Have I done a list lately? I should keep a list of the lists I list. Or is that list the lists I keep?
In a writing slump? Finding it hard to finish that Great Canadian (American, Armenian or otherwise) Novel? Trying to dedicate more time to writing this year because you’re one of those people who makes New Year Resolutions? Follow this list to a tee and you should find yourself back on the writing wagon. If you’re already on the writing wagon and you follow this list, you will find yourself even more connected to your writing. My point? Follow this list and you will write more.
How to Write When You’re Not Feeling Writerly (OR When You’re Feeling Stabby and Murderous Towards Words, How Do You Embrace Them and Make Them Work in Your Favour…Even Though You Hate Them)
Turn OFF the social media and Click the to OFF. I know it’s impossible to imagine, but these things are distractions…killers of the imagination, even while they are stimulating it. If you follow this first item in this list, you will significantly increase your outflow of words. The increase could quite possibly be tenfold.
See the first item in this list. Quite frankly, if you got this far in the list you aren’t following the steps properly.
ARE YOU STILL HERE. Stop reading this. Turn off the internet and write.
Don’t make me yell at you. SIT. WRITE. Open only one window…whatever program it is you use to write with.
I’m gonna keep this list short and to the point. Only 5 items. Item 5 is CLOSE THIS WINDOW. SIT. WRITE. <<This advice works if you’re a beginner writer, or if you’re someone like that up-and-comer Stephen King…who has a couple books under his belt.
If you’re still here, clearly you’re not heeding my warnings. If you’d rather read than write, click on the image below to get yourself over to GOODREADS to enter to win a paperback copy of my latest novel, BURN BABY BURN BABY. The contest ends JANUARY 11, 2015!
If you’re on INSTAGRAM, follow the steps in the picture below to win a paperback copy of BURN BABY BURN BABY in the INSTAGRAM contest! The easiest way to enter this one would be to go to Instagram and repost this image from my account. Instagram is sometimes tricky with resizing, etc.
Okay…now there is still a chance for you. Turn it all off. SIT. WRITE. That’s it. That’s all you have to do. No magical equation. No tricks or gimmicks. To write more all you need to do is write more. One word in front of the other without the everyday distractions that weigh you down and mess with your creativity and drive. SIT. WRITE.
For me, the chatter that takes place between the pages of a book is the most important part of the book. The connecting prose is merely the scaffolding, if you will.
There could be quite a few things wrong with a book, but if the talk is authentic it can still have legs. Yes, as writers we should concentrate on ALL aspects of our craft. It is incumbent upon us to do so. But I honestly believe there should be extra emphasis on the dialogue. The minute that becomes inauthentic and weighty, the book starts to take on water. Bad dialogue? It may never recover. For me, it’s the most inexcusable flaw in story. That’s why we should pay extra close attention to the words we choose to put in our characters’ mouths. Those words carry a LOT of weight!
It’s been a while, so… time for a list.
5 Quick & Easy Step to Writing More Gooder Dialogue
Sorry about the list title. Every once in a while I like to make my writing readers twitch. I know that title is going to make someone scream. The FIRST step to writing excellent dialogue is LISTENING. It’s an easy step and it’s one you can do anywhere, anytime, anyhow. You don’t need any props or expensive equipment. Just plop yourself down somewhere and lend an ear to the environment in which you happened to have plopped. Great places in my Dialogue Listening Toolbox? DLT™ 🙂 My favourite for a while was Arrivals at the airport. Man, the dialogue! Coffee Shops, Subway Stations, Bars, Office Water Coolers, Hospital Emergency Waiting Rooms. You see where I’m going here, right. Anywhere! Just go somewhere where there are lots of people. Sit. Listen.
Use slang and bastardized language at the proper acceptance threshold. Don’t weigh down your dialogue with an excruciatingly heavy amount of bastardized language or dialects. Just enough to suggest to the reader that it’s there. The only place I accept ANYWAYS ever is in dialogue. I do NOT consider ANYWAYS to be a word. In fact, the dictionary usually says this of ANYWAYS: informal or dialect form of anyway. So slang-a-lang-a-ding-dong is acceptable in dialogue. Because people use it. People hyphenate and shorten and murder words when they speak. So it is acceptable in dialogue. Don’t pepper it into your prose outside of those quotation marks, though!
READ YOUR DIALOGUE OUT LOUD. Do NOT ignore this crucial step. I cannot help you, if you do. I consider it absolutely imperative to read dialogue out loud. It is unforgivable not to. If, when you’re reading it alive, you think, “NOBODY WOULD ACTUALLY SAY THIS. NOT THIS WAY.”, then you will know why this step is so important. And it will happen. I don’t think anybody writes perfect dialogue in a first pass. READ. IT. OUT. LOUD. If you have friends who will read it aloud with you, all the better. Sit together and go over the dialogue parts of your manuscript like you would a play reading.
Don’t be afraid to murder your dialogue darlings. Sometimes, as writers, we write the perfect sentence. Then we sit back and bask in the warmth of the glow coming off that sentence. But quite often that stellar sentence is as useless as bark on a donkey. CUT IT! If your character gave some brilliant soliloquy that is just shining with the beauty of our language, but said soliloquy kills the flow of story by taking the reader out of its depth, SLASH IT. It’s your beautiful darling, but it just hiccupped your reader. Don’t do that!
I don’t really have a #5 so I will just leave you with this. SAID rules!
Now get out there and LISTEN. It’s easy. SIT AND LISTEN. Then… SIT AND WRITE.