks about writing and the writing process, but it also gives glimpses into who he was as well as displaying his delightful ability to entertain the reader with a great story even when writing and the writing life are the topics he is covering. Much like ON WRITING does.

I read THE SUMMING UP as I was first dipping my toes into the world of playwriting. Maugham was proficient and successful at both novel writing and playwriting. The Summing Up gave me hope that I too could make the transition from page to stage, so to speak. I still don’t think I’ll ever be a great playwright, but I love the 10-minute play format that I stumbled into a few years back. It’s electric, intense and exciting. It summons the same adrenaline rush I first experienced at my first 72hr Muskoka Novel Marathon. That fear that almost paralyses you, even as it propels you furiously forward to create. By the end, you need to have a finished product. The clock ticks, the words build upon themselves, the deadline approaches!

Tonight, I will once again find myself at the starting line of another 24-hour play festival. This will be my 8th. Much like the others, I will have 8 or 9 hours to somehow come up with a full 10 minute play. It needs to be handed in at 5am Saturday morning, along with 4 other plays from 4 other playwrights. At which time, the directors will descend and each will choose one of the 5 plays to direct. The actors will enter and rehearsals will begin.

At 8pm tomorrow evening all 5 plays will be performed for the festival audience.

This is addictive. The fear and anxiety I feel at this moment is laced with regret. WHY DID I DO THIS TO MYSELF AGAIN!? WHAT IF THE NIGHT IS OVER AND I HAVE NOTHING TO SHOW FOR IT?! WHAT IF WHAT I WRITE IS HORRIBLE!? WHAT AM I EVEN DOING?!

It’s all so very exciting and terrifying OH MY GOD!

nervous

Here’s a recent article about this particular play festival, if you’re in the area and are thinking about what you could do on Saturday July 6th:

Five Plays in a Single Day: The 24 Hour Project Returns to Peterborough on July 6

I love the anxiety I’m experiencing at the moment. It’s the fuel that will drive me to figure something out, creatively. Hopefully something comes to me. I just picture the audience sitting there the next night…and the riot that would ensue if, in place of my play, there was simply a dark empty stage. I can’t let that happen.

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Come out to THE 24 HOUR PROJECT in Peterborough, Ontario tomorrow!

WORDS, DON’T FAIL ME NOW!

 

From the Facebook Event Page, here’s the details…should you be so inclined:

The 24 Hour Project is Back!!! – brought to you by Arbor Theatre!

(this will also be a fundraiser for Mysterious Entity Theatre!)

taking place Saturday, July 6th at 8 p.m. at the Gordon Best Theatre! – 216 Hunter St. West

Sponsored by Steamwhistle!
Sponsored by Black Honey!

$10 for 5 original works of theatre!

Here’s how it works…
Friday 8 p.m. – 5 Writers begin scripts
Saturday 6 a.m. – 5 Directors read scripts and each choose one
Saturday 7:30 a.m. – 30 actors arrive and audition
Saturday 9 a.m. – rehearsals begin
Saturday 7:30 p.m. – Doors open at the Gordon Best Theatre
Saturday 8 p.m. – 5 new plays!

This year featuring :

Writers: Linda Kash, David Bateman, Christopher Wilton, Nicky Gibeault, and K Thomas Craig

Directors: Kait Dueck, Lisa Dixon, Wyatt Lamoureux, Dane Shumak, Conner Clarkin

Actors: Randy Read, Charlie Earle, Meg O’Sullivan, Lindsay Barr, Johnathan Sharp, Benjamin van Veen, Tom Keat, Aedan Shaughnessy, Sarah-Jayne Riley, Hilary Wear, Anwen O’Driscoll,
Star Slade, Tyrnan O’Driscoll, Ilan O’Driscoll, Mary Alice Osborn, Vasco Silva, and many more….

And YOU!

email – emglasspool@gmail.com to sign up!

THE 24-HOUR PROJECT FACEBOOK EVENT PAGE LINK

The 24 Hour Theatre Project – A Fundraiser for Mysterious Entity Theatre

Serendipity is at it again, folks! Here I was minding my own business yesterday when Tracey, a friend of mine who lives in Peterborough, Ontario, messaged me to tell me about THE 24 HOUR THEATRE PROJECT taking place at the GORDON BEST THEATRE on July 6th. “You guys should go,” she said. (THANK YOU, TRACEY! You made my July!)

