A 3-Day Diary of a Writer Once in Stasis
(Before I proceed, just so we’re all on the same page, the Merriam-Webster definition of stasis— “a state or condition in which things do not change, move, or progress“. So, that is where I stood as a writer prior to July and between July end and September end.)
106 days after coming up with a shadowy wisp of an idea for my 2016 Muskoka Novel Marathon novel, I typed the words THE END on the last page of the manuscript. Then I quietly celebrated the moment by being silent and allowing this icy cold feeling to course through me and send a chill or two up my spine. That feeling was the climbing-out-of-my-skin motion made by the make-believe souls of my characters leaving the body they had possessed while I wrote. And in their absence, as usual, I was left feeling glum. Not good enough. Lonely. Why did they leave me? I didn’t even think the story was finished yet. Even as Finn’s omniscient narrator wrapped up the telling of the story, I wanted to scream, “NO! NOT YET! THEY HAVEN’T DONE THIS! THEY HAVEN’T DONE THAT!” But once the wheels of the bus start to roll, there really is no controlling it. The trajectory is a surprise only the vast nothingness from which the story arrives knows. At least in my case, where I outline and plan exactly NOTHING. Sure, I will have discussions about what I think will happen next, or things that will take place in a vague as-yet-unwritten future of the story. But they don’t always take place. And then, when I type those solemn door-slamming words THE END at the bottom of the manuscript, I know the rest of the story that I envisioned will never take place. And that makes me even sadder than I was when I realized I had hit the end. After the words have been struck and they glow there like doombabies at the bottom of the screen, you know you can’t fight your way past them. But you also get to see the world of your characters stretch out beyond those words of death. THE END. It is never the end. The unwritten scenes that you toyed around with, spoke of, discussed…they’re still there. They are ghosts forever hanging off the precipice of those two little words. They are phantom limbs, unformed digits, un-lived dreams. It’s very painful to be finished your story and still have material leftover in the end that you thought you would use within the confines of the novel. That leftover material is one of the many things writers look at to cultivate their own self-doubt and self-loathing. That material is the vision not perfectly transformed from thought-scape to page. Those leftovers are the scream the writer lets out after the cold icy surge of release as they let their characters escape their bodies. Not good enough. Failed to reach the vision. THE END. I think of this every time I see the slit on the face of Mona Lisa. Her lips could have been raised in the corners ever so slightly to bring her face into a more beatific smile. But Leonardo da Vinci, in his infinite wisdom, had already announced to himself, ‘la fine‘. There was no going back. My THE END stands sentinel over the blank space below it that cannot be filled.
I know I didn’t finish the novel. I wrote THE END, but I didn’t finish it. But you can’t go back. Done bun can’t be undone, as Stephen King once said. C’est la vie. So it is written. I spend day hating self for putting those two words at the end of the manuscript. I print out my manuscript and I am in awe over how big it is as a chunk of printed papers. Like, wow. I did that. I overhear Aves streaming from the heavens…or at least from the mouths of crackpot waste-oids singing heavenly verses in dark alleys somewhere in my general vicinity. There is music…and it is celebrating the awesomeness of my thick pile of pages, written in a frenzy of desperation while hopelessly clinging to one unwritten sentence after the other and attempting to harness them down and get them onto paper before forgetting my train of thought. Bam. The rest of the day, after printing out the manuscript, is spent listening to the knitpicking voice in the back of my head whispering, “YOU’RE NOT DONE. YOU’RE NOT DONE!” I sigh. I hold up my impressively thick pile of paper. I say, “Oh yeah? What do you call this?!” I listen as the voice whispers, “A START.”
I woke up with a desperate need to delete those two words at the bottom of my manuscript. I had already sent it out to 3 very generous fellow Muskoka Novel Marathon writers. They are acting as beta readers for me…they will tell me what needs fixing under the hood of my novel prior to me releasing it to the critical eyes of editors/agents. I gave myself leeway for once. I purposefully set my cursor to the end of those two nasty words THE END and then I hit BACKSPACE seven times. That’s ALL IT TOOK. The two words vanished into the ether. It was like a Christmas miracle. And then I proceeded to rearrange a bit of my last chapter, to unclose it. To unend it. To youdidntquitegetthereyouhavetogobackinandfixthis. Then, I proceeded to write the last chapter. So my last chapter became my second last chapter and my chapter that wasn’t on the page but was in my brain became my last chapter. Cue the emergency email to my 3 generous beta readers. Plead forgiveness, explain my folly, send the new second last chapter that used to be my last chapter and the new last chapter. Then go out with said 3 beta readers and the rest of the writing posse I hang with from time to time and attempt to forget about the fact that my ugly baby is inthehandsofothers. Then I BEGIN working on the manuscript I put on hold while racing to finish the Muskoka Novel Marathon novel.