The following was originally published in the WCDR Wordweaver in the spring of 2014.
WRITING THROUGH A CRISIS OF HAPPINESS
It’s been ages since I’ve had a daily writing regime. I was fanatical about my sacred hour of writing before the rooster crowed. Then life changed. Drastically. I came down with a debilitating Crisis of Happiness™.
I write from darkness. I’m a writer because of my misery-laden psyche. From darkness comes creativity. Remove darkness, and the urgency to write evaporates. Happiness equals a dry well.
While on my recent vacation to China and Hong Kong, I planned to re-institute my early-morning writing hour. I thought it’d be easier to get back into my regime while vacationing. But Beijing was breathtakingly beautiful. This made for great writing fodder, but also ramped up my Crisis of Happiness™.
We travelled almost every day. We went from Beijing to Shanghai to Suzhou to Hangzhou to Wuxi to Shanghai to Hong Kong. Most mornings I awoke in a different hotel room than the morning before. With 14 days to re-establish my habit, I persevered.
Writing is a discipline. We must take it seriously in order for it to have importance in our lives. I had been using it as a crutch to prop up the rest of my life. One early morning in Shanghai, I considered a change of perspective. Write from a place of joy. Such an easy concept. If I could write from a wounded psyche, I could also write from joy. I embraced the pre-dawn vista of Shanghai spread out before me like a frenetic wonderland and I picked up my pen. I wrote. I was back.
I can’t, however, write about the place I’m in. Amid the unsurpassed beauty of Suzhou—Venice of the East—I wrote about how, atop the Eiffel Tower, the blinding Paris sunsets distort the views of the beautiful city below. Having spent the previous day boating through Suzhou’s beautiful canals, I happily wrote about
This morning, I awoke with a vivid memory of a tipsy evening in a restaurant atop the peak overlooking Hong Kong’s Victoria Harbour. I wrote about being down in the harbour earlier that day, and how water lapped at the hulls of the ancient heritage boats precisely the same way it lapped at new boats. The ancient ones were festooned with Chinese lanterns and decorous accoutrements, but their seaworthiness seemed questionable. The powerful
new motorboats were sleek, sexy, and clearly capable of seafaring adventures.
I wrote about how perspective changes a person. I used to be one of those rickety old boats swaying in the wake of the newer models, always fearing that today is the day I sink. Oh, how I tried to write my way out of sinking. But I realized one need not be the shiny new boat to stay afloat. One need only move the pen across the page.
Writers are witnesses not only on the days we’re miserable and tired. We must also be witnesses on the days we’re overcome with joie de vivre. We must bear witness every day.