My first thought was, ‘How did I NOT hear about this event? Oh no, it’s too late to be a part of this event!’ Then I got proactive. Mid-messenger-conversation with Tracey, I took a pause to immediately email the organizer of the theatre project to ask how I could apply to be a part of the event NEXT year.

I happen to love this 24hr play creation format. I have participated as playwright in 7 of these events now…6 times for Driftwood Theatre’s Trafalgar24 event, and once for the Uxbridge25 event a few years back. Admittedly, I got an extra hour at the Uxbridge event…they went with 25 hrs to be aligned with the 25th anniversary theme. But what’s an hour amidst the chaos of creativity? It basically means I got to dot my I-s and cross my T-s a couple more times.

To continue, I received a reply from the event’s organizer shortly after sending my email:

Thanks so much for reaching out – and…. this is wonderful actually because one of our writers JUST messaged me that she has to cancel. So – if you are available, I would love you to be one of our writers for this upcoming 24 Hour Project.

Major thanks to Em Glasspool, the organizer for this event, for the invitation!

So here I am, thrown into another wonderful 24hr festival! And I could not be more excited and terrified! I know, I know…terrified is such a serious word. But it’s also a lovely thing in these circumstances. Think of it as ravenous butterflies accumulating in my stomach at an unfathomable rate over the course of the next month, just waiting for their moment to burst out into the universe. What? That doesn’t sound lovely? But of course it is. It’s this magical threat of CREATIVITY AT GUNPOINT that I thrive on! I love it, I love it, I love it!

(Did I mention that the very weekend AFTER this theatre event I’ll be locked in a room for 72hrs with 39 other writers while I attempt to write a full novel from start to finish at the MUSKOKA NOVEL MARATHON?)

So…the deets. You might be asking, “HOW DO I ATTEND THIS EVENT? WHEN IS IT? WHERE? TELL ME!?”

Be patient. First, a little about formatting. If you’ve attended any of the yearly TRAFALGAR 24 events, the format is very close to being the same. The major difference is this—THE PLAYWRIGHTS DO NOT GET LOCKED INTO A HAUNTED CASTLE OVERNIGHT. Otherwise, it’s extremely similar. From the promotional materials:

HERE’S HOW IT WORKS…
Friday 8 p.m. – 5 Writers begin scripts
Saturday 6 a.m. – 5 Directors read scripts and each choose one
Saturday 7:30 a.m. – 30 actors arrive and audition
Saturday 9 a.m. – rehearsals begin
Saturday 7:30 p.m. – Doors open at the Gordon Best Theatre
Saturday 8 p.m. – 5 new plays!

OOH! I’m so excited! The playwrights will be able to write wherever they wish. I’ll most likely just go home. We are required to email the scripts by 5a.m. Saturday morning. Then, I suppose, I’ll have a nap and prepare for the REAL MAGIC to occur. This isn’t my first rodeo. As a playwright at these events, one feels almost like one of the elves working throughout the night to leave behind shoes for the shoemaker to discover in the light of a new day.

BUT—there’s a big but here, folks—the truth to this story is the shoes are nowhere near polished and ready for market in the morning. The shoemakers have to work together to refine the shoes and make them better, make them worthy of the storefront window. The shoes don’t go on display until the next evening…until after the directors and actors perform the real magic. It’s what they do with the scripts they’re given in the morning that makes the script worthy of that evening’s audience. They’re sorcerers…I promise you. I’ve seen it time and time again. It’s my own play I’m watching, my own words being bounced back to me from the stage, but in the hands of these magicians they are made better, real, wondrous. I don’t even know what it is they do. They take these ugly ducklings with promise, run them through their paces and come up with something more fetching, more fluid, more MORE.

It takes a theatre family to raise a play. You really should consider being a part of the audience that gets to see these raw vignettes born only 24 hours before. There’s something magical and lively about this type of event. The newly-born creativity has this pulse running through it and the audience is just as much a part of it as the theatre group itself. The audience’s faith in what they’re about to witness is just as important and dynamic as the starter’s pistol 24 hours before…when not a single word has yet to hit the page.

For those of you in the back row…let me repeat…THE REAL ALCHEMISTS IN THIS 24HR FORMAT ARE THE DIRECTORS AND THE ACTORS!

Trust me, you’ll want to be a part of this.

AND…like Trafalgar24, this event is also a fundraiser for a very good cause. MYSTERIOUS ENTITY THEATRE. It’s a fundraiser for theatre itself, for creativity. Consider coming out to Peterborough for this event. You wanna see what happens, don’t you?

TAKES PLACE: Saturday, July 6th, 2019 at 8 p.m. at the Gordon Best Theatre in Peterborough! – 216 Hunter St. West

gbt.jpg
Google Map 216 Hunter Street West for Directions.

Sponsored by Steamwhistle!
Sponsored by Black Honey!

PRICE: $10 for 5 original works of theatre!

To sign up for this event: email – emglasspool@gmail.com

This is a PAY AT THE DOOR event.

You can go to the Facebook Event Page for this event by searching THE 24 HOUR THEATRE PROJECT or BY CLICKING THE PIC BELOW:

24hr.jpgOTHERS TAKING PART IN THIS EVENT:

Writers: Linda Kash, David Bateman, Christopher Wilton, Nicky Gibeault

Directors: Kait Dueck, Lisa Dixon, Wyatt Lamoureux, Dane Shumak, Conner Clarkin

Actors: Randy Read, Charlie Earle, Meg O’Sullivan, Lindsay Barr, Johnathan Sharp, Benjamin van Veen, Tom Keat, Aedan Shaughnessy, Sarah-Jayne Riley, Hilary Wear, and many more!

Find out more about MYSTERIOUS ENTITY THEATRE HERE.

Hope to see you there!

Trafalgar 24 – Playwriting Most Frenetic (With Driftwood Theatre!)

Driftwood Theatre is…ahem…drifting into Whitby, Ontario once again! And guess what?!

I GET TO PLAY!

The play’s the thing. And with Trafalgar 24, that statement is never more real. Because with Trafalgar 24…6 plays are the thing.

Trafalgar-24-header-2015-wide-fb-759x280

I look forward to this weekend all year long. And I hope and I pray and I pray and I hope that I will have the opportunity to be a part of this most amazing of events.

The extraordinary Trafalgar Castle in Whitby, Ontario. Currently an all-girls boarding school...
The extraordinary Trafalgar Castle in Whitby, Ontario. Currently an all-girls boarding school…

Deets:

24 ARTISTS. 24 HOURS. 6 NEW PLAYS.

From the Driftwood Theatre Website:

Twenty-four artists receive a scant 24-hours to write, rehearse and perform six site-specific plays in Whitby’s beautiful 19th century castle. TRAFALGAR 24 is a theatrical event unlike any other, where the audience is right on top of the action as each of the 10-minute scripts play out around them in locations throughout the castle.

This is THE must see GTA event of the year. Trust me. You do NOT want to miss it.

6th Time’s The Charm (All Six Times Are the Charm!)

There is a theme to this particular Trafalgar 24 and my involvement in it. It takes place MARCH 6th, there are 6 playwrights and this will be my 6th kick at the Trafalgar24 can! 666 –  I can’t even put into words how honoured I am to be chosen as playwright this many times. I live for this event. Let’s see if I can recall all the rooms I have written in thus far…

  • 2009 – The creepy cold dark hallway in the castle basement where the screeching pipes and spiders kept me company. I wrote a comedy about 2 bumbling women lost in the castle and out of their minds with fear and worry. It bordered on slapstick. I had fun. The play was titled PANIC IN THE BASEMENT
  • 2010 – There are two rooms in the front hallway of the main floor with pianos in them. One has two pianos and one has one piano. The lovely and infallible Lucy Brennan was in the room with one piano. She had ONE actor and wrote a stunning soliloquy based on the true history of Trafalgar Castle that the actor pulled off flawlessly. I was in the room down the hall with two pianos. For the life of me, I cannot remember which of these rooms is called the Piano Room, but I think it was mine? I remember there being some confusion at the time too. I wrote a comedy about an overbearing insane maniacal megalomaniac. The play was titled MAID OF HONOUR
  • 2011 – I got a room with an actual stage this time around. What fun I had with this one! It was in the Assembly Hall/Cafeteria…the main room where the wine and cheese and auction and announcements for Trafalgar24 takes place. I wrote a comedy about a woman terrified of public speaking and the man who tries to coach her at becoming a better speaker. The play was titled THE SPEECH
  • 2012 – The Lab! I got people to come up to the lab, to see what was on the slab…as it were. The play was in the hallway leading to the in-house cathedral in the castle. Don’t look at me like that! Every castle needs a cathedral, buddy. The laboratory is a science room for the all-girls school, when it’s in session. Despite the myriad of props in the room, I went with character driven plot. I wrote a comedy about a woman on the precipice of new age wisdom and insanity, and her pessimistic Doubting-Thomas friend. The play was titled ACRONYMS FOR HAPPINESS
  • 2014 – I returned to the castle in March of 2014 to attempt my first dramatic play. And I had the LIBRARY! I always wanted the library. (-: I had Christopher Kelk, too. A legend. An exquisite actor, I feared pulling his name as much as I envied the playwrights who had. I couldn’t imagine being tasked with putting words into Christopher Kelk’s mouth. I felt like I had made it to the show! Not to mention the amazing and equally intimidating Adriano Sobretodo Jr., who was to play alongside Kelk. I knew I had to try my hand at drama. I wrote a play about dementia, and how if effects its sufferers and those who love them. The play was titled THE HISTORY OF US.
The grand entrance hall leading to the staircase to the 2nd story of the castle...
The grand entrance hall leading to the staircase to the 2nd story of the castle…

There you have it. The history of my time at the castle thus far. I have no idea what will happen this year. Zero. Nada. Zip. I go in on a hope and a prayer. Once the 6 playwrights report to Driftwood Theatre’s Artistic Director, D. Jeremy Smith, we will be given the room in which our plays are to be written and performed, as well as head-shots of our assigned actors. That’s it. Then the locking up will ensue. We will be sent to our rooms and we will each have 8 hours to write and polish our respective plays. Anything can happen! In a castle that is as haunted as it is creepy and beautiful…usually anything does happen. But we don’t speak of the things that occur on the Thursday nights in Trafalgar Castle. That’s playwright confidentiality. Just picture us as the elves to the actor/director combos who will enter the castle on the Friday morning as the shoemakers. They will take our words and make them into life.

Standing guard in the main foyer of Trafalgar Castle, Whitby, Ontario...
Standing guard in the main foyer of Trafalgar Castle, Whitby, Ontario…

That’s where you come in. But you must act fast! This event, naturally, sells out every year. It’s magic to witness. And a shame to miss. So pick up your tickets today! ONLINE TICKET PURCHASING – GO TO TRAFALGAR SITE LINKED HERE AND CLICK ON THE BUY TICKETS BUTTON.

If you are attending the WCDR (Writers Community of Durham Region) February Roundtable Meeting at the Ajax Convention Centre, please know that my fellow Trafalgar 24 playwright RUTH E. WALKER will be there and have tickets available for purchase.

Trafalgar 24 Play Creation Festival is a fundraising event for Driftwood Theatre. Driftwood brings theatre to parks all summer long with their BARD’S BUS tour…an Ontario staple. From Driftwood’s site:

As Driftwood Theatre’s signature gala event of the season, TRAFALGAR 24 raises over $20,000 annually in support of bringing the magic of accessible, live theatre home to audiences across Ontario.

March 6, 2015 | Trafalgar Castle | 401 Richmond Street, Whitby, Ontario.

How to Write a 10-Minute Play

So, I’ve been writing the ten minute play for a number of years now. I’d like to think I’ve been doing it with a bit of success, too. Though one could never be sure. I can attest to the fact that the audiences seemed to like my work. Being in an audience when they’re laughing during the unraveling of a comedic play you wrote is extremely rewarding. I consider myself blessed to have experienced that. But I’m rather hard on myself, as a writer…so I tend to allow the actors and the directors to take the blame for the laughter. (-: After all, the script is merely the scaffolding. Right?

So, now that I have had seven 10-minute plays produced…I feel I may be able to offer some advice for others considering the 10-minute play market. It is a favourite of mine. A good 10-minute play can contain the world within its rigidly timed existence. You just have to work like hell to contain it.

1. I learned the hard way that there is a world of difference between a sketch and a play. If your characters are not transforming and going through some kind of self-revelation, you could very well have written a sketch. A play is a complete story, whether that play is 10-minutes long or two hours long. You need an arc. A conversation where nothing really happens and no wisdom is gained and no change takes place is simply a conversation. A lot of first time 10-minute playwrights make the mistake of creating a sketch when they attempt a play, myself included. Last year, during the InspiraTO Festival in Toronto…there was a last-minute call for a play in one of the festival’s satellite locations. As I already had a play in the festival, to take place on the Alumnae Theatre stage, I received the call automatically. I jumped on the opportunity. By the end of the day of the call, I sent in what I mistakenly thought of as a play. Fortunately, it seemed to have some good bones. The Artistic Director, Dominik Loncar, worked with me to flesh out my idea and bring the sketch into the realm of play. I think working with Dominik to create this play was one of the most educational experiences I had in the playwriting process. So, always make sure your play is a full story which culminates in a character change.

2. This one is so easy, it seems self-explanatory. But I have often struggled with it myself. So, I know it needs to be said. For those of you who follow guidelines to a tee, this rule should not be a surprise to you at all. For those of you who think it’s perfectly natural to send a 7,000 word story into a magazine whose submission guidelines clearly state ‘stories should be no more than 3,000 words’, please take heed. There are guidelines for a reason. Ignoring them is the first opportunity the publisher/producer/what-have-you has of culling the pack and rejecting you. Don’t make it easy for people to reject you. ALWAYS read and follow the guidelines. I know from personal experience that well over 50% of submissions are sent in by people who prefer to think of themselves as above submission guideline parameters. As a past acquisitions editor, my job was made quite easy by those who ignored guidelines. I’ve gone on long enough. I tend to get ranty when I discuss writers’ inabilities to follow guidelines. #2 of my advice is that you ensure your play is 10-minutes in running time. NOT ELEVEN. NOT TEN AND A HALF. TEN. End of story. I ‘perform’ my plays over and over again to ensure they meet this criteria.

3. Stage Direction. Use it wisely. Actors are brilliant. While developing their character, they soon learn everything about who that character is. From that place, they can see how that character moves. You don’t want to fill your play with minor business (BUSINESS is the term for what is happening within the play that is not dialogue). If there are necessary directions you feel would move your play forward, by all means include them. But please trust implicitly in the actors and director. They’ll know how to include the right business. I’m sure it infuriates these people no end to be told through stage direction each and every step and movement they are to perform.

4. Give your character a WANT/DESIRE. And then put obstacles in her way. This will create tension. Tension is good. Tension is necessary. Your character needs to propel–be propelled–into the heart of the play. Nothing moves a character more than a shiny carrot dangling just outside of their reach.

5. I think there’s a fine line between KEEP IT SIMPLE and GIVE IT PIZZAZZ. Keeping it simple is required. You only have ten minutes to tell a full story, to bring a character from one place in their life to another. This is not a movie. You can’t have extraordinary props. Your goal is to get to the audience’s raw nerve–be it through comedy, drama, fear, what-have-you. Leave the glitz of the movie world on the silver screen. But this is not to say you can’t give your play pizzazz. You want to make it theatrical, larger than life. You can do this without explosions and special effects. You need to find a perfect balance between simple and exciting. Think of simple as budget-related. Often, you’re working with bare-minimum stage props. Think of exciting as character-related. Give your characters great dialogue and a great compelling story the audience won’t be able to tear themselves away from. Make the walk to the climax a dazzling crescendo.

Scene from Perfect Timing, one of my 2013 InspiraTO Festival plays.
Scene from Perfect Timing, one of my 2013 InspiraTO Festival plays.

The best advice I could give someone who aspires to get into the 10-minute play business? Surround yourself with people in the know. Approach theatre groups. Take in 10-minute festivals in your area. Nothing teaches one more about writing than reading. Nothing teaches one more about 10-minute playwriting, than watching 10-minute plays. Don’t be afraid to write a play and submit it. There are 10-minute festivals all over the world, now. You don’t have to have the title of playwright to write a play. That comes after. Just dive in!

Scene from Perfect Timing, one of my 2013 InspiraTO Festival plays.
Scene from Perfect Timing, one of my 2013 InspiraTO Festival plays.

(I’ve had some great opportunities from people willing to take a chance on an unknown quantity. 10-Minute festivals are a great way to get your foot in the door of live theatre. Without people like Jeremy Smith of Driftwood Theatre and Dominik Loncar of InspiraTO Festival, I’d still be dreaming about being a playwright…instead of being a playwright. Go forth and find your way in.)

Scene from Perfect Timing, my 2013 InspiraTO Festival play.
Scene from Perfect Timing, my 2013 InspiraTO Festival play.

Suggested Reading: The Summing Up by W. Somerset Maugham

Photos are from PERFECT TIMING, one of my 2 InspiraTO Festival plays. Those involved in bringing it to life include:

Dramaturge / MC Thompson
Director / Kim Sprenger
Cast / Liam Doherty (Carl)
Cast / Jennifer Gillespie (Melissa)

 

You can check out my novels at my AMAZON AUTHOR PAGE They are: Summer on Fire, Sebastian’s Poet, The Reasons, Burn Baby Burn Baby, and, Half Dead & Fully Broken. The horror anthology Purgatorium, which includes a short story by me, is also listed there.

The The – Perfect (Or How To Scare Yourself Into Fulfilling Your Dreams)

You know it’s going to be an interesting day when you wake up with The The lyrics playing in your head. The following lines float in my mindscape quite often, a little threat to suggest what could happen if I don’t take risks and chances at every opportunity that comes my way:

Passing by a cemetery,
I think of all the little hopes and dreams,
That lie lifeless and unfulfilled beneath the soil.
I see an old man fingering his perishing flesh.
He tells himself he was a good man and did good things.
Amused and confused by life’s little ironies,
He swallows his bottle of distilled damnation.

Yep. There it is. All the threat you need to never say NO again!

I often use those lines as a means to motivate myself into doing something I’m more than a little terrified to do. Say, public speaking. Do I really want to be a bag of bones lying lifeless and unfulfilled beneath the soil? NO. I want it to be said that I took risks, that I pushed beyond my own imaginary limits. I don’t want to live in my comfort zone anymore!

It’s harder than one would imagine. Trust me. But the rewards far outweigh the terrifying fear I sometimes find myself in. And…it does get easier. Those things you think you could never do. Do them. Do them once. Do them twice. Do them whenever the opportunity arises. You’ll find that the sixth time is just a little bit easier than the fifth.

One day, I hope to master this public speaking thing. I’ve been having a lot of opportunities lately to speak. Last month I did a writing workshop on Pantsing and Plotting. I was constantly waiting for the wall of nervous jitters to hit. The thing is…it didn’t. I was comfortable. Admittedly, some of the things I wanted to discuss in the workshop left my brain. I stumbled and stuttered a bit with the odd brain fart. But…here’s the thing…I did NOT pass out. I remember the first time I read in front of the writing community I am a part of. I had to sit down with my back to the audience. How insane is that. If I didn’t sit, I would have fell…my legs were made of that much jelly.

So, whenever fear strikes I just sing The The lyrics to myself. I have those lines chase me into submission. I will not cower away from opportunities I know I will enjoy. I will not cower away from opportunities I know I will enjoy. This conquering of my own will has brought me to a lot of cool places in recent years. I laugh when I think of the way I begged a play festival producer to give me a chance to be a playwright in his festival. ME! A playwright. That would never happen! And five years later I now have two plays in an upcoming festival in Toronto. These will be plays number 6 & 7. And did I ever imagine that I would be in a recording studio at the CBC building, actually recording something I wrote for the radio? Not in my life! But after getting over the initial horror, I think that experience went okay as well. Thankfully, I had a fellow writer friend with me!

What’s this all about? Taking chances. LIFE OPENS UP WHEN YOU OPEN UP TO LIFE. Just keep on singing those terrifying lines I quoted up there.    ^  Nobody wants to get to the end of their life and think, “I wish I would have done all those things I was too afraid to do!” Take chances. Push yourself well beyond your limits. You may just enjoy doing those things you’re a little nervous to try. (Disclaimer–if this prompts you to go jumping out of an airplane and your parachute doesn’t open, please don’t pin it on me.)

Go forth. LIVE!